From the Gasteig in Munich: Germany’s most popular Tenor Jonas Kaufmann presents an evening with the most famous German operatic arias. Amongst them ‘Dies Bildnis ist bezaubernd schön’ from W.A. Mozart’s The Magic Flute, ‘In fernem Land’ from Wagner’s Lohengrin and ‘Winterstürme’ from Walküre, as well as works by Carl Maria von
Weber (‘Freischütz’). With this repertoire Kaufmann goes back to his roots: ‘I grew up with this music. It is embedded in my genes.’
Bold in conception, popular in format, gripping in its presentation – “Eras of Music History” makes the soundtrack to European history come alive – immediate and easily comprehensible for young viewers, classical newcomers and experts. In the series “Eras of Music History” music becomes something palpable – sounds you can touch and feel. Graphic novels, historical scenes, jam sessions and commentaries by classical stars, footnotes from political figures, philosophers and cultural scholars – all these are woven together with video and audio documents of the history of great performances. (4 part series: Baroque, Romantic, Viennese Classicism, 20th Century – 4×90’ or 8×45’)
Jonas Kaufmann is an ardent film enthusiast and now, for the first time, he brings this passion to the
stage. In his new program, „The Sound of Movies,“ Kaufmann presents film music hits from 80 years of film history, featuring music from various eras and genres including Ennio Morricone, Hans Zimmer, and musical hits like “West Side Story” and “The Sound of Music.” The program offers a cinematic experience for the ears, culminating in a captivating journey through the magic of cinema.
Contemporary Opera Director Claus Guth and celebrated Set Designer Michael Levine transform PARK AVENUE ARMORY Hall for a spectacular reimagining of Schubert’s Schwanengesang. The cycle forms a series of masterful snapshots of all that life has to offer, and features a performance that transcends genre: Jonas Kaufmann and his longtime accompanist, pianist Helmut Deutsch, interpret the collection of songs, augmented by additional Schubert repertoire an atmospheric soundscape and transformative light and video projections to create a production that is part performance, part installation. “a rare treat … the theatrical ingenuity and visceral force was so strong that the audience let out an audible gasp of shock” (The New York Times), “a remarkable theatrical coup … Kaufmann’s burnished tenor remains potent, unleashing powerful torrents of sound.” (The Financial Times), “Doppelganger is awesome experimental theater on a grand scale … There’s really nothing like it in New York right now.” (Theatermania)
Experience an unforgettable gala evening with Jonas Kaufmann. Immerse yourself in the fascinating world of opera and wonderful melodies. In the magical setting of the Arena di Verona, the “King of the Tenors” shows the incomparable versatility of his repertoire: from the most beautiful opera arias, including from Tosca, La Traviata and Otello, to operetta classics such as “Dein ist mein ganzes Herz” and moving songs from great film classics such as West Side Story. Jonas Kaufmann celebrates the 100th opera season in the Arena di Verona with this unique gala concert this year. And the “wonder tenor” (Le Monde) does not come alone: with Sonya Yoncheva and Ludovic Tézier, three of the world’s greatest opera stars are on stage for this very special evening.
Ot(h)ello – the most famous black theatrical hero, a reflection of 4 centuries of racism on stage. What role did black people play in the world of Shakespeare and Verdi? What influence did the colonial period have on the genesis of the play and the opera? How did the ideas of “white people” about “black people” influence their interpretation? Jonas Kaufmann and Antonio Pappano, as well as the legendary football player Jimmy Hartwig, explore the “Mythos of Ot(h)ello”.
It was the existential turning point of a career that until then had known mainly triumphs: During a rehearsal, José Carreras learns that he has leukemia – an almost certain death sentence in 1987. He is transferred from Barcelona to a special clinic in Seattle. His only chance is a therapy that until then was considered impossible: stem cell transplantation. He survives the disease and feels a real commitment to others suffering from leukemia. Starting with the cancer and the subsequent healing as the frame story, the film tells the stages of a world career in an associative and emotional way, jumping back and forth. Tightly edited archive footage brings these chapters to life. Newly filmed material shows the most important scenes from Carreras’ life and career. In addition, interviews with prominent companions, contemporaries and experts as well as a central interview with the jubilarian himself reflect a dramatic biography without slipping into one-sided hero worship. Cross-genre greetings and birthday serenades from Pretty Yende to Diana Damrau and from Plácido Domingo to David Garrett demonstrate the high regard in which the artists’ colleagues hold his life’s musical achievements and document the enormous impact José Carreras continues to make.
My Vienna is a deeply personal tribute to the world-famous melodies from the birthplace of waltz and operetta. Jonas Kaufmann has always had a special rapport with Austria and Vienna. His grandmother had a fondness for the light classics and was happy to sing the evergreens of Johann Strauss, Franz Lehár and Robert Stolz – a nice contrast to his grandfather’s passion for Wagner. As a child, Jonas spent much of his free time on his grandparents’ farm in Tyrol. Austrian television was almost more familiar to him than its German counterpart. Since then he has had a deep love for Viennese songs and operetta. “The music always put me in a good mood”, he recalls. “When I had unlikeable things to do as a student, like cleaning or vacuuming, all I had to do was play Carlos Kleiber’s Fledermaus recording, and in no time at all I had a grin on my face.” Viennese songs and scenes from operettas; music by Johann Strauß, Franz Léhar, Emmerich Kálmán, Robert Stolz, Ralph Benatzky, Jaromir Weinberger, Peter Kreuder and Georg Kreisler.
