Christopher Hogwood founded the Academy of Ancient Music in 1973 and is one of the pioneers of historical performance practice as a harpsichordist and conductor. His interpretations of the Baroque and classical opera and concert literature have brought him international acclaim. The Academy of Ancient Music has taken as its goal the performance of the works of the Baroque and Classical eras on historic instruments. The ensemble, which has a varying amount of performers, boasts a number of outstanding specialists for historical performance practice. The performance of this Mozart symphony took place in Salzburg on 1 February 1997 during the “Mozart Weeks”.
Weiner, Prince Csongor and the Goblins from the music to “Csongor és Tünde”, op.10
Sir Georg Solti was an exclusive artist of Unitel for many years, and during this time the larger part of his abundant repertoire was recorded for television, predominantly with his orchestra, the Chicago Symphony. To honor the great maestro, Unitel got together with him once again in 1995 to record a concert with the Vienna Philharmonic, in which Solti paid homage to his Hungarian homeland, his roots and his teachers, the Hungarians Kodály, Bartók and Weiner. It is only natural that Berlioz’s Rakoczy March could not be absent from such a dazzling Austro-Hungarian concert. The second part of the concert is devoted to Beethoven, who was not Hungarian but was adopted by Hungary’s Austrian neighbors. The concert is Unitel’s last recording with the great artist, who passed away on 5 September 1997. Sir Georg Solti (1912-1997), one of the greatest conductors of the 20th century, was a testament to the elegance and impeccable tastefulness of Central European music-making. Born in Budapest in 1912, he studied with Béla Bartók, Ernö von Dohnányi, Zoltán Kodály and Leo Weiner. In 1937, Toscanini chose him to be his assistant at the Salzburg Festival. After the war, Solti was appointed Music Director of the Bavarian State Opera. Further stations in his career were the Frankfurt Opera, the Royal Opera House Covent Garden and the London Philharmonic. His remarkable partnership with the Chicago Symphony began in 1954; he was named Music Director in 1969 and held this post for a phenomenal 22 years. He is credited with greatly extending and enhancing the orchestra’s worldwide reputation. Solti died in September 1997, just before his 85th birthday.
Mozart, String Quartet in D minor, K.421
Janácek, String Quartet No.1 (1923)
Le carnaval des animaux (The carnival of the animals)
Sir Georg Solti practises with the Wiener Philharmoniker
Sir Georg Solti (1912-1997), one of the greatest conductors of the 20th century, was a testament to the elegance and impeccable tastefulness of Central European music-making. Born in Budapest in 1912, he studied with Béla Bartók, Ernö von Dohnányi, Zoltán Kodály and Leo Weiner. In 1937, Toscanini chose him to be his assistant at the Salzburg Festival. After the war, Solti was appointed Music Director of the Bavarian State Opera. Further stations in his career were the Frankfurt Opera, the Royal Opera House Covent Garden and the London Philharmonic. His remarkable partnership with the Chicago Symphony began in 1954; he was named Music Director in 1969 and held this post for a phenomenal 22 years. He is credited with greatly extending and enhancing the orchestra’s worldwide reputation. Solti died in September 1997, just before his 85th birthday.
Bach, Concerto for three violins in D major, BWV 1064
The French violinist David Grimal plays the ex-Roederer Stradivarius of 1710. He performs here together with his former teacher Régis Pasquier, in whose class at the Paris Conservatoire he was accepted at the age of 16. Pasquier plays the Helvetika Stradivarius of 1686. The Italian violinist Federico Agostini is known as the long-standing concertmaster and soloist of the ensemble “I Musici di Roma.” He plays the ex-Busch-Guadagnini of 1783.
Schönberg, A Survivor from Warsaw, op.46
Kodály, Háry János Suite
Sir Georg Solti was an exclusive artist of Unitel for many years, and during this time a large part of his vast repertoire was recorded for television with “his” orchestra, the Chicago Symphony Orchestra. With great awe and respect, Unitel joined forces with the maestro once again in 1995 to record a concert with the Vienna Philharmonic in which Solti paid homage to his native Hungary, to his roots and his teachers, the Hungarians Kodály, Bartók and Weiner. Of course, in a concert featuring dazzling music from the Austro-Hungarian Empire, the Rakoczy March in Berlioz’s arrangement could not be omitted. The second part of the concert is devoted to Beethoven, who was not Hungarian but had been adopted by Hungary’s Austrian neighbors. The concert is Unitel’s last recording with the great artist, who died on 5 September 1997.
Bartók, Rumanian Folk Dances
Sir Georg Solti was an exclusive artist of Unitel for many years, and during this time a large part of his vast repertoire was recorded for television with “his” orchestra, the Chicago Symphony Orchestra. With great awe and respect, Unitel joined forces with the maestro once again in 1995 to record a concert with the Vienna Philharmonic in which Solti paid homage to his native Hungary, to his roots and his teachers, the Hungarians Kodály, Bartók and Weiner. Of course, in a concert featuring dazzling music from the Austro-Hungarian Empire, the Rakoczy March in Berlioz’s arrangement could not be omitted. The second part of the concert is devoted to Beethoven, who was not Hungarian but had been adopted by Hungary’s Austrian neighbors. The concert is Unitel’s last recording with the great artist, who died on 5 September 1997.