“Representing no occasion, no immediate purpose, but an appeal to eternity” is how his biographer Alfred Einstein characterised the creation of Mozart’s last three symphonies, in this production performed by Nikolaus Harnoncourt and his “original-sound orchestra” Concentus Musicus.
Vienna at the Turn of the 20th Century – A Recital with Renée Fleming
Renée Fleming has always been willing to expand her repertoire into new territory. This recital is a foray into musical jugendstil as embodied in works by composers active in Vienna at the turn of the 20th century – a natural progression from her long association with music by Richard Strauss: Familiar cycles from WOLF and MAHLER morph into the more progressive textures of ZEMLINSKY and SCHOENBERG, with KORNGOLD (and echoes of Johann Strauss II) supplying the necessary dose of kitschy gemütlichkeit. Renée Fleming and her piano partner Maciej Pikulski succeed in creating the “ideal combination of emotion and interpretation” (Der Kurier).
“La Chasse – The Hunt” – Music from Paris and Vienna
The Bläserphilharmonie Mozarteum is one of the leading wind ensembles in the world. The musicians are members from the great symphony orchestras from all over the world. Once a year they come together for a special concert at the Großes Festspielhaus in Salzburg, which is always dedicated to a specific theme. “La chasse – The Hunt” builds a bridge from Vienna to Paris; hunting music of the 17th and 18th century from France and Austria is performed – on historical Parforce horns – as well as great entertaining music of the 19th and early 20th century, from Jaques Offenbach’s Cancan to Johann Strauss’s Radetzky March – original works as well as sensitively balanced stylistic arrangements for symphonic winds. It’s all about the hunt – in terms of content and music and with all its diversity and tradition. After all, people have always been hunting – deer, hares, but also happiness, success and love… . Also available is the documentary Huntsman’s Sound by Chris Kurt Weisz (A04550007 – 25′ min).
Joseph Calleja: “Nessun Doma” – Tribute to Mario Lanza
With his “Tribute to Mario Lanza” Maltese tenor Joseph Calleja bows to the great Mario Lanza. Born in 1921 as the son of Italian immigrants in Philadelphia, Mario Lanza is a legend up until today. He was once the most famous tenor in the world, although he was hardly performing on any opera stage. In Hollywood, Lanza started a career that seeks its equal – and much too soon came to an end: Mario Lanza died at the age of 38 in 1959. For Joseph Calleja Mario Lanza is one of his big idols, whom he has admired since he was a child. At the Vienna Konzerthaus, he dedicates a whole concert to him singing the most beautiful melodies, arias and popular songs that made Lanza unforgettable … .
Salzburg Festival 2012: Ouverture Spirituelle – Nikolaus Harnoncourt
Nikolaus Harnoncourt places the emphasis on Wolfgang Amadeus Mozart in the Ouverture Spirituelle, featuring sacred music within the Salzburg Festival, by choosing two seldom heard works by the Salzburg-born composer. Together with the Arnold Schoenberg Choir and his Concentus Musicus Wien ensemble, the Mozart specialist conducts the Litaniae de venerabili altaris sacramento K. 243 and the Missa longa in C major K. 262 in the unique venue that is Salzburg Cathedral, a jewel of Baroque architecture. These two highly expressive works, written by the virtuoso composer when he was a mere twenty years old, were first performed in that very building. “Harnoncourt revealed the historic richness of Mozart’s Litanei … in the finest colours and dynamic shading”, wrote Die Kleine Zeitung. The Austrian baritone Florian Boesch and mezzosoprano Elisabeth von Magnus delivered their parts in especially sensitive manner. Jeremy Ovenden’s vocal line is truly elegant coupled with that of the ambitious Spanish soprano Sylvia Schwatz. “Ovenden’s attractive, bright tenor … his rhythm, diction and easy flexibility of voice are exemplary”, according to The Sunday Times. Rarely revealed tapestries from the prince-archbishop’s treasury were hung in the cathedral especially for this concert, in order to give a better impression of how the works might have sounded in Mozart’s day.
Salzburg Festival 2012: Opening Concert
The Opening Concert of Salzburg Festival 2012 builds a bridge to the Ouverture spirituelle: Valery Gergiev conducts STRAVINSKY’s Symphony of Psalms, a work that is as unusual as it is haunting, setting three psalms from the Old Testament to music. Modest MUSORGSKY’s Songs and Dances of Death are performed in a version for high voice, with the Russian tenor Sergei Semishkur. The programme closes with Sergey PROKIFIEV’s Symphony No. 5.
Beethoven – The Complete String Quartets
“What seems to be the predominant impulse driving this music,” explains viola player Krzysztof Chorzelski of the Belcea Quartet, “is man’s yearning for freedom, the unquenchable desire to expand his limits and to learn the truth about himself in this process. Beethoven inspires us as performers to take up this challenge.” The Belcea Quartet’s response to this challenge took place in the Vienna Konzerthaus in May 2012. The ensemble embarked on the complete cycle of Beethoven string quartets, playing the whole program within twelve days, each concert featuring one work each from the early, middle and late quartets. Described as “a world-class ensemble” in The Guardian, this quartet brings a freshness to their interpretation of Beethoven’s string quartets, and draws forth a great range of colours, from sweetness to strength, from solemnity to impetuous force, while the cameras capture with great clarity the changing emotions of the players. Also available: DOCUMENTARY “On the Paths of the Beethoven String Quartets”. Directed by Jean Claude Mocik. Length approx. 52′.
Beethoven – The Complete Violin Sonatas
Ludwig van Beethoven’s “Sonatas for Piano and Violin” were almost all composed in a relatively quick succession between 1797 and 1803, in Beethoven’s early days, and are now part of the classic repertoire of the violin literature. Leonidas Kavakos’s and Enrico Pace’s interpretation of the complete Sonata Cycle set new standards, was nominated for the Grammy Award and was celebrated by the press: “Together these two make magic” (Buffalo News), “an ideally attuned, technically perfect duo” (Die
Presse).
Vienna Boys’ Choir – The Augarten Concert
One of the best known boys’ choirs in the world, the Vienna Boys’ Choir, celebrating the opening of their new concert hall with choral pieces from Praetorius to Verdi.
Thielemann conducts Strauss
A magical evening at the Salzburg Festival: soprano Renée Fleming, conductor Christian Thielemann and the Wiener Philharmoniker perform works by Richard Strauss – ‘one of those musical events that prove that excellence truly is possible’ (El País). In her interpretation of four songs for voice and orchestra by Richard Strauss, along with a scene from ‘Arabella’, Fleming wanders along the summits of vocal artistry as a diva who dares to project the innermost emotions of the music she sings. Without a trace of bombast or heaviness, Thielemann and the Philharmoniker elaborate, as Der Standard writes, ‘a new vision of the Alpine Symphony’ that is characterized by a ‘chamber-musiclike transparency’.