Macbeth

TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances.

“This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI

Tutto Verdi – The Complete Operas

Tutto Verdi – for the first time all 26 operas are available on DVD and Blu-ray in HD and Surround Sound.

“This is how Verdi should be played.” FAZ

Belcanto D´Amore (Aida, La Traviata, Madama Butterfly, Rigoletto, Turandot)

AIDA

Iano Tamar, Iain Paterson,

Tatiana Serjan, Rubens

Pellizzari

Vienna Symphonic Orchestra

Carlo Rizzi

Staged by Graham Vick

MADAMA BUTTERFLY

Raffaela Angeletti

Nino Batatunashvili

Annunziato Vestri

Fondatione Orchestra

Regionale Delle Marche

Daniele Callegari

Staged by Pier Luigi Pizzi

TURANDOT

Maria Guleghina, Marco Berti,

Javier Agulló

Orquestra de la Comunitat

Valenciana

Zubin Metha

Staged by Chen Kaige

LA TRAVIATA

Svetla Vassileva, Massimo

Giordano, Valdimir Stoyanov

Orchestra e Coro del Teatro

Regio di Parma

Yuri Temirkanov

Staged by Karl-Ernst & Ursel

Herrmann

RIGOLETTO

Francesco Demuro, Leo Nucci

Nino Machaidze, Marco Spotti

Orchestra e Coro del Teatro

Regio di Parma

Massimo Zanetti

Staged by Stefano Vizioli

Best of Verdi Arias

La traviata

1. È strano! È strano! … Ah, fors’è lui … Sempre libera

2. Lunge da lei … De’ miei bollenti spiriti

3. Di Provenza il mar, il suol

Rigoletto

4. Questa o quella

5. Gualtier Maldè … Caro nome che il mio cor

6. Cortigiani, vil razza dannata

7. La donna è mobile

Don Carlo

8. Fontainebleau! … Io la vidi e al suo sorriso

9. Ah, più mai non vedrò la regina! … O don fatale

Aida

10. Se quel guerrier io fossi! … Celeste Aida

11. Ritorna vincitor! … Numi, pietà del mio soffrir!

Luisa Miller

12. Quando le sere al placido

Il trovatore

13. Stride la vampa!

14. Ah! Sì, ben mio … L’onda de’ suoni mistici … Di quella pira

I vespri siciliani

15. Mercé, dilette amiche

Un ballo in maschera

16. Forse la soglia attinse … Ma se m’è forza perderti

La forza del destino

17. Pace! Pace, mio Dio!

18. La vita è inferno all’infelice … O tu che in seno agli angeli

Otello

19. Piangea cantando nell’erma landa … Ave Maria, piena di grazia

20. Niun mi tema

Tutto Verdi: Simon Boccanegra, Luisa Miller, Giovanna d’Arco, Il Corsaro, I Lombardi alla prima crociata, Nabucco, I due Foscari, Un giorno di regno

On the occasion of the 200th birthday of Giuseppe Verdi in 2013 one of the most important opera houses in Italy, The Teatro Regio in Parma, performes Verdi’s complete operas. As co-producer of this project, Unitel presents the operas in High Definition including 5.1 sound. An exceptional and unique project to honour the great composer! Already available are: ‘Simon Boccanegra’ (155′), ‘Luisa Miller’ (146′), ‘Giovanna d’Arco’ (130′), ‘Il Corsaro’ (90′),’ I Lombardi alla prima crociata’ (130′),’ Nabucco’ (132′),’ I due Foscari’ (114′), ‘Un giorno di regno’ (120′)

Macbeth

With its relentless dramatic continuum, Macbeth, Verdi’s early masterpiece and his tenth opera (premiered in Florence on 14 March 1847) rescued the composer from a creative crisis. In Macbeth Verdi created a successful synthesis of music and drama on which he was to guide himself from now on. Director Claude d’Anna and conductor Riccardo Chailly chose the version which Verdi prepared for Paris and was premiered there on 21 April 1865. As to the apparitions and supernatural aspects of the work, d’Anna says that he always “tried to find theatrical rather than cinematic solutions. … Solutions had to result from the work’s own symbolic logic, not simply from technology.”

Recital Leo Nucci

Thirty years at La Scala: this is what Leo Nucci’s recital commemorated, an event celebrated by the fact that it was sold out only a few days after the booking opened. It was in 1977, and it was naturally the Barbiere by Rossini that opened in style the career at La Scala of a singer amongst the dearest in the heart of opera audiences, in particular in Milan. From then onwards, Nucci has performed in the greatest theatres in the world. He has sung with the most famous opera singers in the world, has worked with conductors such as Karajan, Solti, Giulini, Muti, Abbado, Maazel, Mehta, Levine and has participated in two ‘opera-films’: Macbeth and Il barbiere di Siviglia, in addition to numerous videos of live opera performances.