Luigi Nono caused a riot at the premiere of his “scenic action” Intolleranza in 1961. The opulent work that collages singing, orchestra, film projections, dance and light has lost none of its actuality, neither in its form nor in its content: the odyssey of a nameless emigrant who is persecuted and tortured ends fatally in the floods of the river that separates him from his homeland. Jan Lauwers’ production in the impressive Felsenreitschule reflects his intense study of the meaning of political art. For Nono expert, conductor Ingo Metzmacher, Nono’s work and legacy are like a guideline that he still follows today. The performers and dancers of the NEEDCOMPANY, the BODHI PROJECT und SEAD – Salzburg Experimental Academy of Dance create images of oppressive intensity in teeming tableaux. “The cast is superb, from Sean Panikkar’s eloquent, impassioned immigrant to Musa Ngqungwana’s harrowing torture victim.” Financial Times
Salzburg Festival 2018: L’incoronazione di Poppea
In his first opera staging, Jan Lauwers shines new light on Monteverdi’s Incoronazione di Poppea at the Salzburg Festival. His ‘Gesamtkunstwerk’ captures the dizzying power games between Poppea and Nerone, superbly performed by Sonya Yoncheva and Kate Lindsey, while striking imagery is created by the SEAD Salzburg Experimental Academy of Dance and the BODHI PROJECT. Conductor William Christie proves once again that he is “most delicate of all experts of early music” (Merkur). “The love duet between Poppea and Nero is one of the most tender in opera history and of infinite magic.” (Süddeutsche Zeitung)