The 150th anniversary of the birth of Gustav Mahler in 2010 gave rise to a number of celebratory performances of his works. For its program at the fabled London BBC Proms in August 2010, the World Orchestra for Peace under Valery Gergiev chose the master’s Fourth and Fifth Symphonies. In the words of London’s The Independent, ‘the World Orchestra for Peace gave exemplary performances’ of the Mahler symphonies. The demanding soprano solo part in the Fourth is impressively sung by Camilla Tilling. At the opening of the Fifth, the Mariinsky Theater’s trumpeter Timur Martynov provides a lustrous, golden fanfare. ‘A rapt Valery Gergiev […] sculpted the closing Adagietto like a sacred object of veneration.’
BR: Mariss Jansons conducts Mahler & Rachmaninov
The Bavarian Radio Symphony Orchestra under the baton of its musical director Mariss Jansons gives ist debut at the Philharmonie de Paris: With Vladimír Sommer’s Antigone, Gustav Mahler’s Kindertotenlieder and Sergei Rachmaninoff’s Symphonic Dances, the evening’s programme revolves around the subjects of death, transcendence and the afterlife. Renowned alto and Mahler expert Gerhild Romberger makes Mahler’s ballads a “special and flawless experience” (Wiener Zeitung). The praised Bavarian Radio Symphony Orchestra shines “bright under their chief conductor Mariss Jansons. Impressive.” (Kurier) PROGRAM Mahler: Kindertotenlieder; Rachmaninoff: Symphonic Dances; Sommer: Antigone
Paris: Harding conducts Berg and Mahler
It was the death of 18-year-old Manon Gropius, the daughter of Alma Mahler and Walter Gropius, which spurred Alban Berg to compose his violin concerto Dem Andenken eines Engels (To the Memory of an Angel). This concerto is played by multiple awarded German violinist Isabell Faust, who has been praised by New York Times: “Her sound has passion, grit and electricity but also a disarming warmth and sweetness that can unveil the music’s hidden strains of lyricism.” The violin concerto is followed by György Kurtág’s Doloroso. As third part of the programme, the Orchestre de Paris performs Mahler’s 4th Symphony, built around the song “Das himmlische Leben” (The Heavenly Life) from Des Knaben Wunderhorn, presenting a child’s vision of Heaven. The soprano solo is sung by Christina Landshamer.
Salonen conducts Mahler No. 2
Mahler’s Resurrection Symphony is undoubtedly the most popular of all his symphonies. The composer stages a gradual victory over his doubts and asserts his creative vocation and his newfound faith in the cosmos. The audience is immediately struck by the opening chaos orchestrating a magniicent funeral. The sublime final chorus enraptures listeners as it celebrates the Last Judgement and the divine love that is spread everywhere. Resurrection takes up in a spectacular way the question of a hypothetical renewal: the Stadium de Vitrolles near Aix has been preserved in a state of beauty ravaged by twenty-five years of abandonment and clandestine occupations. Inside this iconic building Romeo Castellucci tackles the enigma of a mysterious rebirth. “It became big, very big, beyond huge, beyond gigantic.” (Opera Today)
Nelsons conducts Mahler No. 5
Almost no other orchestra has been so involved with Gustav Mahler and established such an outstanding Mahler sound as the Lucerne Festival Orchestra. This tradition was continued in the summer of 2015. In his concerts with the Lucerne Festival Orchestra, the renowned 37-year-old Andris Nelsons conducted Mahler’s Fifth Symphony, a work whose emotional spectrum ranges from the opening movement’s funeral march, through the declaration of love in the famous Adagietto – which Nelsons interpreted as an “intense chamber music love song in the passionate dimensions of Tristan” (Neue Zürcher Zeitung) – to the jubilant hymn of the finale.
Nelsons conducts Mahler – Des Knaben Wunderhorn
With Gustav Mahler, laughter and tears are often closely connected. As performed by Matthias Goerne, Andris Nelsons, and the Lucerne Festival Orchestra, the songs from Des Knaben Wunderhorn showed this at the Lucerne Summer Festival in 2015. The gaiety of Rheinlegendchen is placed here with the tale of starvation in Das irdische Leben, and the satirical Fischpredigt of St. Anthony is juxtaposed with the march of the fallen soldiers in Revelge. Baritone Goerne shapes these songs with “introspection and narrative clarity”, while Nelsons “proves to be a sensitive accompanist”, according to Neue Zürcher Zeitung.
Chailly conducts Mahler No. 1
Gustav Mahler was 28 when he wrote his First Symphony in Leipzig in 1888. For a long time, he was uncertain whether the work was a symphonic poem or a symphony and finally abandoned the first version and later also the work’s subtitle, Titan. A few years later, Mahler went on to revise the symphony into the four-movement work we know today, which was premiered in 1896. Riccardo Chailly and the Gewandhausorchester continue their Leipzig Mahler cycle by bringing Mahler’s First Symphony to life in a riveting performance, paying homage to the composer.
Claudio Abbado’s inaugural concert from 1989
It was only logical that Claudio Abbado should start his tenure with the Berliner Philharmoniker in December 1989 conducting Mahler’s First Symphony. Firstly, because Abbado was even then considered one of the great Mahler conductors of his time, and secondly because this symphony by the still young composer is infused with an irresistible expression of freshness and new beginnings. Even today we can feel the special magic of this new beginning in this video document. The election of Claudio Abbado came as a surprise to the music world – not least to the conductor himself. In many ways he embodied a contrast to Herbert von Karajan who, particularly in his later years, had became ever more remote from his musicians. Claudio Abbado, however, made it clear from the outset that he was simply “Claudio” to everyone. Furthermore, he followed new musical directions; he aimed at a more transparent sound, and put an emphasis on new music – and also on Mahler who had only occasionally appeared in Philharmoniker concerts under Karajan.
Chailly conducts Mahler – Symphony No. 7
Riccardo Chailly and the Gewandhausorchester Leipzig performing Gustav Mahler’s Seventh Symphony.
Dudamel & LA Phil: Inaugural Concert
Gustavo Dudamel, just twenty-seven years old, designated music director of the Los Angeles Philharmonic Orchestra, is acknowledged to be one of the most
important conductors of his generation. At October 2009 he will conduct the Los Angeles Philharmonic Orchestra at the Disney Concert Hall. On the programme: Gustav Mahler’s Symphony No 1 in D major (“Titan”) and the world premier of the latest work by Pulitzer Prize for Music winner John Adams, “City Noir”. The Los Angeles Philharmonic is widely regarded as the most contemporary minded, forward thinking, talked about and innovative, venturesome and admired orchestra in America. Dudamel made his U.S. conducting debut with the Los Angeles Philharmonic at the Hollywood Bowl on September 13, 2005. In April 2007, during a guest conducting engagement with the Chicago Symphony Orchestra, Dudamel was named the LAP’s next music director as of the 2009-2010 season, succeeding Esa-Pekka Salonen.