Bayreuth – From Myth to Modernity’ describes the collapse of a world order: the twilight of the gods depicted in ‘Götterdämmerung’ is a powerful symbol in the canon of the Bayreuth Festival. Wagnerians of today, however, look confidently toward the future and see in Bayreuth less a twilight than a dawn – the dawn of a new leadership, a new artistic direction, a new era with Wolfgang Wagner’s daughters Eva Wagner-Pasquier and Katharina Wagner.
Portrait Edita Gruberova – The Art of Belcanto
Edita Gruberova turned the bel canto style – as exemplified primarily by the early 19th-century operas of Bellini and Donizetti – into her own, unmistakable specialty. But what is the nature of bel canto? What is the secret of her vocal gift? These are a couple of the questions the film addresses. In addition to rehearsal excerpts from ‘Lucrezia Borgia,’ the film shows Gruberova in the title role of ‘Norma’ and as Elisabetta in ‘Roberto Devereux’. Archival recordings allow us to admire her in ‘Rigoletto’ with Luciano Pavarotti, the legendary ‘Ariadne auf Naxos’ under Karl Böhm, and Jean-Pierre Ponnelle’s film adaptation of ‘Così fan tutte’ under Nikolaus Harnoncourt.
Anne-Sophie Mutter plays Mozart: Trios for Violin, Cello and Piano
All three trios on this recording are lending weight to the claim that they are the three finest and most exemplary works in this genre by Mozart. In the earliest of the three, K. 502, Mozart broke through the traditional predominance of the piano to give equal weight to the strings, whereby the violin is given ample opportunity to display the soloist‘s bravura. Joining Anne-Sophie Mutter on this recording is the internationally acclaimed young cellist Daniel Müller-Schott. At the piano is Sir André Previn, pianist, conductor, composer and gifted accompanist. The stunning location of the concert – the late-Baroque Teatro Bibiena in Mantua – bears a subtle connection to Mozart, for it is here that the 14-year-old Wolfgang gave a recital with his father in January 1770 while on his first tour of Italy.
Bruckner, Symphony No.7
“Grandiose, unaffected, expansive, majestic, immovable…” – Christian Thielemann’s description of Anton Bruckner’s music vividly captures its essence and uniqueness. And he himself captures the soul of the great romantic composer in his interpretation of Bruckner’s Seventh Symphony with the Munich Philharmonic. Recorded live at the Festspielhaus Baden-Baden on 14 November 2006, the concert also features three orchestral preludes from the opera “Palestrina” by another late-romantic composer, Hans Pfitzner (A05512085 / Length: 25′)
Stabat Mater op. 58
The music of the quintessentially Czech composer Dvorák is, above all, enjoyable and is a perennial favourite in the Romantic repertoire. This series of concerts is performed by the Prague Symphony Orchestra and Chorus and the Prague Philharmonic Choir, with three leading Czech conductors on the podium: Petr Altrichter, Jirí Belohlávek and Libor Pesek. Guest soloists include soprano Lucia Popp, alto Eva Randová, tenor Josef Protschka, bass Peter Mikulás, pianist Igor Ardasev, violinist Ivan Zenaty and cellist Mischa Maisky.
Così fa … Ponnelle
Lecture Recital with Walter Levin
Walter Levin was born and raised in Berlin, but emigrated to Palestine in 1938. In 1946 he began studying the violin under Ivan Galamian at the Juilliard School of Music in New York. He was the founder and first violinist of the LaSalle Quartet (1946-1988) and went on tours with this ensemble throughout the world. When the LaSalle Quartet ended its concert activity after more than 40 years, Levin turned to the teaching of young quartet ensembles and worked as a teacher and author in Europe. The Artis Quartet (Peter Schuhmayer and Johannes Meissl, violins; Herbert Kiefer, viola; Othmar Müller, violoncello) was founded at the Vienna Musikhochschule in 1980. The ensemble studied in Vienna and in Cincinnati with the LaSalle Quartet. After winning many awards at the beginning of the 1980s, the group began its international career. The Artis Quartet has been giving its own concert series at the Vienna Musikverein since 1988.
Journey
Born in Bolzano (Bozen, Italy) in 1934, Herbert Rosendorfer is a lawyer who introduced himself as an author in 1966 with his short story “Die Glasglocke.” This was followed by many novels, stage works, scripts and short stories, which revealed him to be an imaginative and multi-faceted author. A socio-critical satirist, he writes with a well-balanced mixture of wit, thought-provoking ideas and absurd-grotesque elements. All this is also found in his novel “Briefe in die chinesische Vergangenheit” (Letters to China’s Past) of 1983, which ranks among his most well-known books. Here the Chinese Kao-Tai travels from the 10th century to the Munich of the 20th century. In addition to his legal activities, Rosendorfer is honorary professor for contemporary Bavarian literature at the University of Munich and obtained the Bavarian Literature Prize in 1999.
Animals
Born in Bolzano (Bozen, Italy) in 1934, Herbert Rosendorfer is a lawyer who introduced himself as an author in 1966 with his short story “Die Glasglocke.” This was followed by many novels, stage works, scripts and short stories, which revealed him to be an imaginative and multi-faceted author. A socio-critical satirist, he writes with a well-balanced mixture of wit, thought-provoking ideas and absurd-grotesque elements. All this is also found in his novel “Briefe in die chinesische Vergangenheit” (Letters to China’s Past) of 1983, which ranks among his most well-known books. Here the Chinese Kao-Tai travels from the 10th century to the Munich of the 20th century. In addition to his legal activities, Rosendorfer is honorary professor for contemporary Bavarian literature at the University of Munich and obtained the Bavarian Literature Prize in 1999.
Water
Born in Bolzano (Bozen, Italy) in 1934, Herbert Rosendorfer is a lawyer who introduced himself as an author in 1966 with his short story “Die Glasglocke.” This was followed by many novels, stage works, scripts and short stories, which revealed him to be an imaginative and multi-faceted author. A socio-critical satirist, he writes with a well-balanced mixture of wit, thought-provoking ideas and absurd-grotesque elements. All this is also found in his novel “Briefe in die chinesische Vergangenheit” (Letters to China’s Past) of 1983, which ranks among his most well-known books. Here the Chinese Kao-Tai travels from the 10th century to the Munich of the 20th century. In addition to his legal activities, Rosendorfer is honorary professor for contemporary Bavarian literature at the University of Munich and obtained the Bavarian Literature Prize in 1999.