Kit Armstrong plays Wagner, Liszt and Mozart

Bayreuth is not only the city of Richard Wagner, but also of his father-in-law Franz Liszt. Described by the New York Times as a “brilliant pianist” who combines “musical maturity and youthful daring in his exceptional playing”, Kit Armstrong performed at the famous Margravial Opera House Bayreuth, a masterpiece of Baroque theatre architecture, works by

Wagner, Liszt and Mozart in a concert that was “technically sophisticated – and poetically poignant”. (Der Opernfreund) Alfred Brendel, who has guided Armstrong as teacher and mentor since 2005, ascribes to him “an understanding of the great piano works that combines freshness and subtlety, emotion and intellect”.

Kit Armstrong: Bach´s Goldberg Variations and its predecessors

When Kit Armstrong was only 14, he overcame his mentor Alfred Brendel’s reluctance to take on pupils. Said Brendel: “He played so beautifully that I thought to myself, ‘I have to make time for him.’ It was a performance that really led you from the first to the last note.” Soon Armstrong was winning international prizes both as pianist and as composer and was appearing as soloist at some of the world’s foremost venues. At the Concertgebouw, Armstrong mesmerized his audience with Bach’s monumental Goldberg Variations – preceded by earlier polyphonic variation masterpieces by William Byrd, Jan Pieterszoon Sweelinck and John Bull. “Enlightening and exhilarating.” (Revierpassagen). “Armstrong’s phenomenal recital was so exceptional that every attempt to describe it falls short.” (NRC)

Kit Armstrong – Bach’s Goldberg Variations and its predecessors

“Armstrong’s phenomenal recital was so exceptional that every attempt to describe it falls short” (NRC). When Kit Armstrong performed at Amsterdam’s hallowed Concertgebouw for the first time, he mesmerized his audience with Bach’s monumental Goldberg Variations. By combining them with earlier polyphonic variation masterpieces by William Byrd, Jan Pieterszoon Sweelinck and John Bull, in the present program he is shedding a new light on Bach’s masterpiece. When Kit Armstrong was only 14, the Los Angeles-born musical prodigy overcame his mentor Alfred Brendel’s reluctance to take on pupils. Brendel said: “He played so beautifully that I thought to myself, ‘I have to make time for him.’” Soon Armstrong was winning international prizes both as pianist and as composer and was appearing at some of the world’s foremost venues.

For Elise – Beethoven’s Besteller

It’s one of the most popular pieces of classical music in the world. A catchy tune that won’t let go. It’s in every stack of piano music. It’s been used in music scores for Hollywood films like “Rosemarys Baby” or “Inglorious Basterds”. “For Elise” can be heard tinkling from mobile ringtones, telephone waiting loops, Fabergé eggs and toy pianos. The American rapper Nas based his hit “I can” on the melody of “For Elise”. How could this piece of music, just 928 notes in length, ever achieve such international distribution and celebrity? Within this documentary famous Pianists such as Alice Sara Ott, Gabriela Montero, Kit Armstrong, Richard Clayderman, composer Detlev Glanert and others give their interpretations of “For Elise”. The film sets off in search of the meaning and merit of “For Elise”. Prominent classical music experts and historians in Berlin, Vienna and Bonn work out the secrets of the magic that this best known and most frequently played of Beethoven’s pieces sparks anew in every generation around the world.