Mariss Jansons and Daniel Barenboim perform Beethoven & Prokofiev

Daniel Barenboim returns to Mariss Jansons and the Bavarian Radio Symphony Orchestra (BRSO) for a very special collaboration – ten years after his first performance as piano soloist with them. Together they present a stunning rendition of Ludwig van Beethoven’s Fifth Piano Concerto. Hardly any other musician has studied the works of Beethoven as thoroughly as Barenboim and he turns the second movement into something special indeed: the calmness and intimacy of the Adagio is second to none. “No other piano player creates such a magical atmosphere in the quiet passages; no other is capable of stopping time hypnotically like this.” (Abendzeitung) The second part of the night is devoted to Sergei Prokofiev’s Fifth Symphony. Here, the BRSO soars to great achievements in sound, creating a finale “with vertiginous vehemence and power of sound” (Bachtrack). PROGRAM: Beethoven: Piano Concerto No. 5; Prokofiev: Symphony No. 5

BPO: Rattle Conducts The Beethoven Symphonies

“A Beethoven symphony cycle is a kind of Mount Everest for all of us to climb” Sir Simon Rattle said about his first cycle of all nine symphonies with his Berliner Philharmoniker. The expectations were incredibly high, not only due to the work itself, which is known to be extremely demanding, but also due to the existing legendary recordings of the Beethoven symphonies with Rattle’s predecessors like Herbert von Karajan and latest Claudio Abbado. The concerts in which the Berliner Philharmoniker and their maestro present the symphonies at the Philharmonie are overwhelming indeed. “This is the greatest performance of the Beethoven symphonies as a cycle that I have ever seen and heard” (BBC Music Magazine). “Impressive“ (The New York Times).

Thielemann conducts Bruckner No. 6 & Beethoven

Bruckner’s music has played a central role in Thielemann’s relationship with the Staatskapelle; he launched each new concert season with a Bruckner symphony – now the Sixth, this recording of which completes Thielemann’s cycle of the mature Bruckner symphonies. For the Sächsische Zeitung this performance marked “another Bruckner triumph for Dresden” by revealing “the greatness of the work with a rarely heard transparency and clarity. It could hardly have been better!” Beethoven’s Piano Concerto No. 3 featured one of today’s outstanding keyboard virtuosos, the Soviet-born Israeli-American pianist Yefim Bronfman, in a performance marking the start of his residency as the Staatskapelle’s “Capell-Virtuos”. In the words of the Dresdner Neueste Nachrichten: “He has music ‘in his fingertips’ (…) ‘High School’ of piano playing.”

The Most Beautiful Operas of All Time: Fidelio

Take life, drama, and comedy. Add stage and music. Voilà: you‘ve got opera! But once an opera has gone out into the world from the stages of Milan, Paris or Vienna, each work begins to develop a life of ist own. How do audiences of the 18th or the 21st century understand the work? How much of the composer‘s own biography has gone into his work? How does opera co-exist with the other arts of ist time? These and other topics form the core of ten half-hour documentaries, a one-of-a-kind tour of the most beautiful operas of all time. Evocative visuals, stylish re-enactments, statements from leading international singers, conductors and directors, excerpts from the most prominent productions of each opera – all of this is served up in a cool, modern aesthetic aimed at viewers who are not the traditional target audiences of opera.

Beethoven Cycle Kammerphilharmonie Bremen

In 2006, conductor and Grammy Award-winner Paavo Järvi and the Deutsche Kammerphilharmonie Bremen set off on a major adventure: to master all nine Beethoven symphonies in a radical new reading. Järvi’s sensational new approach to these familiar works has won great renown for the orchestra. Their success led to a worldwide tour which included the U.S. and Japan (where the ensemble was ranked among the world’s top ten orchestras), and such prestigious venues as the Salzburg Festival. Wherever they performed, they were acclaimed by the press, who called them ‘the authoritative Beethoven orchestra of our day’. Many consider the Beethoven cycle as ‘without a doubt the best Beethoven in the world’ (Yomiuri Shimbun).

