In this story ballet, choreographer Edward Clug merges the distinct versions of Peer Gynt by Edward Grieg and Henrik Ibsen into a new ballet experience. “A brilliant narrator” (Kronenzeitung), Clug captures the fantastic adventures of the boastful peasant boy, who sets off to become emperor of the world, with the help of the bold stage and costume design by Marko Japelij and Leo Kulaš. The result are “magical scenes, never seen like this in conventional ballets” (Kurier) with “an outstanding cast, down to the smallest roles” (Opernfreund).
Edvard Grieg – What Price Immortality?
Thomas Olofsson’s 1999 biopic of the composer Edvard Grieg (1843–1907), entitled What Price Immortality?, was greeted with great interest and international acclaim. The film, which was written by Olofsson himself, along with Ture Rangström und Johanna Olofsson, attempts to give a picture of Edvard Grieg, both as a man and a composer, a figure who still receives less attention outside Scandinavia than he deserves.
The pianist Staffan Scheja plays the role of Edvard Grieg as both performer and composer, playing works such as the piano ballad in G minor, op. 24. The internationally renowned Auryn Quartet plays the initial string quartet in G minor, op. 27.
Salonen conducts Sibelius and Grieg
This concert by the Symphonieorchester des Bayerischen Rundunks has an entirely Scandinavian theme. Under the aegis of Finnish-born Esa-Pekka Salonen the orchestra begins the recital with “Eleven Gates”, a work of soundpainting by the contemporary Swedish composer Anders Hillborg. Alice Sara Ott provides the focal point of the evening, with the Piano Concerto by the Norwegian Edvard Grieg. The orchestra rises to the challenge with the impressive final work, the great Fifth Symphony by Finnish composer Jean Sibelius, a performance marking his 150th birthday “that no one who was present will ever forget.” (Süddeutsche Zeitung)
Julia Fischer – Violin and Piano
In her January 2008 concert with the Junge Deutsche Philharmonie under Matthias Pintscher, Julia Fischer, named ‘Artist of the Year’ in 2007 by the U.K.’s ‘Gramophone’ magazine, did exactly as Bach and Mozart did: she appeared in public as a soloist on two completely different instruments, the violin and the piano. Fischer, who also trained as a pianist, pulled off this rare and risky feat with extraordinary prowess. In Saint-Saëns’ Violin Concerto No. 3 in B minor op. 61, she weaves her lines seamlessly into the orchestral texture, emerging now with prominent embellishments, now with passionate cantilenas, or withdrawing to let the woodwinds express themselves as equals. For her ‘piano’ part of the evening, Julia Fischer chose the popular Grieg Concerto in A minor op. 16, a warhorse that shares with the previous work an intricate interweaving of the solo and orchestral parts. Commenting on her flawless piano technique and utterly natural artistry on this instrument, the Frankfurter Allgemeine Zeitung wrote: ‘She mastered the work with bravura … a more than amazing double talent.’
Grieg, Piano Concerto in A minor, op.16
At 88, Artur Rubinstein showed no trace of losing that quality of “joie de vivre” that had so fascinated audiences for almost three quarters of a century. The true Rubinstein sound, full and sonorous at every pitch, was always one of the distinctive marks of his playing ever since he began appearing in public. Rubinstein’s performance of Grieg’s ever-popular piano concerto, accompanied by the London Symphony Orchestra under André Previn, is a perfect testimony of his notion of a “singing tone”. With playing that is by turns vital and poetic, extrovert and reflective, rhapsodic and poised, this performance, filmed in April 1975 at London’s Fairfield Hall, is Rubinstein at his warm-hearted, lyrical best.
Salzburg Easter Festival 2021: Christian Thielemann & Denis Matsuev
Since 2013, Christian Thielemann has led the Easter Festival as artistic director. Due to Covid-19, the 2021 edition was moved to autumn. Together with the Staatskapelle Dresden, Christian Thielemann presented Edvard Grieg’s Piano Concerto with Denis Matsuev, one of the most sought-after pianists of his generation. The second part featured the symphonic poem Ein Heldenleben by Richard Strauss, one of the orchestra’s showpieces. “Thielemann attached immense importance to subtleties and also took time to savour the phrases. The soloists from his own ranks also proved to be excellent, especially concertmaster Matthias Wollong with his long violin solo. Standing ovations.” (Kurier) PROGRAM Grieg: Piano Concerto in A minor; Lyadov: The Music Box, Op. 32; Strauss: Ein Heldenleben
Peer Gynt
In this story ballet, choreographer Edward Clug merges the distinct versions of Peer Gynt by Edward Grieg and Henrik Ibsen into a new ballet experience. “A brilliant narrator” (Kronenzeitung), Clug captures the fantastic adventures of the boastful peasant boy, who sets off to become emperor of the world, with the help of the bold stage and costume design by Marko Japelij and Leo Kulaš. The result are “magical scenes, never seen like this in conventional ballets” (Kurier) with “an outstanding cast, down to the smallest roles” (Opernfreund).
RCO Opening Night 2022: Alain Altinoglu & Vikingur Olafsson and Martin Fröst
The Concertgebouw Orchestra celebrates the new concert season in Westerpark with conductor Alain Altinoglu, clarinettist Martin Fröst, pianist Víkingur Ólafsson and music by Adams, Grieg and Bernstein. The evening gets off to an energetic start with John Adams’s Short Ride in a Fast Machine. The programme continues with Edvard Grieg’s Piano Concerto, followed by a selection of dances for clarinet and orchestra, in which clarinet virtuoso Martin Fröst can truly shine. The evening concludes with Bernstein’s popular Symphonic Dances from West Side Story.