Music of introverted tenderness and a libretto that hints at much and offers few answers – such is Pelléas et Mélisande, Claude Debussy’s only completed opera. Dubbed “Drama lyrique” by the composer himself, and written in 1902 at a time when the subconscious, the psyche, dreams and urges commanded the attention of science and art, this music searches the souls of its characters with ist subtle nuances. Pelléas and Golaud are half-brothers, each loving the girl-from-nowhere Mélisande. The elder, dominant Golaud makes her his wife; the younger Pelléas is the soul-mate of the taciturn, strangely vulnerable Mélisande and an equally mysterious bond of concealed love is formed between them. The consummately precise staging by Nikolaus Lehnhoff has a cast to match these wondrous sounds. This exceptional production “achieves […] what actually can only be understood as magic.” (Die Welt)
The Makropulos Case
Based on a play by Karel Capek, The Makropulos Case focuses on the issue of longevity – the pros and cons of living for 337 years, as happens to the mysterious Emilia Marty, the sexually irresistible prima donna who’s seen it all and done it all. Part grotesque human comedy, part profound personal tragedy, Janácek’s opera examines the eternal mystery of human existence with uniquely life-enhancing vision. “Anja Silja’s Emilia Marty in Makropulos at Glyndebourne is a nonpareil triumph… This is a near-perfect production by Nikolaus Lehnhoff” Wall Street Journal