“It is not every day that Brahms sounds as perfect as this,” enthuses the Kurier newspaper, describing Buchbinder’s performance with the Wiener Philharmoniker. The “phenomenal piano virtuoso” (Kurier) plays the First and Second Piano Concertos of Johannes Brahms in the Golden Hall of the Vienna Musikverein. On the rostrum is maestro Zubin Mehta, no less, who has long been intensively associated both with the orchestra and with soloist Rudolf Buchbinder. “What Rudolf Buchbinder, the Wiener Philharmoniker and conductor Zubin Mehta delivered at the Musikverein easily deserves the accolade ‘milestone’.” (Kurier)
Salzburg Festival 2012: Mariss Jansons
With four opera productions and its concert cycle, the Vienna Philharmonic once again forming the centre of the Salzburg Festival. Furthermore, in 2012, its concerts bring the musicians not only to the Grosses Festspielhaus, where they are heard under the baton of four of the most important conductors of our times, but – with smaller forces – also to the Main Auditorium of the Mozarteum. With a programme dedicated to the second half of the 19th century, Mariss Jansons, the Vienna Philharmonic and soprano Nina Stemme offer a “superlative concert experience.” (Kurier).
Salzburg Festival 2023: Thielemann conducts Ein Deutsches Requiem
When Brahms composed his “German Requiem”, he thought little of the salvation of the deceased. With his music, Brahms wanted to give comfort to the bereaved, so he decided against the usual Latin text of the Roman Catholic Church and chose German texts from Luther’s Bible instead. Nevertheless, or precisely because of this, the work thrilled the audience and made it a triumphant success for Brahms. In this performance Christian Thielemann, doubtless one of the leading conductors for the romantic symphonic music, at the podium of the Wiener Philharmoniker, together with the Wiener Singverein, the choir that first performed the first three movements of the Requiem in December 1867, and a duo of outstanding singers, “conjures unforgettable moments” (BR Klassik). Soloists of the evening were French-Danish soprano Elsa Dreisig (“delicate”, Der Standard) and German baritone Michael Volle. Thielemann’s “differentiated conception finds a harmonious balance between intimacy and archaic moments and transports Brahms’s core message of consolation to the audience’s delight in an immediate way.” (Salzburger Nachrichten)
BBC Proms 2021: Mirga Gražinyte-Tyla conducts the CBSO
The works that the CBSO commissioned to celebrate its centenary last year are finally getting performed. Thomas Adès’s The Exterminating Angel Symphony, based on material from his 2016 opera, was one of them; its London premiere is framed here by two more symphonies, Ruth Gipps’s Second and Brahms’s Third. The City of Birmingham Symphony Orchestra and Music Director Mirga Gražinyte-Tyla champion the music of a too-long neglected composer. PROGRAM: Gipps: Symphony No. 2; Adès: The Exterminating Angel Symphony; Brahms: Symphony No. 3
Järvi conducts the Brahms Symphonies
With multiple critically-acclaimed symphonic cycles already under their collective belt, The Deutsche Kammerphilharmonie Bremen and its artistic director Paavo Järvi follow up their 2009 Beethoven cycle and 2011 Schumann cycle with a Brahms cycle! In concerts at Paris’s Théâtre des Champs-Élysées, they present all of Brahms’s symphonic masterpieces. “A Brahms revelation” The New York Times
Recording Brahms – Vol. 1+ 2
In December 1989, the artists came together to record some of the early chamber works of Brahms. Part I (51′) focuses on the preparation, rehearsal and re-takes, while Part II (57′) captures the final record performance. Emanuel Ax, Isaac Stern, Cho-Liang Lin, Jaime Laredo, Michael Tree, Yo-Yo Ma, Sharon Robinson.
Mariss Jansons conducts Brahms’ Requiem
‘Ich will euch trösten’ (I will comfort you), sings the soprano in Brahms’s Ein deutsches Requiem. Indeed, this is music of comfort, not of lamentation. With this work, Mariss Jansons is continuing the Requiem ritual started in 2011 to allow listeners to contemplate the transience of life at the beginning of autumn. Rather than using the standard Latin mass text, however, Brahms selected his own text from the Bible. He completed the work after the death of his mother. Following the premiere, the music critic Hanslick wrote, ‘Since Bach’s Mass in B minor and Beethoven’s Missa solemnis, nothing in this vein has been written which is comparable to Brahms’s Ein deutsches Requiem.’ It was this work, which became immensely popular, that truly established Brahms as a composer.
RCO: Gardiner conducts Brahms Symphony No. 3
Who was Johannes Brahms? In a new cycle of four concerts, the Royal Concertgebouw Orchestra, conducted by Sir John Eliot Gardiner, is investigating Brahms’s œuvre through the lens of the four symphonies performed over two seasons and accompanied by other works by the composer. The Third Symphony is juxtaposed with choral works sang by the Monteverdi Choir. Under the baton of Sir John Eliot Gardiner, Brahms is instilled with a new radiance and vitality. PROGRAM Brahms: Symphony No. 1, Choral Works
RCO: Gardiner conducts Brahms Symphony No. 4
Who was Johannes Brahms? In a new cycle of four concerts, the Royal Concertgebouw Orchestra, conducted by Sir John Eliot Gardiner, is investigating Brahms’s œuvre through the lens of the four symphonies performed over two seasons and accompanied by other works by the composer. The Fourth Symphony is juxtaposed with the Second Piano Concerto with soloist Stephen Hough. Under the baton of Sir John Eliot Gardiner, Brahms is instilled with a new radiance and vitality. PROGRAM Brahms: Symphony No. 4, Piano Concerto No. 2
RCO: Gardiner conducts Brahms Symphony No. 2
Who was Johannes Brahms? In a new cycle of four concerts, the Royal Concertgebouw Orchestra, conducted by Sir John Eliot Gardiner, is investigating Brahms’s œuvre through the lens of the four symphonies performed over two seasons and accompanied by other works by the composer. The Second Symphony is juxtaposed with the First Piano Concerto with soloist Stephen Hough. Under the baton of Sir John Eliot Gardiner, Brahms is instilled with a new radiance and vitality. PROGRAM Brahms: Symphony No. 2, Piano Concerto No. 1