Along with “Il Trovatore” and “La Traviata,” “Rigoletto” is part of the immortal triumvirate of milestone operas written by Giuseppe Verdi and premiered in the early 1850s. It has become one of the most popular operas in the entire repertory, with stupendous music for the baritone, soprano and tenor leads. The work contains such beloved numbers as “Caro nome,” Gilda’s coloratura aria; the Duke of Mantua’s famous “La donna è mobile”; and the quartet “Bella figlia dell’amore” from the third act. In this production from the early 1990s from Milan’s La Scala, Roberto Alagna sings the part of the Duke, Renato Bruson the title role and Andrea Rost the role of Gilda. The staging is by Gilbert Deflo, whose vision is supported by the distinguished set designer Ezio Frigerio and costume designer Franca Squarciapino. The aristocrat of conductors, the autocrat of the baton, Riccardo Muti cuts a noble figure at the head of any orchestra, and ennobles every ensemble through his charismatic personality and red-blooded musicality. In many respects, including his unwillingness to compromise over artistic matters, he is reminiscent of Arturo Toscanini, who was also a demanding ruler at the podium. His rise to international fame set in with his guest conductorships at the Salzburg Festival in 1971 and at the head of the Berlin Philharmonic and the Philadelphia Orchestra in 1972. Muti became principal guest conductor of the Philadelphia Orchestra a few years later, and was named its music director in 1980. Always a conductor of both the symphonic and operatic repertoire, Muti advanced to the post of music director of La Scala in Milan in 1986. The 1990s saw Muti consolidating his reputation at the head of this venerable institution, as well as in countless other high-caliber venues around the world. Today he is one of the undisputed giants among the leading conductors of the world.