After his first two operas “Oberto” and “Un giorno di regno,” Verdi fell into a depression that dissipated only when he was shown the libretto to “Nabucco” and discovered the chorus “Va, pensiero.” The words sung by the Hebrew exiles made an indelible impression on the composer, who also saw the political potential within them: an echo of the Italians’ longing for freedom and a unified nation. The work was premiered at the Teatro alla Scala on 9 March 1842 and was an enormous success. The story of the Babylonian King and the captive Israelites stirred a patriotic cord in the hearts of the Milan audiences and swiftly carried Verdi’s name throughout Italy and the rest of the world. “Nabucco” has long been at home in the Arena di Verona, and for many, the “Va pensiero” chorus is, along with the triumphal march from “Aida,” the very embodiment of the Verona experience. This video production vividly captures this unique experience and provides the viewer with fascinating details that escape many of the Arena’s spectators. Stage director Denis Krief casts the work in a sparse modern setting, providing a highly effective showcase for the true heroes of the evening, the singers under conductor Daniel Oren. “Nuanced and temperamental, Daniel Oren’s interpretation dazzles with wonderfully suspense-filled pianissimi. The chorus of the Hebrew captives is so perfect that it is probably impossible to find it sung anywhere else more beautifully than in Verona. […] As so often in the Arena, the chorus presents itself as protagonist and perfectly homogeneous ensemble in this acoustically delicate theater. But with Leo Nucci as an aging Nabucco reminiscent of Lear, Fabio Sartori as his antagonist Ismaele and Maria Guleghina as a power-hungry Abigaille, the stage was dominated by three brilliantly disposed soloists who rousingly did justice to the drama of their characters, who are struggling for power and love.” (Süddeutsche Zeitung, 26 June 2007)
Arena di Verona Festival 2025: Nabucco
Anna Netrebko stars as Abigaille in Verdi’s Nabucco, one of opera’s most demanding roles, in a spectacular new production set in the ancient amphitheatre of Verona. Featuring futuristic scenery and striking special effects, this modern staging transforms Verdi’s beloved choral drama into a powerful, immersive experience. Directed and designed by Stefano Poda, the production reimagines the story beyond history, presenting a timeless vision of conflict, unity and hope. “Netrebko manages to shape every sound with intention. A performance that combines charisma and discipline, pathos and control” (Rivista Musica)
Arena di Verona Festival 2021: La Traviata
With a spectacular new production, the Arena di Verona is celebrating its restart after the forced Corona break. La Traviata is a story of great emotions in the unique setting of the ancient amphitheatre of the Arena di Verona and with a star cast: Sonya Yoncheva, Vittorio Grigolo and George Petean offer a feast for the ears – and the new production is great theatre for the eyes. The action takes place in the golden Parisian era, the time of the world exhibition of 1889. On the huge stage, an LED wall measuring over 400 square meters unleashes impressive virtual imagery with a selection of paintings. These images from the Uffizi in Florence add additional perspectives to the concept of the mise-en-scene by creating a synergy between the arts of opera and painting.
Les Vêpres siciliennes
“The Teatro Massimo succeeds in creating a masterpiece. This is also due to music director Omer Meir Wellber.” (Neue Zürcher Zeitung) Giuseppe Verdi composed Les Vêpres siciliennes (The Sicilian Vespers) – a story of oppression and revolt against the French rulers – in French. Palermo-born writer and director Emma Dante links the opera to present-day Palermo with the city’s mafia past and the tragic deaths of judges Giovanni Falcone and Paolo Borsellino. This was the catalyst for a series of uprisings and social actions that led to the reopening of the Teatro Massimo and the re-appropriation of urban spaces, which are reflected in Dante’s production. While Emma Dante’s imagery creates a richness and intensity feast for the eyes, musical director Omer Meir Wellber ties the knot to make this production from the Teatro Massimo a true gem.
