A “triumph of remembrance,” wrote the daily “Die Welt” in its online service following a stirring concert that left its audience hovering between hushed reverence and deafening exultation. The Golden Hall of Vienna’s Musikverein was the dazzling venue for the live recording of one of four concerts given by the Berlin Philharmonic Orchestra under Seiji Ozawa and with Anne-Sophie Mutter. The series began in Berlin’s Philharmonie before going on to Paris, Lucerne and Vienna, where it culminated on 28 January. And there, in Vienna, Karajan’s “Berliner” never sounded better, evoking “a time which self-confidently sought the private and subjective in music, and believed it could find them in the mirror of the works.” (Frankfurter Allgemeine Zeitung).
BBC Proms 2016: Simon Rattle conducts Mahler 7
For the opening of his last season as chief conductor of the Berliner Philharmoniker, Sir Simon Rattle chose Gustav Mahler’s Symphony No. 7. Following the performance at the Philharmonie in Berlin, Rattle took his orchestra to London, to present Mahler’s mighty work to his new concert audience from next year on. Indeed it was Mahler’s music that initially led Rattle to the idea of pursuing a career on the podium. And it was an interpretation of Mahler’s 7th that made a significant contribution to the Berliner Philharmoniker selecting the maestro as their chief conductor. “The Berliner Philharmoniker led off in ravishing brass colours that punched the air with exalted penetration before softening to an equally glorious restraint. Thereafter, with dynamics that turned on a sixpence the symphony held together as persuasively as I’ve heard it” (Bachtrack). PROGRAM: Boulez: Éclat, Mahler: Symphony No 7 in E minor
Simon Rattle conducts Sibelius
For the recent major London residency of the Berliner Philharmoniker at the Barbican Sir Simon Rattle has chosen music that means most to him, the complete cycle of Sibelius symphonies in honour of the 150th anniversary of the composer’s birth: “Sibelius is so concentrated and exact. With Sibelius you feel that if one drop touches your skin it would burn right through the bone.“ “High-voltage Sibelius kicks off Rattle’s London Residency” raved the press consequently over the opening of the cycle. The Telegraph agreed: “Sibelius’s symphonies sounded thrillingly new in the hands of Simon Rattle and the Berlin Phil”, in a way, that “a great orchestra and conductor can make familiar music seem the hottest thing in town”.
Kirill Petrenko conducts the Berliner Philharmoniker
The first performance at the Lucerne Festival of the Berliner Philharmoniker with their designated chief conductor Kirill Petrenko – Kirill Petrenko and the Berliner Philharmoniker in Lucerne were joined by the Chinese hypervirtuosa Yuja Wang in Sergei Prokofiev’s most popular Piano Concerto, the spirited No. 3. The program began in the world of Persian fairy-tales with Paul Dukas’s ballet score to “La Péri” from 1911, which recounts the story of a good fairy who is half-angel, half-human. And this Impressionist-flavored piece by no means needs to yield ground to Dukas’s better-known “The Sorcerer’s Apprentice” … Kirill Petrenko feels extremely devoted to Austrian composer Franz Schmidt, one of the last of the Romantics, who had to endure a traumatic experience when his only daughter, Emma, passed away in March 1932. He subsequently wrote a kind of Requiem with his Fourth Symphony, which includes elegiac laments, a wide-ranging funeral march, and, at the end, a celebration of farewell: “a dying in beauty,” as Schmidt said, “with the whole of one’s life passing in review.”
Lucerne Festival 2016: Rattle conducts Berliner Philharmoniker
Even if the music world is often dominated by rivalry, examples of genuine friendships can certainly be found. Take Johannes Brahms and Antonín Dvorák: a pair whose friendship was free of self-interest. And sure enough, his first publication, the spirited Slavonic Dances, enjoyed a sensational success. The Berlin Philharmonic paid homage to this musical friendship by pairing Dvorák’s bravura Slavonic Dances with the Second Symphony of Brahms, also composed in 1877. And as an “appetizer” Sir Simon Rattle has commissioned a new work from his compatriot Julian Anderson. PROGRAM: Julian Anderson: Incantesimi for Orchestra; Dvorák: Slavonic Dances, Op. 46; Brahms: Symphony No. 2
Abbado in Berlin – The First Year
The vote was over, and a decision had been made: Claudio Abbado was the new chief conductor of the Berliner Philharmoniker. So it was in 1989, when – for the first time – the orchestra itself decided who was to be its leader. The result was a surprise for the music world – and also for Abbado himself. This documentary from 1990 traces the first year of the new chief conductor in Berlin, the special atmosphere of new beginnings and the diverse expectations the musicians had of Herbert von Karajan’s successor. Other than this, many insights are provided into the first artistic projects of the new man at the helm, starting with the rehearsals for Mahler’s First Symphony with which he ushered in his tenure in December 1989. We are also taken behind the scenes to see among other things Abbado’s first visit to Karajan’s room – which was now to be his – and to a first birthday party with the musicians of the Berliner Philharmoniker. Of course, the members of the orchestra have their say, and tell of their hopes and what they expected of their new boss. Even today, these impressions convey the special magic that was in the air at that time.
Rattle conducts Haydn and Mozart
At this summer’s Lucerne Festival, Sir Simon Rattle and the Berliner Philharmoniker presented a new Haydn symphony that never existed before: Rattle gathered together ten of the most original and avant-garde-like instrumental movements by Joseph Haydn to fashion a “Symphonie imaginaire,” a new Haydn symphony that never existed before. In addition to this astonishing Haydn Pasticcio, Rattle conducted Mozart’s Sinfonia concertante for violin, viola and orchestra, soloists were Daishin Kashimoto (violin) and Amihai Grosz (viola).
Lucerne Festival 2017: Rattle conducts Haydn’s Schöpfung
It was a farewell and the end of an era: Sir Simon Rattle was in Lucerne as principal conductor of the Berliner Philharmoniker one final time this summer. Together, they evoked the original state of the world with a performance of Haydn’s Schöpfung. It was a finale that touched upon life through music – thereby proving once again the distinctiveness and the outstanding standard of the artistic cosmos of Rattle and his orchestra. Earlier in the program, they played “ein kleines symphonisches Gedicht” by Georg Friedrich Haas, who was “composer-in-residence” of the Lucerne Festival in 2011. “Rattle highlights the story of the creation with a great sense of detail” NZZ
New Year’s Eve Concert 1988
Salzburg, August 1988: the 17-year-old Evgeny Kissin meets the legendary conductor Karajan for a private audition, and his performance of a Chopin Fantasy brings the maestro to tears. A few months later, Kissin is at his side to perform Tchaikovsky’s First Piano Concerto as part of a New Year’s Eve concert in Berlin. The success would follow the pianist for years to come: as he put it, “the miracle happened again. Still today, people speak to me about this concert.” (L’Express). Experience the archival film footage of his acclaimed performance from that day, which captures not just the astonishing virtuosity of a young Kissin, but also Karajan’s last appearance with his orchestra the Berliner Philharmoniker. Just seven months later, this “monster of classical music” (France Musique) would pass away at the age of 81.
John Williams – The Berlin Concert
The history of film music would be different without him: John Williams. Cinema classics like Star Wars, Indiana Jones and Harry Potter are inextricably linked with his soundtracks. They have unforgettable, radiant themes, an impressive range of atmospheres and sounds and, at the same time, the always unmistakable style of the composer. John Williams makes his debut with the Berliner Philharmoniker at these concerts. The programme includes several of his most famous scores – and of film music in general. Film music from Indiana Jones, Harry Potter, E.T., Jurassic Park, Far and Away and Star Wars.