Mahler isn’t necessarily massive, and his Fourth Symphony begins with sleighbells, birdsong, and a melody straight out of Mozart. It all seems deliciously simple. But this is Mahler, after all, and between that playful opening and the final portrayal of a child’s Heaven, there’s a whole universe of drama, emotion and heart-piercing beauty. With soprano Lucy Crowe bringing all her insight and vocal radiance to that extraordinary finale, it’ll sound lovelier and more blissful than ever.
LSO: Barbara Hannigan conducts Mahler & Messiaen
Blissed-out visions of heaven from Mahler and Messiaen: the irrepressible Barbara Hannigan conducts and dreams her way to glory. Olivier Messiaen sends up a prayer, and the skies themselves seem to ring with majestic, multicoloured sounds. Mahler gets inside the mind of a child, in a symphony of blue skies, jangling sleigh bells and sudden, rapturous visions. It’s a wild ride to heaven, and the extraordinary Barbara Hannigan is there to show us the way tonight. As a singer, there’s nothing Hannigan can’t do, and as a conductor she drives straight to the places that other musicians wouldn’t dare. She’s been called ‘an artist who shoots straight for the heart and never misses’, and tonight the LSO’s Artistic Associate conducts a concert charged with wonder. PROGRAM Mahler: Symphony No. 4; Messiaen: L’ascension
Lucerne Festival 2025: Chailly conducts Mahler
In his internationally acclaimed interpretations of Mahler’s symphonies, Riccardo Chailly focuses on the musical quality of the works, avoiding false pathos and sentimentality while retaining the music’s dramatic intensity. Together with the Lucerne Festival Orchestra, and Elina Garanca, he opened the 2025 festival summer festival with Mahler’s poignant, unfinished 10th Symphony and Mahler’s Rückert-Lieder. The concert opened with Pierre Boulez’s Mémoriale, in reverence of the inaugural director of the Lucerne Festival Academy, who would have celebrated his 100th birthday in 2025. PROGRAM Mahler: Rückert-Lieder, Ssymphony No 10; Boulez: Mémoriale
RCO: Mäkelä conducts Mahler 5
The chief conductor designate Klaus Mäkelä is once again following in the footsteps of Gustav Mahler. Since Mahler led the orchestra in his Fifth Symphony in 1906, they performed it 130 times. The kaleidoscopic symphony evokes emotional extremes. ‘Each movement has its friends and foes,’ Mahler once said. Yet the Adagietto, the symphony’s very lifeblood, seems to have only friends. According to Willem Mengelberg, the orchestra’s then chief conductor who maintained close contact with the composer, this movement was a pure declaration of love to Mahler’s wife Alma. The young violinist Daniel Lozakovich joins the Concertgebouw Orchestra for the first collaboration together. He shines in Max Bruch’s legendary First Violin Concerto. PROGRAM Bruch: Violin Concerto No. 1; Mahler: Symphony No. 5
RCO: Mäkelä conducts Mahler 8
Performances of Mahler’s Eighth Symphony are not so common, especially on the anniversary of Mahler’s death. Led by their Chief Conductor Designate Klaus Mäkelä, Mahler’s ‘Symphony of a Thousand’ was the Royal Concertgebouw Orchestra’s final contribution to the Concertgebouw’s Mahler Festival 2025. With four choirs—the Dutch National Radio Choir, the Laurens Symfonisch, Le Chœur de l’Orchestre de Paris, and the Dutch National Children’s Choir— this huge choral ensemble demonstrated immense energy and power. Seven international soloists, sopranos Golda Schultz and Miriam Kutrowatz, altos Jennifer Johnston and Okka von der Damerau, tenor Giorgio Berrugi, bariton Michael Nagy, and bass Tareq Nazmi, were all formidable. “A monumental Eighth from Klaus Mäkelä and the Royal Concertgebouw Orchestra” (Bachtrack)
Andris Nelsons and Lucas & Arthur Jussen
In this concert from the state-of-the-art Konzerthaus Dortmund, Lucas and Arthur Jussen join the Gewandhausorchester Leipzig and Gewandhauskapellmeister Andris Nelsons for a rare performance of the brilliant concerto for two pianos and orchestra by the 14-year-old Felix Mendelssohn, himself Gewandhauskapellmeister from 1835 to 1847. To complete the programme, orchestra and conductor present first another rarity – the beautiful “Blumine” movement composed for the original version of Mahler’s
Symphony No. 1 – alongside Dvorák’s life-enhancing Symphony No. 8, a work in which the composer’s symphonic skill and melodic gifts mix to irresistible effect. PROGRAM Mahler: Blumine; Mendelssohn: Concerto for two Pianos; Dvorák: Symphony No. 8