Richard Strauss’ opera Daphne, subtitled “bucolic tragedy in one act”, features lush, complex orchestrations and employs a large orchestra to convey its musical themes. The vocal writing is often highly virtuosic, showcasing the abilities of the singers in the lead roles. With Vera-Lotte Boecker – crowned “Singer of the year”, the prestigious Opernwelt Critics Award – he has found “an ideal Daphne, embodying both the youthful and the fated side of her character” (Bachtrack.com). “Thomas Guggeis conducted the admirable Staatskapelle Berlin with infinite delicacy and clarity” (La Libre Belgique). “Strong images that will have an impact for a long time to come.” (Süddeutsche Zeitung).
Die Liebe der Danae
The rarely performed opera “Die Liebe der Danae” is a feast for Strauss lovers, with arias, ensembles and orchestral interludes blazing with sumptuous colors and rich textures. Written under war clouds and completed in 1940, it is the swan song of an aged composer who is taking leave from the world on the eve of the catastrophe that will engulf it. This timeless production from the Deutsche Oper Berlin can be seen as the mirror of a changing world order, with a wonderfully suggestive symbol dominating the stage during all three acts: a grand piano suspended upside-down from the rafters.
Portrait Richard Strauss
Josephs Legende
“Composed to a libretto by Harry Graf Kessler and Hugo von Hofmannsthal and premiered by Sergei Diaghilev’s Ballet Russes in the summer of 1914, Strauss’ Josephs Legende was one of the earliest cultural casualties of the First World War. The leads in John Neumeier’s production from 1977 are terrific, especially the sensational Judith Jamison as Potiphar’s Wife. The Wiener Philharmoniker sounds sumptuous and conductor Heinrich Hollreiser keeps the drama from dragging without getting in the way of the dancers.” (James Leonard, ALLMUSIC.com)
Wiener Philharmoniker: Yannick Nezet-Seguin conducts Beethoven & Strauss
Yannick Nézet-Séguin gives his successful debut at the renowned, highly exclusive subscription concerts of the Wiener Philharmoniker. Joining him is piano legend Yefim Bronfman, who lives up to his reputation: “It was gratifying to hear how, in Beethoven’s Third Piano Concerto, a relaxed, silky-smooth beauty of sound repeatedly gave way to wiry accents of tension” (Der Standard). Bronfman proved an “ideal partner” (Kronenzeitung) for Nézet-Séguin and the Philharmoniker, who were “entirely in harmony with the soloist” (Die Presse). In the second half of the concert, “Richard Strauss’ Ein Heldenleben was given a refreshingly invigorating shake-up” (Der Standard). Program: Beethoven: Piano Concerto No. 3; Strauss: Ein Heldenleben; Debussy: Images II, III. Poissons d’or
Salzburg Festival 2024: Dudamel & Grigorian – Vienna Philharmonic
The promise of a Strauss double-bill with the Wiener Philharmoniker would be enough to have most concertgoers swooning – add in audience favourite Asmik Grigorian and Maestro Gustavo Dudamel, and the Salzburg audience could not be more ecstatic. Grigorian interpreted Strauss’ Vier letzte Lieder with “penetrating intensity” (VN), capturing the fleeting emotions of each song: “She effortlessly savours Strauss’s soaring flights of fancy and lavishes herself on his wide-ranging cantilenas” (BR Klassik). After this moving performance, Dudamel and the orchestra take the audience on a musical hike with Strauss’ tone poem Eine Alpensinfonie. “Gustavo Dudamel’s interpretation…is so vividly real. The orchestra once again delivers a brilliant performance of expressive, joyfully committed playing” (Opera Online).
Christian Thielemann conducts Schönberg and Strauss
More than 140 concerts and a multitude of celebrated recordings connect Christian Thielemann with the traditional Viennese orchestra. The live recording of his debut on the podium at the Vienna Musikverein almost 23 years ago promptly became a reference recording. On the programme then as now: Richard Strauss’ monumental Eine Alpensinfonie (An Alpine Symphony). This work, often regarded as the final and climax of the “symphonic poem” genre, is juxtaposed with Arnold Schönberg’s probably most famous tonal composition, the orchestral version of the string sextet Verklärte Nacht (Transfigured Night). “A truly persuasive performance.” (The New York Times)
Jakub Hrusa & Bamberger Symphoniker
Depth of feeling, melancholy and sadness: the programme of this concert with the Bamberg Symphony Orchestra under their chief conductor Jakub Hruša revolves around this triad. The concert begins with the Adagietto from Mahler’s Fifth Symphony, a musical declaration of love by the composer to his wife Alma. An ideal prelude to Strauss’ Vier letzte Lieder (Four Last Songs), the composer’s “swan song”, written in 1948, at a time when Strauss saw his world in ruins after the war and was already plagued by illness. American soprano Corinne Winters “shone with intensity and bright heights” (Der Standard). The concert closes with Suk’s symphonic monumental work Asrael. In it, Suk deals with two strokes of fate, first the death of his father-in-law Antonín Dvorák and a little later also the surprising death of his wife, Dvorák’s daughter. “What a blast” (Der Standard)
Christian Thielemann conducts Bruckner & Strauss
“The Vienna Philharmonic, conductor Christian Thielemann and composer Anton Bruckner – this is a combination that music lovers can really enjoy.” (Kurier) Christian Thielemann has become known as an expert in late Romantic repertoire. In this concert, he conducts one of the least performed Bruckner Symphonies, the sixth, which will be heard, along with Richard Strauss’s melancholy, serene Four Last Songs with Camilla Nylund. The program is part of the first Bruckner cycle with Christian Thielemann and the Wiener Philharmoniker. PROGRAM: R. Strauss: Malven (arranged by Wolfgang Rihm), Vier letzte Lieder; A. Bruckner: Symphony No. 6 in A major, WAB 106
Salzburg Easter Festival 2021: Christian Thielemann & Denis Matsuev
Since 2013, Christian Thielemann has led the Easter Festival as artistic director. Due to Covid-19, the 2021 edition was moved to autumn. Together with the Staatskapelle Dresden, Christian Thielemann presented Edvard Grieg’s Piano Concerto with Denis Matsuev, one of the most sought-after pianists of his generation. The second part featured the symphonic poem Ein Heldenleben by Richard Strauss, one of the orchestra’s showpieces. “Thielemann attached immense importance to subtleties and also took time to savour the phrases. The soloists from his own ranks also proved to be excellent, especially concertmaster Matthias Wollong with his long violin solo. Standing ovations.” (Kurier) PROGRAM Grieg: Piano Concerto in A minor; Lyadov: The Music Box, Op. 32; Strauss: Ein Heldenleben