Jirí Kylián is a living legend. He is the creator of more than a hundred works, several of which form part of the repertories of some of the greatest dance centres in the world. Due to the choreographer’s extreme reluctance to engage in a documentary, this film is exceptional. For the first time one can have a real close look at Kylián’s life, his way of thinking and at his most significant creations. The fi lm was shot in Den Haag, Prague, Monte-Carlo and Paris.
Solti’s Vision – The World Orchestra for Peace
Tchaikovsky, String Quartet No.1, op.11
Recorded in 1987, this program features the Borodin Quartet of Moscow. Founded in 1946, it concertized until 1955 under the name of Moscow Philharmonic Quartet. The ensemble is celebrated not only for its performances of Tchaikovsky but also, and especially, for its interpretations of Shostakovitch’s quartets. All of them have been recorded by the ensemble. The Borodin Quartet has frequently performed with Sviatoslav Richter, Emil Gilels, Leonid Kogan, David Oistrakh and Heinrich Neuhaus.
Ravel, Boléro
Vivaldi, Concerto per la Solennità di San Lorenzo in C major, RV 556 (Carinthian Summer 1979)
Recorded live at the Carinthian Summer Festival on 27 August 1979, this concert features soloists from the orchestra of Milan’s Teatro alla Scala under the direction of Claudio Abbado. One of the leading conductors of our time, Abbado was music director and artistic director of the Scala until 1986 before shifting his focus to Vienna (music director of the Vienna State Opera from 1986-1991) and, later, Berlin. Since 1969, the Carinthian Summer in Ossiach, Austria, has been presenting internationally acclaimed soloists and ensembles in splendid Alpine settings. A particularly opulent venue is the Baroque monastery church of Ossiach, where this concert was filmed.
Ravel, Alborada del Gracioso
The works presented in this concert are among Ravel’s most celebrated orchestral pieces. The “Alborada del Gracioso” or “Jester’s Morning Song” was originally part of the piano collection “Miroirs”. Ravel himself arranged the scintillating piece for orchestra in 1918. Written in 1903, the orchestral song cycle “Shéhérazade” is based on texts by the painter Tristan Klingsor. Of his Piano Concerto in G major, Ravel said that it was “written in the spirit of Mozart and Saint-Saens.” But while the influence of Mozart is clearly felt in the Adagio, it is American jazz that permeates the dazzling Presto finale. The concert rhapsody “Tzigane” was apparently inspired by the playing of violinist Jelly d’Arányi. Premiered on 12 December 1920, Ravel’s “La Valse” was originally called “Wien” (Vienna) – a title not considered appropriate in France so soon after World War I. Though conceived as a ballet, it was not performed as such until 1928, when Ida Rubinstein staged it at the Paris Opéra. Perhaps Ravel’s most well-known work is “Bolero”, which was a sensational success at its premiere at the Paris Opéra on 22 November 1928 and has remained unquenchably popular ever since. The year 1975 marked the centennial of Maurice Ravel’s birth (7 March 1875), an event celebrated with particular brilliance in France. One of the special concerts given to commemorate the great French composer was held at Paris’s Théâtre des Champs Elysées on 19 September 1975 and featured the Orchestre National de France led by Leonard Bernstein. The all Ravel concert also featured the soloists Marilyn Horne in the song cycle “Shéhérazade” and the violinist Boris Belkin in “Tzigane”. Bernstein himself played the solo part in the G major Piano Concerto. The concert was such a dazzling success that the critic of Le Figaro was stirred to proclaim about Bernstein: “He IS Ravel”.