The Lucerne Festival launches its 2026 summer season with a program celebrating the breadth of American music. Riccardo Chailly and the Lucerne Festival Orchestra pair the vibrant sound world of George Gershwin with the early symphonic voice of Charles Ives. Gershwin’s Cuban Overture sets a spirited opening, alive with rhythmic drive and Caribbean color. Pianist Frank Dupree then brings his versatility to the Concerto in F major, where Gershwin seamlessly fuses the pulse of jazz with classical structure, culminating in a sparkling, high-energy finale. After the interval comes a shift in tone with Ives’s Symphony No. 1 in D minor, a work rooted in the late-Romantic tradition yet already hinting at the originality that would define his later music. Its lush orchestral writing and subtle surprises offer a compelling counterpart to Gershwin’s urban flair. Together, these works form an opening night that blends vitality, virtuosity, and the spirit of discovery—an ideal start to the Festival’s summer season.
The Glass Menagerie – A ballet by John Neumeier
Discover the brilliance of the iconic John Neumeier in this captivating double feature. The Glass Menagerie, inspired by Tennessee Williams’ poignant drama, showcases Neumeier’s extraordinary talent for storytelling through movement. At the center of this production is renowned ballet dancer Alina Cojocaru, who inspired John Neumeier to create the piece. Together with the acclaimed Hamburg Ballet, she delivers a performance that dances on the heartstrings and lingers in the soul. Complementing this masterpiece is John Neumeier – A Life for Dance, Andreas Morell’s intimate documentary that offers a glimpse into the passion and vision of one of the greatest choreographers of our time. This edition is a must-have for dance enthusiasts and lovers of profound artistic expression.
Andris Nelsons “From the New World”
It isn’t often that a young conductor excites audiences and stirs up critics to the extent that Andris Nelsons does. In this case, the young Latvian headed the Symphonieorchester des Bayerischen Rundfunks, the orchestra of his mentor and fellow countryman Mariss Jansons, in a high-profile programme that calls for utmost virtuosity as much as it does for poetic zest: “From the New World” was the motto of this sweeping concert that received rave reviews and cemented Nelsons’ status as the “real deal” among up-and-coming conductors. Pairing Dvorák’s New World Symphony with other salient works from the 20th and 21st centuries that were also conceived on US soil, the event proved to be a triumphant showcase for all involved. “One rarely exper iences such a na tural connect ion between conductor and orchestra … Andris Nelsons and the Bavarian Radio Orchestra are a sensation!“ Stuttgarter Zeitung
The Glass Menagerie – A ballet by John Neumeier
Tennessee Williams established his reputation as a prominent American writer of the 20th century through his play The Glass Menagerie, a deeply personal family drama known as a “Memory Play.” Initially staged in Chicago in 1944, the work faced rejection in Hollywood before finding success on Broadway. In 2019, John Neumeier reinterpreted The Glass Menagerie for the Hamburg Ballet, incorporating elements from Williams’ life. The ballet featured music by American composers Charles Ives, Philip Glass, and Ned Rorem, along with snippets from Williams’ own plays. This adaptation marked 75 years since the play’s debut, showcasing the enduring influence of Williams’ work in different artistic forms. The themes of memory, family dynamics, and personal struggles in The Glass Menagerie continue to resonate with audiences worldwide, reflecting Williams’ lasting impact on the literary and performing arts scene.
RCO: Made in America
Don’t miss the Royal Concertgebouw Orchestra in an all-American extravaganza from their illustrious home venue in Amsterdam! Susanna Mälkki leads a program entitled “Made in America,” exploring American identity across three rare, well-chosen works. Opening the evening is A Short Piece for Orchestra by 20th-century African-American composer Julia Perry, a neoclassical work of complex and frenetic rhythms tempered by profound lyricism. Next up is the formidable Violin Concerto by John Adams, a revolutionary piece for the instrument whose exceptional melodic richness complements a marvelously original rhythmic frame. Ferociously difficult and rarely played, it is interpreted with brio and assurance by virtuoso violinist Leila Josefowicz. Finally, the concert closes with Charles Ives’s Symphony No. 2, an evocative blend of European influences and New England folklore. PROGRAM Perry: A Short Piece for Orchestra; Adams: Violin Concerto; Ives: Symphony No. 2