“The last of the great international orchestral and operatic maestri” (The Times), Sir Georg Solti is a living testament to the elegance and impeccable tastefulness of Central European music-making. Solti’s remarkable partnership with the Chicago Symphony Orchestra began in 1954, when he first led the orchestra at the Ravinia Festival. After returning to conduct the ensemble several times during the following years, he was named Music Director in 1969 and held this post for a phenomenal 22 years. He is credited with greatly extending and enhancing the orchestra’s worldwide reputation. His recordings of Mendelssohn’s works with the Chicago Symphony date from the late 1970s and represent a mellower, more lyrically accented phase in the partnership between Solti and his orchestra.
A Midsummer Night’s Dream – A Ballet by John Neumeier
“During creation, every new ballet seems a possible film. When developing the idea of filming “A Midsummer Night’s Dream“, I insisted on planning a true ballet film which, for me, is completely different than a documentary. I intended to put the audience into the ballet, to bring it closer. Within the three days of recording, we did not schedule a single complete run-through of the work. Instead, we recorded the film in sequences and with exciting camera positions which can be compared to the way one would film a drama. What we really love when watching films, is the immediacy, the vibrancy of the moment. The camera being so close, means that we don’t want the dancers representing something, we don’t want them presenting something, we want them simply being – “now”. We want that spark of truth that springs towards us and that touches us.” John Neumeier In 1977 John Neumeier created one of his most popular ballets for the Hamburg Ballet: A Midsummer Night’s Dream based on William Shakespeare. This production has been invited regularly for guest performances in Europe, Asia, North and South America. The Hamburg Ballet’s archives document more than 300 performances. In addition, the ballet has been produced by prestigious companies such as the Paris Opera Ballet and the Ballet of the Bolshoi.
Carinthian Summer 1971
Nederlands Dans Theater 3
According to the ancient Greek legend, Prometheus brought fire and culture to mankind, thus saving the world from being destroyed by Zeus. Through the ages, this story has inspired countless artists, poets and musicians to some of their grandest creations.
Christopher Swann’s film is based on a 1993 televised concert from Berlin’s Philharmonic Hall.
The program features music by Beethoven, Liszt, Skriabin and Nono based on the legend of Prometheus. The four compositions could not be more diverse in style and conception, representing highly different approaches: from the Prometheus as bringer of plague and destruction to the punished Prometheus chained to a rock.
In this film, Christopher Swann stresses a visual approach to this variety of ideas, using a number of modern film techniques to underscore and illustrate the musical presentation.
Performances by the Berlin Philharmonic Orchestra under Claudio Abbado are first-rate, although it is the presence of Argerich that will make this DVD an obligatory purchase.
Christian Thielemann – Staatskapelle Berlin Inaugural Concert
In his inaugural concert as chief music director of Staatsoper Unter den Linden and Staatskapelle Berlin, Christian Thielemann showcases his versatility. He performs Mendelssohn’s seldom-played Piano Concerto No. 2 with pianist Igor Levit, described as having a “warm, soft, full-bodied” sound. The concert concludes with Schönberg’s Pelleas und Melisande, praised for its emotional depth and Thielemann’s ability to bring out the brass at the perfect moment, generating powerful, transparent music that evokes strong feelings. “It was evident how well Igor Levit and Christian Thielemann work together. Both build up great pressure and tension, seem to literally spur each other on, and the audience cheered”(Bild) PROGRAM: Moussa – Elysium; Mendelssohn – Piano Concerto No. 2, Op. 40; Schönberg – Pelleas und Melisande, Op. 5
Festive Advent Concert at the Frauenkirche Dresden 2023