The Promise of Music – Beethovenfest Bonn

The concert given by the Simón Bolívar Youth Orchestra of Venezuela under its conductor Gustavo Dudamel at the Beethovenfest 2007 in Bonn was a highlight of the musical year. Over 200 young musicians between the ages of 10 and 24, many from underprivileged backgrounds, performed with nearly untamable energy under the baton of a young maestro destined to conduct the most fabled orchestras in the world. The concert program (2 x 45’) includes Beethoven’s Eroica Symphony, Bernstein’s Symphonic Dances, and pieces by Latin American composers Revueltas, Márquez and Ginastera. In the riveting 90-minute documentary ‘The Promise of Music’ (Prog. No. A05016554) directed by Enrique Sánchez Lansch (award-winning ‘Rhythm Is It’), we follow Dudamel as he prepares his orchestra in Caracas for its concert in Bonn, and we accompany the young musicians on their trip to Europe.

Documentary: Beethoven, Symphony No.3 in E flat major, op.55 “Eroica”

Six great composers, six landmark symphonies, a top orchestra and its star conductor Kent Nagano – these are the components of an extraordinary classical-music television event. Shot in High Definition, it takes a bold and innovative approach to the recording of classical music. Boom and tracking shots, quick cuts, remote-controlled cameras – stylistic means previously used chiefly for pop music recordings give the programs an up-to-the-minute look and feel. A team of more than 30 specialists makes sure that viewers enjoy a truly cinematic experience. The programs also go new ways by featuring entertaining, historically founded animated sequences illustrating episodes from the lives of the composers. Backstage interviews with the musicians and excerpts from their rehearsals let us share in the spirit of their music-making. Conductor Kent Nagano also relates what is of special importance to him in each work, and offers fascinating insights on the origin and context of the work in question. Documentaries: Bruckner, Symphony No. 8 – Mozart, Symphony No.41 ‘Jupiter’ – Beethoven, Symphony No.3 ‘Eroica’ – Strauss, Alpensymphonie (An Alpine Symphony) – Schumann, Symphony No.3 – Brahms, Symphony No.4

Beethoven, Symphony No.3 in E flat major, op.55 “Eroica” (Kent Nagano Conducts Classical Masterpieces)

Six great composers, six landmark symphonies, a top orchestra and its star conductor Kent Nagano – these are the components of an extraordinary classical-music television event. Shot in High Definition, it takes a bold and innovative approach to the recording of classical music. Boom and tracking shots, quick cuts, remote-controlled cameras – stylistic means previously used chiefly for pop music recordings give the programs an up-to-the-minute look and feel. A team of more than 30 specialists makes sure that viewers enjoy a truly cinematic experience.

Kent Nagano Conducts Classical Masterpieces – Documentaries

Six great composers, six landmark symphonies, a top orchestra and its star conductor – these are the components of an extraordinary classical-music television event. Shot in High Definition, it takes a bold and innovative approach to the recording of classical music. Boom and tracking shots, quick cuts, remote-controlled cameras – stylistic means previously used chiefly for pop music recordings give the programs an up-to-the-minute look and feel. A team of more than 30 specialists makes sure that viewers enjoy a truly cinematic experience. The programs also go new ways by featuring entertaining, historically founded animated sequences illustrating episodes from the lives of the composers. Backstage interviews with the musicians and excerpts from their rehearsals let us share in the spirit of their music-making. Conductor Kent Nagano also relates what is of special importance to him in each work, and offers fascinating insights on the origin and context of the work in question. Documentaries: Bruckner, Symphony No. 8 – Mozart, Symphony No.41 ‘Jupiter’ – Beethoven, Symphony No.3 ‘Eroica’ – Strauss, Alpensymphonie (An Alpine Symphony) – Schumann, Symphony No.3 – Brahms, Symphony No.4

Kent Nagano Conducts Classical Masterpieces

Six great composers, six landmark symphonies, a top orchestra and its star conductor – these are the components of an extraordinary classical-music television event. Shot in High Definition, it takes a bold and innovativeo approach to the recording of classical music. Boom and tracking shots, quick cuts, remote-controlled cameras – stylistic means previously used chiefly for pop music recordings give the programs an up-to-the-minute look and feel. A team of more than 30 specialists makes sure that viewers enjoy a truly cinematic experience.