Carmina Burana

With Carl Orff’s Carmina Burana, one of the most popular pieces in music history and the most performed choral/orchestral work of the 20th century, Teatro La Fenice returns to the Piazza San Marco in Venice, in front of the magnificent façade of the Basilica di San Marco. Conducted by the great master Fabio Luisi, featuring the word-class singers Regula Mühlemann, Michael Schade and Markus Werba it was a magnificent event. “La Fenice’s orchestra and choir, in this case with the addition of the Piccoli cantori veneziani in the final part, have hit the mark“ (Il Gazzettino) with this concert and “it is noticeable overall the work made by the conductor Fabio Luisi, who managed to maintain the tension of the various historical pages with determination and energy.” (Il Gazzettino)

O Fortuna

No other piece of twentieth-century music has enjoyed such popular acclaim as Orff’s Carmina Burana. But, apart from this composition, his work – operas, ballets, cantatas – is largely ignored. Why? Tony Palmer’s search for the real Carl Orff (1895-1982) looks at the whole range of his music, his educational work and his difficult relationship with the Nazi Party. Interviews with the three wives who survived him and his only child are included. An extraordinary, dark story emerges – of betrayal, disappointment, lies and personal tragedy.

Salzburg Festival 2022: Bluebeard’s Castle & De Temporum Fine Comedia

The Salzburg Festival presented Bluebeard’s Castle in a double bill evening together with Carl Orff’s De temporum fine comoedia. In his staging of the two works, Romeo Castellucci, reveals the profound connections in their juxtapositio between interiority and explosion of violent power.

Orff, Carmina Burana

The “Carmina Burana” is a manuscript collection of medieval songs which was discovered at the Bavarian monastery of Benediktbeuren in the 19th century. The songs glorify the secular aspects of life as a counterweight to the menaces of plague, war, terror and the Inquisition. The texts radiate the ribald, robust love of life shared by all social classes – nobility, clergy and peasantry. The premiere of “Carmina Burana” in Frankfurt/Main on 8 June 1937 caused an absolute sensation. It seemed as though Orff had reduced music to its most basic elements of rhythm and melody. He utilized the simplest harmonies and eliminated virtually all counterpoint and polyphony. Called a “scenic cantata” by Orff, the work was intended to be danced and staged. Horant Hohlfeld’s production enhances Orff’s music with its sensuality and primeval energy.

Salzburg Festival 2022: De Temporum Fine Comedia

De temporum fine comoedia (A Play on the End of Time) is the Last Judgement, in a reinterpretation rooted in Carl Orff’s personal religious beliefs. The writing of the text in Ancient Greek, Latin and German took the composer a whole decade, from 1960 to 1970, with the essence of the work being increasingly determined by the apocalyptic vision of the Alexandrian theologian Origen, in which at the end of time even demons will be granted forgiveness and salvation. Brought to the Festival stage by Romeo Castellucci and Teodor Currentzis for the first time since ist premiere in Salzburg in 1973, Orff’s opera-oratorio overwhelms the listener with its primeval energy. The latter results not least from persistently iterated rhythmic patterns that involve a host of figures animated by a mechanical principle of motion that is translated into bodily movement scores by the choreographer Cindy Van Acker. “Castellucci and Currentzis celebrate music theatre of monumental sparseness in its images and an exuberant opulence in its means.” (TAZ)

The Forbidden City Concert – Carmina Burana

A spectacular concert at the site of Beijing’s Forbidden City. The concert features the renowned Shanghai Symphony Orchestra and Maestro Long Yu, who perform Orff’s Carmina Burana with Aida Garifullina, Toby Spence and Ludovic Tézier, before being joined by Daniil Trifonov for Rachmaninov’s Piano Concerto No.2 and Mari Samuelsen for Max Richter’s Violin piece “November”. Length 114′ (complete repertoire) / 71′ (Carmina Burana & Jasmine Flower Song) / 43′ (Piano Concert & November)