It is the traditional start to the pre-Christmas season for classical music lovers throughout Germany: On the eve of the First Advent, the Frauenkirche shines in its baroque splendour and offers a magnificent experience with the Sächsische Staatskapelle under the baton of its music director Christian Thielemann and internationally renowned singers. This edition’s guests are soprano Hanna-Elisabeth Müller (“with a smooth, melodious, effortless sounding voice and great diction”, Online Merker) and tenor Mauro Peter (“offering a lyrical swell with depth”, Sächsische Zeitung). The programme includes baroque instrumental music, Romantic choir works and atmospheric arias. Together with “his” orchestra, “Christian Thielemann spread ut a carpet of pulsating sonority, dynamically highly differentiated, flexibly responding to the respective partners.” (Dresdner Neueste Nachrichten)
Münchner Philharmoniker – Andrés Orozco-Estrada
PROGRAM:Bartholdy: Symphony No. 1; Mozart: Symphony No. 41 in C major, K. 551 “Jupiter”
Mendelssohn, Violin Concerto in E Minor Op. 64
In 2008 Anne-Sophie Mutter was awarded not only the prestigious Ernst von Siemens Music Award, but also the Leipzig Mendelssohn Award. The award ceremony in March 2008 was crowned by a gala concert at Leipzig’s Gewandhaus with the Gewandhaus Orchestra under Kurt Masur, at which Mutter performed the Mendelssohn Violin Concerto in E minor op. 64 presented here. Also available: Anne-Sophie Mutter – Encounters with Mendelssohn, Documentary, Length: 18’, directed by Günter Atteln (A04500548).
Mendelssohn, Piano Trio No.1 in D minor, op.49
One of the world’s foremost violinists, Anne-Sophie Mutter is a musical celebrity known even by countless people who rarely listen to classical music. The artist and teacher, who promotes young musicians and commissions new works from contemporary composers, made her spectacular breakthrough under Herbert von Karajan at the 1977 Salzburg Easter Festival. She has since concertized at every major venue throughout the world. In 2008 she was awarded not only the prestigious Ernst von Siemens Music Award, but also the Leipzig Mendelssohn Award. The award ceremony in March 2008 was crowned by a gala concert at Leipzig’s Gewandhaus with the Gewandhaus Orchestra under Kurt Masur, at which Mutter performed the Mendelssohn Violin Concerto in E minor op. 64 presented here. The recording offers a selection of masterpieces by Mendelssohn (1809-1847) in a variety of instrumentations. In addition to Mutter, Masur and the Leipzig orchestra, the performers also include Mutter’s chamber-music partners Lynn Harrell and André Previn. On the occasion of the Mendelssohn Year, UNITEL CLASSICA also offers the documentary Anne-Sophie Mutter – Encounters with Mendelssohn, in which the artist discusses her affinity to Mendelssohn and explains why she particularly admires the works presented here. Mutter has performed the Violin Concerto several times in her career. Joining her in Mendelssohn’s Violin Sonata is pianist André Previn, who is also an internationally renowned conductor and composer. Previn accompanied Mutter in several Mozart Trios that are part of her “Mozart Project” available from UNITEL CLASSICA. He and cellist Lynn Harrell now interpret the D-minor Trio with her. This is a stunning anthology of chamber and orchestral music from one of the most vibrant composers of the early romantic era, performed by top artists of today!
Anne-Sophie Mutter plays Mendelssohn: Piano Trio No. 1 in D minor
In 2008 Anne-Sophie Mutter was awarded not only the prestigious Ernst von Siemens Music Award, but also the Leipzig Mendelssohn Award. The award ceremony in March 2008 was crowned by a gala concert at Leipzig’s Gewandhaus. The recording offers a selection of masterpieces by Mendelssohn (1809-1847) in a variety of instrumentations. Joining her in Mendelssohn’s Sonata for Violin F major (Length: 25’ – A05512287) is pianist André Previn, who is also an internationally renowned conductor and composer. He and cellist Lynn Harrell also interpret the D-minor Trio (Length: 29’ – A055122880001) with her. This is a stunning antholog of chamber music from one of the most vibrant composers of the early romantic era, performed by top artists of today!