The keystone of any production of Giuseppe Verdi’s ‘La Traviata’ is the choice of the soprano to play the tender-hearted courtesan and doomed heroine Violetta Valéry. At the Sferisterio Opera Festival in the central Italian city of Macerata, the choice fell upon Mariella Devia – and it couldn’t have been more ideal for Massimo Gasparon’s stately production. The press was unanimous in acclaiming the ‘exhilarating’ (L’Opinione), ‘incomparable’ (Liberonews. it) singer, who ‘towers over the cast’ and is a ‘worthy representative of the great school of Italian singing’ (ForumOpera.com). A frequent and much-acclaimed Violetta, Mariella Devia boasts ‘perfect projection and intact vocal freshness’ (Rinascita).
Tutto Verdi – The Operas Vol. 3, 1855 – 1893
La Vedova Scaltra
Wolf-Ferrari wrotes La vedova scaltra as pure amusement, a portrayal of fine intrigue that is, in itself, without any idealistic echoes, following the uncritical line of eighteenth-century comedy – nostalgia for a civilization with ancient roots, which the musician still felt he was part of.