Barcelona’s Teatre del Liceu presents Mozart’s singspiel in an elegant production by Christof Loy with a splendid cast of top stars headed by coloratura soprano Diana Damrau in her debut at Spain’s largest and most distinguished opera house. Damrau’s “charismatic stage presence announced… that we were in the presence of a great singer”, wrote Opera News. Starring along with Damrau are Olga Peretyatko, Christoph Strehl, Norbert Ernst and Franz-Josef Selig. Christof Loy portrays Konstanze and Blonde as having developed profound feelings of respect, admiration and even love for their captors.
Der Rosenkavalier
“The best of the best assembled on stage,” wrote Germany’s leading newspaper Frankfurter Allgemeine Zeitung after the premiere of Richard Strauss’ Der Rosenkavalier at the Festspielhaus Baden-Baden. Indeed, it would be hard to find a more ideal cast for this late-Romantic Rococo pastiche anywhere in the world. As the Marschallin, stellar soprano Renée Fleming uses her velvety tones and autumnal shadings to complement the youthfully lyrical and dynamic voice of Sophie Koch as her young lover Octavian. Diana Damrau’s Sophie enhances the trio’s sparkle with her ethereal high notes. Next to Franz Hawlata as a swaggering Baron Ochs and the always impressive Franz Grundheber as Faninal, the Baden-Baden production rounds off its male leads with international tenor star Jonas Kaufmann as the “Italian Singer.” Leading his Münchner Philharmoniker, acclaimed Romantic specialist Christian Thielemann revels in Strauss’s lustrous melancholy and obtains a rarely heard transparency from the brass and woodwinds.
Teatro alla Scala Opera Box
FIVE OUTSTANDING OPERAS FROM THE LEGENDARY TEATRO ALLA SCALA: AIDA: “A perfect coup de théâtre” (Giornale della musica). A “stellar cast” (La Stampa) I DUE FOSCARI: The Financial Times was deeply moved by Domingo’s performance, calling his interpretation of the role “sublime” DIE ZAUBERFLÖTE: Ádám Fischer “gets the best out of the Academy Orchestra with delicate execution and humane phrasing” (Die Presse) LE NOZZE DI FIGARO: “… when Diana Damrau enters as the Countess, we get a performance of special gravitas. Even the orchestra, under Franz Welser-Möst’s baton, melts to such grace.” (Financial Times) DIE ENTFÜHRUNG AUS DEM SERAIL: A „masterful use of light and silhouettes“ by Giorgio Strehler. (Milano Post) „Extraordinary, a wonder …“ (Corriere Della Sera)
Le nozze di Figaro
For the 225th anniversary of Mozart’s death, La Scala Theatre presents a new production of Le nozze di Figaro that had been entrusted to the extraordinary director Frederic Wake-Walker (author of a production of La finta giardiniera which was the revelation of the Glyndebourne Festival in 2014). He focusses the action of the piece on the instability of love: “Le nozze di Figaro presents us with an impossibility – a world where everyone is loving and forgiving.” The approach to his direction is “elaborate and very innovative” and “also musically, the new production of Figaro is worth a tour to Milan.” (NZZ) “the cast is magnificient.” (Kurier) “… when Diana Damrau enters as the Countess, we get a performance of special gravitas. Even the orchestra, under Franz Welser-Möst’s baton, melts to such grace.” (Financial Times)
Die Entfuehrung aus dem Serail
Barcelona’s prestigious Gran Teatre del Liceu presents Mozart’s beloved Singspiel in an elegant, dramaturgically twisted production with a sparkling cast of top-rank international stars headed by coloratura soprano Diana Damrau as Konstanze and rising star Olga Peretyatko as Blonde. Stage director Christof Loy has conjured up a thought-provoking and strikingly original scenario in which both Konstanze and Blonde are feeling respect, admiration and even profound love for their captors. The result is a tantalizing approach that overturns the traditional patterns of good and evil.
