Rachmaninov, Piano Concerto No.2 in C minor, op.18

One of the great concert pianists of his time, Sergey Rachmaninov (1873- 1943) is also one of the great late-romantic Russian composers. Only the second and third piano concertos, along with the “Rhapsody on a Theme of Paganini”, have gained a foothold in the repertoire and are frequently performed. Concerto No. 3 achieved unexpected popularity when it played a central role in the film “Shine”, whose star Geoffrey Rush was awarded an Oscar as Best Actor in 1997. In all three works a characteristic combination of surging melody, rhythmic excitement and brilliant pianistic display carries the composer’s unmistakable and personal stamp. Alexis Weissenberg, born in Sofia, Bulgaria, in 1929, gave his first triumphal recital in New York’s Carnegie Hall in 1947. He secured his international reputation especially with his interpretations of the works of Chopin, Tchaikovsky and Rachmaninov. This concert with the Berlin Philharmonic conducted by Herbert von Karajan was recorded live at the Berlin Philharmonie in 1973.

Tchaikovsky, Symphony No.5 in E minor, op.64

Commanding the podium with his slender figure, theatrical shock of hair and penetrating blue eyes, Herbert von Karajan projected the hieratic image of the conductor as officiant of some quasi-mystic rite. And anyone who ever saw him conduct live or on his many audiovisual recordings will agree that in his performances, music did indeed become a religion and Karajan its high-priest. Karajan (1908-1989) embodied classical music in the general consciousness as an epoch-making conductor, media star, opera producer, festival director and festival founder. But in spite of his Promethean and widely varied activities, he remained a superb conductor, with a grasp of the standard orchestral and operatic repertory from Mozart to Schoenberg that was unsurpassed among his peers.

Brahms, Six Songs

In April 1972, the mezzo-soprano Christa Ludwig, accompanied by Leonard Bernstein, gave a recital with lieder by Johannes Brahms in Vienna’s Musikvereinssaal. They performed the same program in New York’s Town Hall, and, while on a concert tour of Israel, recorded it for television at the Tel Aviv Museum in May 1972. Christa Ludwig, a highly expressive and intelligent artist, has been hailed as the best Mozart and Strauss mezzo of her generation. In addition, she has always shown a great predilection for the lied, and is known for her soulful interpretations of lieder by Brahms, Mahler and Schubert.

Brahms, Gipsy-Songs, op.103

In April 1972, the mezzo-soprano Christa Ludwig, accompanied by Leonard Bernstein, gave a recital with lieder by Johannes Brahms in Vienna’s Musikvereinssaal. They performed the same program in New York’s Town Hall, and, while on a concert tour of Israel, recorded it for television at the Tel Aviv Museum in May 1972. Christa Ludwig, a highly expressive and intelligent artist, has been hailed as the best Mozart and Strauss mezzo of her generation. In addition, she has always shown a great predilection for the lied, and is known for her soulful interpretations of lieder by Brahms, Mahler and Schubert.

Brahms, Two Songs with Viola, op.91

In April 1972, the mezzo-soprano Christa Ludwig, accompanied by Leonard Bernstein, gave a recital with lieder by Johannes Brahms in Vienna’s Musikvereinssaal. They performed the same program in New York’s Town Hall, and, while on a concert tour of Israel, recorded it for television at the Tel Aviv Museum in May 1972. Christa Ludwig, a highly expressive and zzo intelligent artist, has been hailed as the best Mozart and Strauss mezzo of her generation. In addition, she has always shown a great predilection for the lied, and is known for her soulful interpretations of lieder by Brahms, Mahler and Schubert.

Brahms, Four Songs

In April 1972, the mezzo-soprano Christa Ludwig, accompanied by Leonard Bernstein, gave a recital with lieder by Johannes Brahms in Vienna’s Musikvereinssaal. They performed the same program in New York’s Town Hall, and, while on a concert tour of Israel, recorded it for television at the Tel Aviv Museum in May 1972. Christa Ludwig, a highly expressive and intelligent artist, has been hailed as the best Mozart and Strauss mezzo of her generation. In addition, she has always shown a great predilection for the lied, and is known for her soulful interpretations of lieder by Brahms, Mahler and Schubert.

Brahms, Symphony No.4 in E minor, op.98

Composed during the summer months of 1884 and 1885 in Mürzzuschlag, southwest of Vienna, the Fourth Symphony tended to disconcert the public at first and had to prove itself in the concert circuit before gaining recognition as a masterwork of epoch-making stature. What Brahms’s contemporaries regarded as difficult and bewildering were above all the extreme constructive density of the score, the unusual layout, especially of the third and fourth movements, a number of archaic elements pointing back to the formulae and techniques of “early music” (the passacaglia in the fourth movement) and the austere, elegiac mood that permeates the entire work. The premiere of the Fourth Symphony was given by the Meiningen Court Orchestra in Meiningen under Brahms’s direction on 25 October 1885. Leonard Bernstein’s interpretation with the Boston Symphony Orchestra was recorded at Tanglewood. For Bernstein, Brahms was “a true Romantic, containing his passions in classical garb”, but also a “North-German classicist swept away to Vienna, and fired by Danubian, Carpathian and gypsy passions”. Bearing this dualism in mind, Bernstein underscored both the classicism and romanticism, the dramatic intensity and the sober restraint of Brahms’s music.