When the curtain fell at the Paris Opera premiere of Capriccio, the audiences rose to long and frenetic ovations. They unanimously applauded each singer in a cast of stars, but Renée Fleming was undoubtedly the leading light of this remarkable production. Every one of the performers in this production is outstanding and can be regarded as the best possible singer for the role – Opera fans from all over the world came to Paris to see this production.
This Capriccio also served as a role debut for American star soprano Renée Fleming who took on the role of the Gräfin. The critics celebrated her performance as “ideal” in all aspects: musically, dramatically and above all
vocally and she was cheered frenetically by the audience at the Palais Garnier of the Opéra National de Paris.
Dietrich Henschel had critics raving about his sensitively sung Graf, Anne Sofie von Otter won audiences over with her highly ironic interpretation of the singer Clairon. Rainer Trost presented himself both as a true actor and as a versatile tenor in the role of the composer Flamand, Gerald Finley gave a very convincing poet Olivier and Franz Hawlata was described by a critic as “a glowing” La Roche. Altogether a true ensemble of stars!
From Wagner to Strauss: Unitel opens the Richard Strauss year 2014 with the first ever video recording of Strauss’ early one act opera Feuersnot, the master’s answer to Richard Wagner’s idea of “redemption through love”. The new production from the Teatro Massimo in Palermo, one of the most prestigious opera houses in Europe, is led by Italian conductor Gabriele Ferro.
The soloists of The Philharmonics – an ensemble made up of musicians from the Vienna Philharmonic – performing Johann Strauß’s waltzes arranged by Arnold Schönberg, Anton Webern und Alban Berg in an original Viennese Coffeehouse. PROGRAMME: ROSEN AUS DEM SÜDEN arr. by Arnold Schoenberg / KAISERWALZER arr. by Arnold Schoenberg / LAGUNENWALZER arr. by Arnold Schoenberg (after Motives from the Opera ‘Eine Nacht in Venedig’) / WEIN, WEIB UND GESANG arr. by Alban Berg / SCHATZWALZER arr. by Anton Webern (from the Operetta ‘Der Zigeunerbaron’), ALT WIEN Godowski, MARCHE MINIATURE VIENNOIS Fritz Kreisler, SCHÖN ROSMARIN Fritz Kreisler, CAPRICE VIENNOIS Fritz Kreisler, YIDDISHE MAME arr. by Tibor Kovac.
The programme includes Don Juan, Burleske, Till Eulenspiegel’s lustige Streiche, Finale from “Der Rosenkavalier”.
‘ALSO SPRACH ZARATHUSTRA’: from the symphonic poems that brought Richard Strauss worldwide fame in the 1880s and 1890s and his florid operas from the first decade of the twentieth century to the resigned metamorphosis of his final masterpieces after the Second World War. In this production, Mariss Jansons is seizing the opportunity to pay tribute with this work, considered to be one of his specialities, to that other big name from the orchestra’s early history. Also on the programme: Strauss’ METAMORPHOSEN and the SUITE FROM DER ROSENKAVALIER.
The chief conductor has traditionally led the orchestra in the Christmas Matinee – and now its future chief conductor, Klaus Mäkelä, assumes that role, leading the Concertgebouw Orchestra in a programme based on the theme of love. Wagner surprised his wife Cosima with the ‘Siegfried-Idyll’ on Christmas Day, 1870. Marital love also inspired Richard Strauss’s Ein Heldenleben, which he dedicated to the Concertgebouw Orchestra. Unsuk Chin’s subito con forza is a declaration of love for the music of Beethoven. It was with this same work that Klaus Mäkelä opened the programme he conducted on his Concertgebouw Orchestra debut in September 2020, when sparks between maestro and orchestra first flew. PROGRAM Unsuk Chin: subito con forza; Wagner: Siegfried-Idyll; Strauss: Ein Heldenleben
He is a music mage. To this day, he fascinates audiences with his magical sense of sound. But the tracks of the luminous figure that is Richard Strauss are followed by a dark hadow in discreet agreement. Who is one, who is the other? How are they connected? The film IN THE TWILIGHT illuminates the multiple layers of the man and musician Richard Strauss. Oscillating between high key and low key, between darkness and light, visually striking spaces are revealed for the musical genius as well as the viewer´s desire for association.
The Royal Concertgebouworkest is celebrating the new season with a grand gift to the city, the country and the world. On Friday 10 September, the Concertgebouworkest opens the 2021/2022 season with a festive concert open-air in the heart of Amsterdam – that evening, music sounds through the streets from Dam Square. In this way, the musicians and the public bring the city back to life, ringing in the new season with you in this spectacular way! Daniel Harding is not only a conductor but also a pilot for Air France. Tonight, he leads us on a musical journey through Europe, ending in Paris. PROGRAM Roukens: CHASE; Strauss: DON JUAN; Paganini: LA CAMPANELLA; Verdi: LA FORZA DEL DESTINO; Boulanger: D´UN MATIN DE PRINTEMPS; Ravel: TZIGAN; Gershwin: AN AMERICAN IN PARIS + encores
Two portraits from a magician of orchestral colour, Richard Strauss – plus a young Mozart dances on the violin. Lisa Batiashvili is the perfect partner for Mozart’s elegant Concerto, in the final performance of her LSO Artist Portrait series, while Sir Antonio Pappano and the LSO bring out every twist and turn in Strauss’ stories. PROGRAM Strauss: Till Eulenspiegel, Ein Heldenleben; Mozart: Violin Concerto No 5
A blast of trumpets, a pounding of timpani: the opening of Richard Strauss’ Also sprach Zarathustra heralds the rise of the sun. Stanley Kubrick used it to grab viewers’ attention in his film 2001: A Space Odyssey.But for Strauss, this is the dawn of an age full of questions: what does it mean to be alive? Joining the debate, Liszt’s Totentanz is a ferocious vision of mortality, complete with ghoulish jangling bones. And there’s a new work by Hannah Kendall, a composer whose music, in Pappano’s own words, ‘has an amazing ability to really grip the listener’. PROGRAM Kendall: O flower of fire (world premiere); Franz Liszt: Totentanz; Richard Strauss: Also sprach Zarathustra