“Diana Damrau achieved a huge success at the Barcelona Liceu.” Opera News
“Franz-Josef Selig, the best Osmin I have ever seen.” Opera News
RCO Opening Night 2017: Hengelbrock conducts Mozart and Dvorak
With its festive RCO Opening Night, the Royal Concertgebouw Orchestra kicks off the new season with a hall full of loyal listeners and new music lovers. The RCO is joined by celebrated conductor Thomas Hengelbrock and – for the first time ever – by German star soprano Diana Damrau. Together they perform well-loved arias and orchestral works by W.A. Mozart, as well as Antonín Dvorák’s Symphony No. 8. Dedicated to the genius of Mozart, the first half of the concert kicks off with the overture to Don Giovanni, played with gusto by the RCO and Thomas Hengelbrock, an expert in historically informed performance practice. Diana Damrau’s “L’amerò, sarò costante” is a sincere declaration of love while the concert aria “Bella mia fiamma, addio” is a dramatic farewell letter to a loved one which the singer performs with great passion. The programme is rounded off by Antonín Dvorák’s Symphony No. 8, an exuberant ode to the great outdoors.
Festive Advent Concert at the Frauenkirche Dresden 2022
Two world-renowned singing stars are this edition’s guests at the “Festive Advent Concert”, German TV’s most successful concert series: soprano Diana Damrau and tenor Mauro Peter. The young French conductor Marie Jacquot leads the Staatskapelle Dresden for the first time. With the 2024/25 season, Marie Jacquot will take over as Musical Director of the Royal Danish Theatre in Copenhagen. In addition to the Staatskapelle Dresden, two choirs complete the cast of the 2022 “Advent Concert”: the Sächsischer Staatsopernchor Dresden and the Kammerchor der Frauenkirche. The choir’s director, the cantor of the Dresden Frauenkirche, Matthias Grünert, also appears as organist. “The Sächsische Staatskapelle Dresden and the Sächsischer Staatsoperchor once again proved their quality.“ (Online Merker)
The Odeonsplatz Concert: Macelaru & Damrau
Leonard Bernstein: Candide – Overture; Jules Massenet: “Suis je gentille ainsi? Allons, il le faut…” from the opera “Manon”; Jules Massenet: Thaïs: Méditation; Erik Satie: Gymnopédies 1 and 3 (orchestrated by Debussy); Charles Gounod: “Un bouquet..Ah, je ris de..” from the opera “Faust”; Antonín Dvorák: Symphony No 9 E minor, op 95 – “From the New World”
Festive Advent Concert at the Frauenkirche Dresden 2017
The Festive Advent Concert has become a much loved tradition in Dresden and one of German TV’s biggest classical music success stories. Christian Thielemann and his Staatskapelle Dresden present a programme ranging from the overture of Bach’s orchestra suite D major to Mendelssohn Bartholdy’s Christmas Cantata “Vom Himmel hoch”, Mozart’s Laudate Dominum, excerpts of Haydn’s Die Schöpfung (The Creation) and traditionals. German star soprano Diana Damrau with her “gorgeous and richly coloured timbre” (Sächsische Zeitung), the “brilliant” Helmut Fuchs on trumpet and the “very impressive” Choir of the Sächsische Staatsoper (Dresdner Neueste Nachrichten) create a festive concert experience together. The clear, enchanting soprano of Tuuli Takala blends perfectly with the beautiful, high baritone of Benjamin Appl, winner of the Gramophone Young Artist of the Year Award.
Diana Damrau – Diva Divina: Nine Months With The German Opera Star
She is simply one of the best singers in the world,’ proclaimed the New York Sun triumphantly after another of Diana Damrau’s spectacular performances at the Metropolitan Opera. And while The Guardian gushed: ‘The German soprano…has become a cult figure,’ the Frankfurter Allgemeine Zeitung noted succinctly: ‘Whoever says coloratura says Damrau.’ In private moments with her parents and her first teacher, Damrau talks about her childhood and youth, about her discovery of opera while watching TV, her early career and her international breakthrough in 2002 in roles such as Donna Anna and Zerbinetta. The film portrays an exciting, high-intensity, fast-paced jet-set life tempered by the harmony of a rewarding family life with her husband, her parents and, at the end of the film, with her brand-new baby!