It’s hard to overstate the esteem in which Kurt Masur and the Leipzig Gewandhaus Orchestra were held in Europe in the 1990s. As well as playing a pivotal role in the return of democracy and the reunification of Germany, they performed the German symphonic repertoire with unrivalled splendour and authority. This concert captures them on tour Frankfurt in 1992, in a programme of Richard Strauss at his most exuberant (Till Eulenspiegel) and his darkest (Metamorphosen). The Leipzig orchestra’s historic relationship with Strauss had never seemed more vital, and it gives a special emotional charge to Júlia Várady’s luminous performance of the Vier Letzte Lieder.
Martinu Symphony Cycle: Martinu 4, Strauss Horn Concerto No 2
At the acoustically superb concert venue of the Rudolfinum Prague, the Czech Philharmonic performs Bohuslav Martinu’s Symphony No. 4 as part of the first-ever filmed complete cycle of all six symphonies by the Czech composer. It is at the same time one of the last recordings with the Czech Philharmonic’s long-term musical director Jirí Belohlávek, who died in May 2017. Martinu’s Fourth Symphony – “the ultimate perfection” (Harmonie Magazine) – is complemented by Janácek’s late work Sinfonietta and Strauss’s Horn Concerto No. 2, performed by renowned French horn soloist Radek Baborák. Following the footsteps of his mentor Belohlávek, Jakub Hruša will continue the Martinu cycle in 2018.
Martinu Symphony Cycle: Martinu 3 & 6
With the Symphonies Nos. 1 and 4, Jirí Belohlávek and his Czech Philharmonic started the ambitious project of recording the complete Martinu symphonies cycle at the visually and acoustically spectacular Rudolfinum Prague. After the death of his mentor Jirí Belohlávek, who was considered one of the world’s most renowned Martinu experts, rising star conductor Jakub Hruša is going to complete the cycle with performances of Martinu’s Symphonies Nos. 2, 3, 5 and 6 between March 2018 and January 2019. Hruša has recently been hailed by the New York Times for his “passionate, thrilling” way of presenting his ‘all-Czech’ concert at the BBC Proms.
Thomas Guggeis conducts Smetana
The Prague Spring Festival opens annually with Bedrich Smet ana’s cycle Má vlast (My Fatherland), always on 12 May, the anniversary of the composer’s death. It is one of the national monuments of Czech music: a musical foray through the world of the Czech mythical character Šárka, through the history and landscape of the Bohemian Basin in the heart of Europe and the old Prague castle of Vyšehrad. The most famous movement, “Vltava” describes the river Moldau and its course through the country. It is therefore a special honour to be invited to play the opening concert. Only the best orchestras are asked, but for probably no other orchestra the theme of Má vlast has such significance as for the West-Eastern Divan Orchestra. At the rostrum is Thomas Guggeis, a former assistant of Daniel Barenboim, who has – as many scholars of the great maestro before – made his own career and has been appointed general music director of the Frankfurt Opera.
Prague Sounds – Concert for Europe with Semyon Bychkov & the Czech Philharmonic
For this special concert, the Vltava river in Prague turned into a unique concert venue. Floating stages were built especially for this concert. To celebrate Czech Presidency of the Council of the European Union, the Czech Philharmonic perform some of the most iconic pieces of Czech classical music. The concert opens with the anthem of the European Union, Beethoven’s “Ode to Joy”, and is completed by Smetana’s Vltava (The Moldau), Dvorák’s Carnival Overture and – as the main piece of the evening – Janácek’s monumental Glagolitic Mass, one of the most powerful sacred compositions ever. It is the perfect piece to celebrate Europe: “the ancient classical meets the spontaneously avant-garde in a special and optimal way.” (Lidové noviny) PROGRAM: Beethoven: ”Ode to Joy” Finale of Symphony No. 9, Op. 125; Dvorák: Carnival overture op. 92; Smetana: Vltava, a symphonic poem from the cycle ‘My Country.’ Janácek: Glagolitic Mass
Pretty Yende in Prague
Young South-African soprano Pretty Yende first came to international attention in 2010 when she was the first artist in the history of the Belvedere Competition to win First Prize in every category. In this concert at the stunning Smetana Hall in Prague she is performing works by Meyerbeer, Donizetti, Arditi, Mozart, Bellini, Delibes Suppé and Bernstein.
Má vlast
Is there any more evocative piece of national music than “Ma Vlast” or “My Country”? Smetana’s six orchestral poems – the most famous of which is “Vltava” with its instantly recognizable melody and evocation of this great river – tell of Bohemia’s lands and legends. It is performed here by the orchestra so strongly associated with Czech identity and an institution that continues to represent Czech culture on the international stage.
Prague Spring Opening Concert: Petrenko conducts Smetana
What better occasion for chief conductor Kirill Petrenko to give his Czech debut than to open the Prague Spring Festival with the festival’s signature work? The Berliner hilharmoniker perform Smetana’s Má vlast on the 140th anniversary of the composer’s death in the magnificent Smetana Hall. The combination of one of the best orchestras in the world with their chief conductor and the masterpiece of the Czech “national composer” is an exceptional experience: “The depth of understanding Petrenko showed, the crisp
performance of the players…conferred a new level of prestige and fitting anniversary honors on the Czech Republic’s most beloved composer” (Bachtrack).
Egon Schiele – Self Portrait
No place inspired Egon Schiele more than Ceský Krumlov, a stunning architectural gem and one of Europe’s most beautiful historic towns. Familiar with the town from childhood holidays, Schiele moved there after leaving the Vienna Academy to develop his distinctive style. Staged in the exceptional revolving theatre in the baroque gardens of Ceský Krumlov, this performance by choreographer Jan Kodet honours the life and work of the great painter. Choreography, set and costume design take inspiration from the themes and colours of Schiele’s paintings, to great effect. Glimpses of Schiele’s life flash before the audience as the auditorium revolves around the action.
WEDO and Barenboim: The Human Rights Concert
In order to celebrate the declaration of the “Human Rights” Daniel Barenboim and his West-Eastern Divan Orchestra perform at the heart of the United Nations in Geneva. The Orchestra, which was just recently designated as United Nations Global Advocate for Cultural Understanding by the UN is joined by rising cello virtuoso Kian Soltani in order to perform Joseph Haydn’s Concerto for Violoncello No. 1. This first part is followed by the Sinfonia Concertante for four winds by Wolfgang Amadeus Mozart, featuring four young soloists from Spain, Germany, Turkey and Israel. The imposing setting of the Human Rights Hall at the Palace of Nations, which houses the Miquel Barceló dome, provides a stunning backdrop for this concert highlighting the principles contained in the Universal Declaration.