Messa da Requiem

TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI

Verdi wrote his Messa da Requiem in 1873-74 for Alessandro Manzoni. a poet whom he much admired. Like Brahms’s German Requiem, Verdi’s Mass for the Dead is not intended for liturgical use but for the concert hall. ln addition to its profound spirituality, this masterpiece brings together the finest qualities from Verdi’s operas: endless melodic lines and captivating musico-dramatic effects.

La forza del destino

TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI

For La forza del destino, Verdi created one of his most famous melodies, the “fate” motif that permeates the whole of the score. Music and action alternate in masterly fashion between large-scale crowd scenes and intimate interiority, in that way illustrating Verdi’s real theme: the manner in which fallible human beings are destroyed by a cruel fate.

La Battaglia di Legnano

TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI

La battaglia di Legnano is the only opera by Verdi to have any direct bearing on the Risorgimento – the Italian liberation movement. Only superficially is the action concerned with the conflict betwen the Lombard League and Frederick Barbarossa, the Hohenstaufen emperor. Among the opera’s highlights are its patriotic choruses, with which Verdi stirred up opinion in favour of a united Italy.

La battaglia di Legnano

On the occasion of the 150th anniversary of Italian unity, Ruggero Cappuccio staged a new production of Verdi’s opera “La battaglia di Legnano” for the Rome Opera. Premiered in 1849, this work won Verdi a unique spot in the hearts of the Italian people, making the composer a living symbol of the struggle for liberation and unification. Leading the talented cast are Dimitra Theodossiou as Lida, Andrew Richards as the freedom fighter Arrigo, and Leonardo Lopez Linares as Rolando, Arrigo’s best friend. Boris Brott conducts with the “fire needed for this patriotic opera. [ ]” (Der neue Merker).