Operas: Oberto, Un giorno di regno, Nabucco, I Lombardi, Ernani, I due Foscari, Giovanna d´Arco, Alzira, Attila, Macbeth, I masnadieri, Il corsaro, La Battaglia di Legnano, Luisa Miller, Stiffelio, Rigoletto, Il Trovatore, La Traviata, I vespri siciliani, Simon Boccanegra, Un ballo in maschera, La forza del destino, Don Carlo, Aida, Otello, Falstaff. “This is how Verdi should be played.” FAZ Including all 26 Verdi Operas + Requiem + BONUS: 10 mins introductions of each opera + documentary “Verdi´s Backyard” + booklet 280 pages
Tutto Verdi – The Operas Vol. 3, 1855 – 1893
Tutto Verdi – The Operas Vol. 2, 1847 – 1853
Tutto Verdi – The Operas Vol. 1, 1839 – 1846
Tutto Verdi Highlights
TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances.
“This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI
Messa da Requiem
TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI
Verdi wrote his Messa da Requiem in 1873-74 for Alessandro Manzoni. a poet whom he much admired. Like Brahms’s German Requiem, Verdi’s Mass for the Dead is not intended for liturgical use but for the concert hall. ln addition to its profound spirituality, this masterpiece brings together the finest qualities from Verdi’s operas: endless melodic lines and captivating musico-dramatic effects.
Falstaff
TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI
Based, in part, on Shakespeare’s The Merry Wives of Windsor, Falstaff is Verdi’s last work for the stage – and only his second comic opera. And yet the humour in this multilayered masterpiece is distinctly wry, for all the main characters exhibit an array of human weaknesses that are implacably exposed by Verdi and his librettist Arrigo Boito.
La Traviata
TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI
La traviata is Verdi’s most popular opera and one of the best loved of all stage works. Romance, tragedy and unforgettable tunes – this opera has it all. But modern audiences have largely lost sight of the fact that its plot was altogether unprecedented at the time of the work’s composition: with the tale of a highclass prostitute dying of consumption, Verdi raised his fondness for daring subjects to a whole new level.
Un ballo in maschera
TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI
In 1792 King Gustaf III of Sweden was shot at a masked ball, and this was the starting point for Verdi’s
Un ballo in maschera. But before the opera could be performed in Rome in 1859, the composer had to deal with a whole series of problems with the censor. It was only when the action was moved to Boston and all reference to real-life figures removed that the work could be launched on its triumphant career.
Simon Boccanegra
TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI
None of Verdi’s other operas was subjected to as radical a series of revisions as Simon Boccanegra. The initial version of 1857 was not a success, so that in 1880/81 Verdi not only rewrote large sections of the score but together with his new librettist Arrigo Boito also reworked the libretto. The result was a sombre work full of overwhelming sound pictures. This second version proved a great and lasting success.