Gustavo Dudamel and the LA Philharmonic accent the colors, rhythms, and passion of music by leading composers from Argentina in this invigorating evening at the Hollywood Bowl: Astor Piazzolla, the master of Nuevo Tango, who´s four tangos feature on stage the dance company Tango Buenos Aires, known worldwide as the most authentic and uncompromising representative of the tango, Alberto Ginastera, one of the most important 20th-century classical composers of the Americas and Piazzolla´s first teacher, and Lalo Schifrin, who, beside his concert music, is the composer of the famous scores of Mission: Impossible and Dirty Harry. His “Concerto for Guitar and Orchestra”, a world premiere recording, is composed for Ángel Romero, an iconic master of the classical guitar.
Ballet Hispánico – CARMEN.maquia and Club Havana
Ballet Hispánico, a “strong ambassador of not just Latino culture but of dance itself” (Broadway World), brings its bold and eclectic brand of contemporary dance to the screen with two audience favorites: CARMEN.maquia, an electrifying modern take on Bizet’s passionate opera choreographed by Spaniard Gustavo Ramírez Sansano, and Cuban-born Pedro Ruiz’s Club Havana, a virtuosic re-imagining of a sizzling nightclub filled with the exhilarating rhythms and colors of Havana’s golden era. Celebrating over 45 years of bringing individuals and communities together to celebrate and explore Latino cultures, Ballet Hispánico is the new expression of American contemporary dance.
Romeo & Juliet
From grand spectacle to poignant close-ups, experience Helgi Tomasson’s bravura interpretation of Shakespeare’s Romeo & Juliet like you’ve never seen it before. With passionate choreography, spine-tingling swordsmanship, and a celebrated score by Sergei Prokofiev, San Francisco Ballet’s passionate retelling of the Bard’s greatest tragedy has packed houses around the world. Romeo & Juliet is one of the Company’s most popular and widely toured ballets and has been seen by more than 200,000 people since it premiered in 1994. Choreographed by Helgi Tomasson, with sets and costumes by Jens-Jacob Worsaae, this visually stunning production and the brilliant dancers of SF Ballet bring this powerful and touching tragedy – and Renaissance-era Verona – vividly to life. “Tomasson lifts Shakespeare’s complex and familiar language off the gilded pages and translates it into lucid classical choreography that is visceral, fresh, and ultimately sublime” (Huffington Post).
Mefistofele
Best-known today as the librettist of Verdi’s final Shakespearean masterpieces, Otello and Falstaff, the multitalented Arrigo Boito was also a fine composer in his own right. Hugely ambitious in scope, and some 20 years in the making, his first (and only completed) opera, Mefistofele, sets out to encompass nothing less than the whole of Goethe’s vast poetic drama Faust (part I and II), and is considered the very central work of his phase between Verdi and Puccini. Making his debut at the Bayerische Staatsoper, director Roland Schwab (a protégé of the legendary Ruth Berghaus) plays devil’s advocate by setting the opera in a nightmarish atmosphere. “The exceptional solistic cast” (ORF) features René Pape, Joseph Calleja, Kristine Opolais and Karine Babajanyan.
Bruckner Symphony No. 6
Since taking up his post as principal conductor of the Dresden Staatskapelle in 2012, Christian Thielemann has launched each new concert season with a Bruckner symphony. In autumn 2015 he choose for the opening concert at Dresden’s historic Semperoper the Sixth, and for the Sächsische Zeitung this performance marked “another Bruckner triumph for Dresden”. Thielemann once more “conjured up the most magical of sonorities” and “the orchestra played magnificently under him“. (Der Neue Merker)
Alvin Ailey American Dance Theater
You don’t just see an Ailey performance, you feel it. Experience this electrifying modern dance program that includes four audience favorites: Wayne McGregor’s sumptuous Chroma with a score by Jack White and Joby Talbot; Ronald K. Brown’s powerful Grace, with music by Duke Ellington, Roy Davis Jr., and Fela Kuti; Robert Battle’s humorous, high-flying Takademe; and Alvin Ailey’s beloved Revelations – “one of the great works of the human spirit” (New York Times) – that will rock your soul.
George Balanchine’s The Nutcracker
Experience the wonder of New York City Ballet’s iconic holiday classic on the big screen. In George Balanchine’s The Nutcracker, Tchaikovsky’s beloved melodies transport the young and young at heart to a magical world where mischievous mice besiege a battalion of toy soldiers, and an onstage blizzard leads to an enchanted Land of Sweets. Balanchine’s stunning choreography shines amidst awe-inspiring set pieces, ornate costumes, and grand one-of-a-kind visual effects, like the one-ton Christmas tree that grows to an astonishing 40 feet. NYCB’s beloved production has been performed in New York City every year since ist premiere on February 2, 1954, and is seen live by more than 100,000 people annually.
Tatiana – A ballet by John Neumeier
In choreographic episodes, combining dream, memory, premonition and reality John Neumeier’s ballet Tatiana brings to life the story of Tatiana, a young girl brought up in the Russian countryside and her first great love. When considering Pushkin’s Eugene Onegin as a plot for a ballet, it was obvious that Neumeier would not be content with a simple story line. He was more interested in the complex strands of Tatiana’s destiny, the influence of her early life, her experience and evolution into womanhood. As I read Pushkin’s verse novel, I realised that I was fascinated by the role of Tatiana Larina. She became more profound and more interesting with every paragraph, every page that I read. And so I had the idea to explore her role and her perspective in more detail through my ballet”, says Neumeier. “Nearly nobody else besides John Neumeier can tell story with the bodies of his dancers. Tatiana is three hours of danced poetry.” Hamburger Morgenpost
Karajan – Maestro for the Screen + Berliner Philharmoniker play Bach
Herbert von Karajan was the first conductor to be obsessed with filming his own musical performances in order to preserve his cultural heritage. As a film and TV director he was an aesthete, perfectionist, and true pioneer. This documentary starts with the very first concert productions in 1957 in Japan, followed by the impressive cooperation with director Henri-Georges Clouzot in 1965 to Karajan’s own film company Telemondial. It is absolutely fascinating to see how Karajan developed his language for filming orchestral productions. Including outstanding digitally remastered performance material, talks with Karajan, interviews with his closest collaborators and production partners, the documentary is an exciting part of the history of classical music and media.
BONUS: First ever release of a 32 minutes video CONCERT J.S. Bach: Brandenburg Concerto No.3
in G major, BWV 1048 + Suite (Overture) No. 2 in B minor, BWV 1067 (Recorded 1967/1968)
Beethoven Symphony No. 9
This Beethoven Symphony No. 9 from the outstanding Beethoven 9 Project of Christian Thielemann and the Wiener Philharmoniker, first time recorded in HD and 5.0 surround sound, is accompanied by a one hour-long documentary featuring Christian Thielemann and Germany´s most eminent music critic, Prof. Joachim Kaiser. From insights into Beethoven´s musical thinking to interpretational comparisons, including excerpts from performances by Karajan, Bernstein, Järvi, to historical perspectives – no aspect of Beethoven´s Symphony No. 9 will remain untreated!