A Concert for New York – 9/11 Memorial Concert

The concert presents Mahler’s Symphony No. 2 featuring soprano Dorothea Röschmann, mezzo-soprano Michelle DeYoung and the New York Choral Artists. The New York Philharmonic will be conducted by its Music Director Alan Gilbert. Commemorating the tenth anniversary of the events of 9/11, the New York Philharmonic strives to truly give a concert to the city of New York. Programming Mahler’s 2nd the orchestra seeks to set a sign of hope, since this work is often referred to as the ‘Resurrection’ Symphony. ‘Mahler’s Second Symphony, ‘Resurrection’, powerfully and profoundly explores the range of emotions provoked by the memories of 9/11,’ said Music Director Alan Gilbert. ‘This great masterpiece has a very special place in the history and psyche of the New York Philharmonic, but its message of renewal and rebirth is universal. We offer it as a tribute to those lost ten years ago.

Lucerne Festival 2016: Inaugural Concert of Riccardo Chailly – Mahler 8

“To be responsible for this outstanding artistic project that Claudio Abbado has initiated is not only a privilege but it has touched me deeply.” These are the very words Riccardo Chailly uses to describe his new job in Lucerne. The conductor, who left his post as music director of the Gewandhaus Leipzig and became principal conductor at the Teatro alla Scala in Milan last year, follows in this new position Arturo Toscanini and Claudio Abbado, thus becoming the third chief conductor of this unique orchestra. On August 12, 2016, Riccardo Chailly premiered as conductor of the Lucerne Festival Orchestra with an opening concert: The orchestra and its principal conductor paid their respects to the late Abbado with Gustav Mahler’s Symphony No. 8. An inaugural concert that with its superb cast of musicians became a memorable event!

Blomstedt conducts Beethoven

More than 200 years after its premiere at the Gewandhaus in Leipzig, the famous trio Isabelle Faust, Jean-Guihen Queyras and Martin Helmchen have congenially mastered the artistic challenge of Beethoven’s gemstone. Under Herbert Blomstedt’s sensitive direction, the soloists unite chamber music intimacy together with virtuoso sophistication – and prove once again that the Triple Concerto is an unduly underestimated, much too rarely programmed masterpiece. The composer’s fifth symphony – indeed, the hit of classical music – is better known. In Leipzig, however, Blomstedt succeeds in achieving an entirely new perspective of this work. In the culmination of his three-year, intensive reenactment of Beethoven’s cosmos, the impressive sound that characterizes the Swedish grand seigneur’s conducting is heralded by transparency rather than showmanship, relevance instead of pathos, and tenderness in place of sentimentality.

80 Years Israel Philharmonic Orchestra – The Jubilee Concert

Over the past 47 years, Zubin Metha has given more than 3000 concerts with “his” Israel Philharmonic Orchestra, individually selecting each musician himself. “We are one great family. One can both see and hear that,” explains Metha on the occasion of the 80th anniversary of the IPO. Founded in 1936 by Bronislaw Huberman as the Palestine Symphony Orchestra, ist inaugural concert on 26 December was conducted by Arturo Toscanini. 80 years later on the very same day, Zubin Mehta, the orchestra’s musical director for life, conducted the Israel Philharmonic Orchestra in a veritable Jubilee Concert with an all-Beethoven program. Mehta was joined by his longtime artistic friends Pinchas Zukerman, Amanda Forsyth, and Yefim Bronfman. PROGRAM Beethoven: Leonore Overture No. 3; Violin Concerto; Triple Concerto for Violin, Cello and Piano

Requiem for Hieronymus Bosch

s-Hertogenbosch’s most famous son, the famed painter Hieronymus Bosch lived and worked at the town marketplace, portraying medieval life in his paintings brimming with symbolism, fantasy and riddles. With the international event Bosch 500, ’s-Hertogenbosch is commemorating the five hundredth anniversary of the artist’s death in a spectacular way. The RCO’s house composer Detlev Glanert has been commissioned by the Royal Concertgebouw Orchestra and Bosch 500 to write a requiem for soloists, choir, organ and orchestra. The composition translates the demonic nature of Bosch’s paintings with textual counterparts into music. Glanert combines traditional requiem texts with excerpts from the manuscript collection Carmina Burana – each movement of the Requiem is accompanied by a poem about the seven deadly sins.

Beethoven: Symphony No. 9 (Kerstmatinee 2006)

The Royal Concertgebouw Orchestra and Mariss Jansons joined by a cast of great soloists and the famous Netherlands Radio Choir (Groot Omroepkoor) performing Beethoven’s 9th Symphony at the main hall of the Concertgebouw in Amsterdam.