Verdi: Falstaff
At Festival Verdi, the city of Parma celebrates its most distinguished son, Giuseppe Verdi, with exceptional stagings such as Jacopo Spirei’s take on the composer’s last opera “Falstaff”. In a contemporary British setting, Italian baritone Roberto de Candia gives a hilarious performance in the title role, but at the same time manages to outline’s Falstaff’s melancholy. The role of the jealous husband is played by Giorgio Caoduro, who exhibits “excellent vocal qualities, his timbre clear and vibrant, his intonation perfect.” (Bachtrack) Riccardo Frizza conducts the bittersweet comedy.
Verdi: Jérusalem
For Verdi lovers, the Festival Verdi in Parma is the place to be, especially for rare Verdi stagings such as “Jérusalem”. The opulent staging by Hugo de Ana, also responsible for the grandiose set design and gorgeous costumes, is “overwhelming with its phenomenal illusionist effects and breathtaking desert scenes” (klassik-begeistert.de). Star tenor Ramón Vargas sings Gaston and Annick Massis his lover Hélène. Pablo Galvez impresses as Count of Toulouse, whose brother Roger is excellently sung by Michele Pertusi. Under the baton of Daniele Calligari, the Chorus of the Teatro Regio di Parma gives an outstanding performance.
Il Trovatore
A monumental staging by late legendary director Franco Zeffirelli brings superstar Anna Netrebko to the Arena of Verona where she is giving her much-anticipated debut in one of Giuseppe Verdi’s most popular operas, Il Trovatore. Zeffirelli created a legendary scenery within the Arena, one of the most spectacular open-air venues of the world. Next to Anna Netrebko as Leonora perform Verdi accomplished baritone Luca Salsi as Count di Luna. Yusif Eyvazov returns to the Arena as his powerful-voiced opponent Manrico. MET star Dolora Zajick as Azucena and young rising Italian bass Riccardo Fassi as Ferrando join the prestigious ensemble. The revered master of opera Franco Zeffirelli, who died shortly before the premiere of Il Trovatore, created a legendary scenery with groups of giant sized armoured knights, a fortress turning into a luminous cathedral, an enormous choir, horses, breathtaking fights: “his perhaps best arena production” (Opernglas).
Giovanna d’Arco
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera with Giovanna d’Arco at the Verdi Festival in Parma. The opera’s libretto is based on Friedrich Schiller’s The Maid of Orleans. It tells the story of the French national hero Jeanne d’Arc. Earthly passion and supernatural purity are rendered vivid in the musical interpretation of the Virtuosi Italiani and the Coro del Teatro Regio di Parma, conducted by Ramón Tebar, and by three exceptional singers, Vittoria Yeo, Luciano Ganci and Vittorio Vitelli, “who have the Verdian idiom in their blood, performing veritable miracles of expressive singing and italianità” (Kieler Nachrichten). Turning the auditorium into the scene, Greenaway includes the unique architecture of the Teatro Farnese, one of Italy’s oldest and most exceptional theatre gems, into his staging. By the help of spectacular video and light installations, he creates a completely new opera experience, using a picture language that reaches from depictions of the Madonna to modern manga girls and the real faces of refugee children.
Verdi, Otello
Enthusiastically celebrated by audience and critics: The new production of Verdi’s Otello from the Palau de les Arts “Reina Sofía” in Valencia is featuring one of best casts one can imagine for this opera: American tenor Gregory Kunde as Otello, Italian soprano Maria Agresta as Desdemona and Spanish baritone Carlos Álvarez as Iago. On the rostrum: Zubin Metha. Stage by Davide Livermore, artistic director of the “Centro de perfeccionamiento Placido Domingo” of the Palau de les Arts.
Verdi, Un Ballo in Maschera
The 2014 Festival of the Arena di Verona is opened by the new stage design of the Verdi’s opera Un ballo in maschera by one of Italy’s great directors, Pier Luigi Pizzi, and conducted by Andrea Battistoni, a rising young talent in the intenational classical music scene.