Yunchan Lim was the youngest ever winner of the legendary Van Cliburn International Piano Competition in 2022. Now, at the age of twenty-one, he is making his Concertgebouw Orchestra debut in Robert Schumann’s one and only Piano Concerto. The dreamy slow movement of this Romantic work is among the most beautiful Schumann ever composed. After the interval, the conductor Jakub Hruša guides us through his native Czech Republic with symphonic poems by two renowned fellow countrymen. In The Wild Dove, Dvorak tells a story full of passion, murder and all-consuming guilt in a village community. When Dvorak died in the spring of 1904, his pupil and son-in-law Josef Suk happened to be working on Prague, a symphonic ode to the city of Prague. The epic work would also become a homage to his mentor. PROGRAM Schumann: Piano Concerto; Dvorak: The Wild Dove; Suk: Prague
RCO: Mäkelä conducts Mahler 5
The chief conductor designate Klaus Mäkelä is once again following in the footsteps of Gustav Mahler. Since Mahler led the orchestra in his Fifth Symphony in 1906, they performed it 130 times. The kaleidoscopic symphony evokes emotional extremes. ‘Each movement has its friends and foes,’ Mahler once said. Yet the Adagietto, the symphony’s very lifeblood, seems to have only friends. According to Willem Mengelberg, the orchestra’s then chief conductor who maintained close contact with the composer, this movement was a pure declaration of love to Mahler’s wife Alma. The young violinist Daniel Lozakovich joins the Concertgebouw Orchestra for the first collaboration together. He shines in Max Bruch’s legendary First Violin Concerto. PROGRAM Bruch: Violin Concerto No. 1; Mahler: Symphony No. 5
RCO: Mäkelä conducts Mahler 8
Performances of Mahler’s Eighth Symphony are not so common, especially on the anniversary of Mahler’s death. Led by their Chief Conductor Designate Klaus Mäkelä, Mahler’s ‘Symphony of a Thousand’ was the Royal Concertgebouw Orchestra’s final contribution to the Concertgebouw’s Mahler Festival 2025. With four choirs—the Dutch National Radio Choir, the Laurens Symfonisch, Le Chœur de l’Orchestre de Paris, and the Dutch National Children’s Choir— this huge choral ensemble demonstrated immense energy and power. Seven international soloists, sopranos Golda Schultz and Miriam Kutrowatz, altos Jennifer Johnston and Okka von der Damerau, tenor Giorgio Berrugi, bariton Michael Nagy, and bass Tareq Nazmi, were all formidable. “A monumental Eighth from Klaus Mäkelä and the Royal Concertgebouw Orchestra” (Bachtrack)
RCO: Kerstmatinee 2025
The Christmas Matinee turns fifty this year! Klaus Mäkelä will conduct an enjoyable concert full of twilight tints, nocturnal whispers and tales from distant lands. Experience the fabulous stories from the One Thousand and One Nights in Rimsky-Korsakov’s sultry Sheherazade , the solo violin running through the work like a golden thread. Less well-known but just as compelling is the symphonic poem Lydische nacht by Alphons Diepenbrock, who is considered the most important Dutch composer of the late-Romantic period. Who wouldn’t feel for a shepherd all alone in the darkness with his turbulent inner world and the cool, impassive moon…
RCO: Järvi conducts Khachaturian & Stravinsky
The Estonian conductor Paavo Järvi is in his element with repertoire from Northern and Eastern Europe, and this programme features three such works. Vesper (Poem) by his compatriot Ester Mägi, ‘the first lady of Estonian music’, is a poetic work for strings inspired by St John’s Church in Tallinn. The Khachaturian Piano Concerto is proof that colourful, vibrant music was indeed written in the Soviet era. The work is imbued with the influence of Armenian folk music. And to add to the exotic atmosphere, the piano is accompanied by a musical saw in the middle movement! The work is grist to Jean-Yves Thibaudet’s mill, a pianist who for decades has excelled in original repertoire. Finally, there’s Petrushka, Stravinsky’s exuberant ballet music about a marionette who comes to life, falls in love and wreaks havoc on a Russian carnival. Listeners need no sets or dancers to see the story unfold before them, and the colourful music lets all the members of the orchestra shine. PROGRAM Mägi: Vesper; Khatchatourian: Piano Concerto; Stravinsky: Petrushka