This DVD celebrates the extraordinary artistic world of Eastern European Jewish music, or in the words of Itzhak Perlman, “chicken soup for the soul.” Legendary violinist Itzhak Perlman and renowned cantor Yitzchak Meir Helfgot join forces for a musical exploration of liturgical and traditional works in new arrangements for both chamber orchestra and klezmer settings. In Rejoice with Itzhak Perlman and Cantor Yitzchak Meir Helfgot, these two incomparable virtuosos unite for an evening of cantorial masterpieces, Yiddish folk and theater tunes, Hassidic melodies, and klezmer instrumentals.
Bruckner, Symphony No. 5
Following on from their recording of the Eighth, Christian Thielemann and the Staatskapelle Dresden are continuing their internationally acclaimed Bruckner cycle with the Symphony No. 5. For Anton Bruckner, his Fifth Symphony was a glorious confrontation with the music of the past – from a personal, biographical angle, but also as a departure from the composition techniques he preferred up to this point. Not for nothing is this tremendous opus magnum regarded as Bruckner’s “contrapuntal masterpiece”. In this universally lauded performance, Christian Thielemann, already the leading Bruckner interpreter of our times, has once again proven himself to be a “magician of the Bruckner sound”. (Kurier)
Bruckner Symphony No. 8
Bruckner’s Eighth is one of the most powerful works in music and the symphony that Bruckner himself regarded as his “opus summum”. This recording by the acknowledged Bruckner master Christian Thielemann and “his” orchestra, the Staatskapelle Dresden, marks the beginning of a cycle of the Austrian composer’s complete symphonies that is to be produced over the course of several years – a living monument of musical architecture! Thielemann’s Bruckner “is so mighty, and with such a depth of sound … that one would have to be hard-hearted not to be touched by this heartfelt music” (Der Tagesspiegel).
Emmanuel Pahud´s tribute to Frederick the Great
Emmanuel Pahud, the Berliner Philharmoniker’s principal flautist, celebrates the 300th anniversary of Frederick the Great’s birth with a concert recorded in the Royal Theatre of Potsdam’s Neues Palais, one of the architectural gems erected by the Prussian king within the World Heritage palace ensemble of Sanssouci. Not only was Frederick an eminent ruler and philosopher, he was also a passionate flautist, a talented composer and patron of music, who appointed to his court such renowned musicians of his day as J. J. Quantz, C. P. E. Bach and Franz Benda. Accompanied by the Kammerakademie Potsdam directed by Trevor Pinnock Emmanuel Pahud performs works by these three composers together with a composition written by Frederick the Great himself.
La vida breve
A national monument in Spain, Manuel de Falla’s La vida breve is perhaps the greatest opera ever written in the Spanish language. A kind of “tragic zarzuela”, it unites verismo atmosphere, Andalusian local colour and a score shimmering with reminiscences of French Impressionism. Written in 1905, La vida breve is the story of a poor gypsy and her lover, who is engaged to wed a wealthy girl. “Simply a stroke of genius”, wrote Spain’s Opera Viva about Giancarlo del Monaco’s austere, minimalist staging at Valencia’s Palau
de les Arts Reina Sofía. Maestro Lorin Maazel, whom El País hailed as the “triunfador” of the evening, leads an exquisite array of soloists headed by Chilean soprano Cristina Gallardo-Domâs, Jorge de León and María Luisa Corbacho.
Thielemann conducts Faust
Under the musical direction of their chief conductor designate, Christian Thielemann, the Staatskapelle Dresden performed this special concert to celebrate Franz Liszt and his bicentenary. At its home, the prestigious Semperoper in Dresden, the orchestra presented a Faust-themed concert with two works by Wagner and Liszt inspired by Goethe’s drama. “Fired up by inspiration, the Dresden musicians and their leader offer a superb demonstration of their ability, their precision and their feeling for colour and temperament … A top orchestra and a top conductor have found each other” (Die Welt).
Uniko
Salzburg Opening Concert 2010
As the 2010 Salzburg Festival marked two major landmark anniversaries – the Festival’s 90th and the Großes Festspielhaus’s 50th – a glamorous and very special opening concert was mandatory: Daniel Barenboim, the Vienna Philharmonic and a quartet of world-class singers opened the proceedings in style. Barenboim, who in 2010 also celebrated his 60th anniversary onstage, excelled as soloist and conductor of Beethoven’s unsurpassably lyrical Fourth Piano Concerto. And subsequently, under his baton, Dorothea
Röschmann, Elina Garanc?a, Klaus Florian Vogt and René Pape delivered unforgettable performances in Bruckner’s poignant Te Deum.
Beethoven: Missa Solemnis
Beethoven´s Missa Solemnis was performed on 13 and 14 February at the traditional memorial concert to commemorate the bombardement of Dresden during the last weeks of World War II. Under Christian Thielemann, the Staatskapelle Dresden proved itself exeptionally qualified to master this work´s magnificent challenges. Thielemann “conjured up the gigantic cosmos of the Missa with such lightness and grace that its mystery seemed to reveal itself”, wrote the Frankfurter Allgemeine Zeitung. No less remarkable was the fabulously homogeneous solo quartet formed of Elina Garanca, Krassimira Stoyanova Michael Schade, Franz-Josef Selig.
King Roger
It is hard to believe that for decades Karol Szymanowski´s masterpiece, his magnificant opera King Roger of 1926, led such a shadowy existance until it was revealed for what it is by such powerful champions as Simon Rattle: one of the 20th century´s finest operas. The visually strong production by David Pountney provided the Bregenz Festival with one of it´s most abiding successes in recent years. Scott Hendricks in the baritone title role and Olga Pasichnyk as his queen, Roxana, were both rapturously applauded. “What grandiose music!” (Süddeutsche Zeitung)