Considered one of Verdi’s most challenging works, Don Carlos gets the royal treatment in this production at the Salzburg Festival directed by Herbert von Karajan. Verdi’s opera demands soloists of incredible technical ability who are also capable of communicating their character’s struggles with exceptional expressiveness. Inspired by Schiller’s eponymous historical tragedy, Don Carlos explores the conflicts between 16th-century European society and the heavy-handed political influence of the Catholic Church, as well as the roles of liberty and religion in the life of modern man.
Falstaff
When Carlo Maria Giulini returned to conducting public performances of opera after an absence of fourteen years, he chose for the occasion one of the enduring comic masterpieces – Verdi’s Falstaff. The composer was almost eighty when he broke the six-year silence following the premiere of Otello, and startled the musical world by revealing his complete mastery of comic invention. It is true that much of the success for this consummate work of genius is due to a libretto of extraordinary brilliance by Arrigo Boito, who took the substance of the piece from The Merry Wives of Windsor and Henry IV, but nothing can detract from Verdi’s capacity for matching it with music of real wit and humour. Renato Bruson, the renowned interpreter of Verdi and one of the leading lyric baritones of the day, sings the title role. Katia Ricciarelli leads the trio of merry wives with Lucia Valentini-Terrani as Mistress Quickly and Brenda Boozer as Meg Page. Leo Nucci sings the role of Ford and the young lovers are here portrayed by Dalmacio Gonzalez and Barbara Hendricks. Stunning designs by Hayden Griffen and Michael Stennett provide the perfect setting for this witty interpretation of Shakespeare’s masterpiece.
200 Years of Verdi – A Gala Concert
Gala Concert from the National Centre for the Performing Arts in Beijing on occation of the 200th birthday of Giuseppe Verdi in 2013. On the program highlights from Verdi’s most famous works. —- PROGRAM: Messa da Requiem – Dies Irae / Macbeth – Ambizioso spirto; Patria oppressa; O figi miei / Rigoletto – Caro nome Cortigliani, vil razza / I vespri siciliani – O tu Palermo / Il trovatore – Tacea la notte placida; Il balen del suo sorriso; Di quella pira / La forza del destino – Pace, pace, mio dio; Il santo nome di Dio Signore; La vergine degli angeli / La traviata – Preludio I Atto; E strano; Di provenza il mare e il suol / Don Carlo – Ella giammai m‘amò; Tu che le vanità; O don fatale, o don crudel / Aida – O patria mia; Celeste Aida; Marcia trionfale / Falstaff – È sogno o realtà; Tutto nel mondo è burla
Rigoletto
The live recording of Giuseppe Verdi‘s “Rigoletto” from Opernhaus Zürich presents the thrilling and dramaturgically highly precise production by stage director Tatjana Gürbaca: The chosen “Director of the Year 2013” by Opernwelt succeeded in producing a scenically reduced as well as expressively poetic production. Acclaimed by press and public alike, the scenic approach is matched by the musical expertise of Fabio Luisi: The general music director of the Opernhaus Zürich and one of the leading interpreters of Italy’s opera repertory conducts the Philharmonia Zurich and outstanding lead soloists George Petean as Rigoletto, Aleksandra Kurzak as Gilda and Saimir Pirgu as the Duke.
Luisa Miller – Dynamic
Recording of a live performance at Teatro La Fenice, Venice. Darina Takova brings a warm rounded tone to Luisa, and negotiates both the character’s tenderness and passion with dramatic conviction and persuasive musicality. Giuseppe Sabbatini’s Rodolfo makes a strong match for Takova, with a secure, colorful tenor and a dramatically compelling presence. As Walter and Wurm, baritone Alexander Vinogradov and bass Artjun Kotchinian create thrillingly villainous characters with their dark, powerful voices. Mezzo Ursula Ferri sings with richness and depth as Federica. The orchestra and chorus, led by Maurizio Benini, perform with real urgency, and Benini’s flexible tempos drive the tragedy inexorably toward its devastating climax.