It would be hard to imagine a more seductive hero, a more passionate performer, a more glorious interpreter of the great Romantic roles of Verdi and Puccini than Rolando Villazón. Yet the singer’s temporary withdrawal from the spotlight in 2007 opened up a wealth of new possibilities for the singer. Among the ‘new paths’ that Villazón envisioned for the future were ‘adventures’ such as Baroque music. Next to a recording of works by the early Baroque composer Claudio Monteverdi (available from UNITEL CLASSICA), he now offers a selection of arias by George Frideric Handel. This intimate concert featuring Villazón and the Gabrieli Players under Paul McCreesh was filmed in a setting that ideally suits the style of the music, St. Paul’s Church in Deptford, near London, one of Britain’s finest Baroque churches. It was built between 1712 and 1730, almost exactly when Handel was writing his most celebrated operas and oratorios.
Sting – A Winter’s Night
In the unique setting of England’s most famous cathedral famous English singer-songwriter Sting and guest musicians give us their interpretations of some moving folk-based melodies including The Snow it Melts the Soonest, Soul Cake, Christmas at Sea, Gabriel’s Message, Balulalow and Now Winter Comes Slowly. In addition, the programme features an arrangement of the Coventry Carol joined by the Durham Cathedral Boys’ Choir, as well as Peter Warlock’s haunting Bethlehem Down, a lively arrangement of the traditional song I Saw Three Ships and Sting’s own Ghost Story. Also available: Documentary (52′)
Barenboim On Beethoven
As a musical highlight during the Summer Olympics 2012 in London, the West-Eastern Divan Orchestra under the baton of Daniel Barenboim performed all nine symphonies by Ludwig van Beethoven during the famous BBC Proms in the Royal Albert Hall. In 2011, Barenboim worked on and performed the symphonies with his truly one-of-a-kind orchestra made up of young musicians from across the Middle East, and scored great successes on his tours with them through Europe and Asia.With his film the well-known English filmmaker Michael Waldman documents the rehearsals and the Asia tour. As a supplement to the concerts, he offers a fascinating look at Daniel Barenboim’s work with the young musicians. We see Barenboim showing them how Beethoven forged a new symphonic language, while also investigating how this music continues to communicate with such undiminished power.
Concert Monstre
Five hundred artists on stage is just what it takes to do justice to the grandeur and genius of Hector Berlioz. His Symphonie funèbre et triomphale, premiered at the Bastille, draws on this impressive cast of instrumental and vocal forces under the baton of François-Xavier Roth at the Philharmonie de Paris. Also to be heard are Berlioz’ works L’ impériale, Chant des chemins de fer and La Marseillaise in a breathtaking orchestration, sung with the participation of the audience. A gigantic and “outstanding concert” (ResMusica). PROGRAM: Grande Symphonie funèbre et triomphale; L’ impériale, Chant des chemins de fer, La Marseillaise
Il viaggio – A musical journey through Italian Renaissance
Vincent Dumestre and his ensemble Le Poeme Harmonique take us on a musical journey through the music of the Italian Renaissance to the beautiful Palazzo Farnese in Rome. On the occasion of its 20th anniversary, the baroque ensemble together with French mezzo-soprano Eva Zaicik pays homage to the unique musicality and sensitivity of Bellerofonte Castaldi and his contemporaries Monteverdi and Frescobaldi, as well as Rossi, Buonamente and Uccellini.
Raphaël Pichon conducts Handel & Bach
Bach and Handel, opera and oratorio, and extreme affects such as frenzy and deep suffering – Raphaël Pichon and his Ensemble Pygmalion at the Philharmonie de Paris. The phenomenal French coloratura soprano Sabine Devieilhe makes the colorful program shine as a vivid Baroque panorama. PROGRAM Handel: Il trionfo del Tempo e del Disinganno: “Un pensiero nemico di pace”, Giulio Cesare in Egitto: “Che sento? O dio!…Se pietà”; Bach: Cantatas: Wir müssen durch viel Trübsal, BWV 146: Sinfonia, Mein Herze schwimmt im Blut, BWV 199, “Ich steh mit einem Fuß im Grabe”, BWV 156: Sinfonia, “Geist und Seele wird verwirret”, BWV 35: Concerto, “Ich habe genug”, BWV 82 (excerpts)
Gardiner conducts Berlioz and Elgar
The Orchestre Philharmonique de Radio France joins forces with conductor Sir John Eliot Gardiner and violist Antoine Tamestit for a concert featuring Italy and putting two composers in the spotlight: Hector Berlioz and Edward Elgar. With Harolde en Italie, Hector Berlioz invokes transalpine landscapes. Shaped by the period when the composer was resident at the Villa Medici, this symphony in four parts gives pride of place to the viola, played here by Antoine Tamestit – “one of the two or three greatest current performers” (Diapason). In the South (Alassio), composed between 1903 and 1904 by Edward Elgar, is still about Italy, pastoral atmosphere and Byronic colours. Brilliantly complex, this work, written in record time, is one of the peaks of romantic music. Let us travel a little deeper into Edward Elgar’s melancholy with his Sospiri. This adagio for strings composed at the dawn of the First World War is captivating in its romanticism and passion.
Donizetti: Messa da Requiem
From the Basilique de Saint Denis, the burial place of the French Kings since centuries and at the same time one of the first gothic churches in the world, comes the first ever audiovisual recording of a long lost masterpiece of Italian sacred music, full of romance and belcanto: Gaetano Donizetti’s luminous Messa da Requiem. The highly virtuosic and lyrical score, expressing the Christian vision of the passage from death to eternal life, combines the imposing polyphony of a choir with the operatic brilliance of soloist arias. The Argentine conductor Leonardo García Alarcón conducts his Orchestre Millenium, an orchestra dedicated to bring ancient music to a new generation, with “precise gestures and rich contrast” while the Choeur de Chambre de Namur impresses with “clarity and power” (Forum Opera).
Ensemble Intercontemporain – Celestial Mechanics
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. Celestial Mechanics brings together the works of the basque composer Ramon Lazkano and his german colleague Matthias Pintscher, who, as different as their musical style may be, share the penchant of getting inspired by nature, the sky, the wind, and the evanescence of all living things.
Ensemble Intercontemporain – Genesis
In the year of its 40th anniversary, the Ensemble Intercontemporain, famous for its performances of 20th and 21st century music, presented five very special programmes at the Cité de la Musique and the Théâtre de Chaillot in Paris, each one of them dealing with its own particular subject. The single works performed in the 5 concerts are available as 23 individual films. Genesis has especially been commissioned on the occasion of the Ensemble’s 40th anniversary. Consisting of seven orders to seven composers, each one based on one day from the biblical genesis, it aims to question the concept of creation in various nuances.