Truls Mørk was the first Scandinavian ever to win the Moscow Tchaikovsky competition, a triumph that marked the start of his musical career. The film visits the Norwegian cellist Truls Mørk at his Scandinavian holiday home, accompanying him on his boat out at sea and on walks along the coast. The cello concerto by Anton Dvorák with the Bamberg Symphony Orchestra and the Chopin interpretations are focal points of the story.
RCO: Noseda conducts Liszt, Dvorák and Kodály
Yefim Bronfman is performing Liszt’s Second Piano Concerto, which makes a colourful Eastern European programme in combination with evocative works by Dvorák and Kodály under the baton of Gianandrea Noseda. Yefim Bronfman is performing Liszt’s Second Piano Concerto, which makes a colourful Eastern European programme in combination with evocative works by Dvorák and Kodály under the baton of Gianandrea Noseda. PROGRAM Liszt: Piano Concerto No.2; Dvorák: The Noon Witch; Kodály: ‘Peacock’ Variations
Hope for Prague
A special concert in a stunning setting: British violinist Daniel Hope, who studied under the legendary Yehudi Menuhin, performs Max Richter’s iconic composition “Vivaldi Recomposed”, a re-imagining of the Four Seasons, with the Epoque Orchestra on a floating stage on the Vltava against the backdrop of Prague Castle and overlooked by the imposing National Theatre complex. The concert also features the world premiere of a new version of Czech composer Bedrich Smetana’s “Vltava”, which is named after the river.
LSO: Harding conducts Dvorak and Widmann
Voices of nature and fabulous tales: Daniel Harding and viola player Antoine Tamestit explore the imaginary realms of Jörg Widmann and Antonin Dvorák. With the music of Antonín Dvorák, there’s always something unexpected going on beneath the gloriously tuneful surface. A gothic Czech folk-tale takes on a truly universal resonance; and an open-hearted celebration of the Bohemian countryside blossoms into something rapturous, in colors reminiscent of Strauss or Mahler. And since Dvorák was a viola player, what better way to set the mood than with the Viola Concerto by Jörg Widmann – the 21st century’s most playful (and inventive) descendant of that great Romantic tradition? ‘Even with the viola’s C-string alone, you can tell stories unimaginable on any other string instrument’, he says, and he wrote this piece, especially for Antoine Tamestit. Music that dreams and then dazzles, performed by artists who just love the sound it makes. Program: Widmann: Viola Concerto; Dvorák: In der Natur, The Golden Spinning Wheel
LSO: Simon Rattle & Leonidas Kavakos at Barbican
The 2020s meet the 1920s, as Sir Simon Rattle conducts Sibelius, Bartók, and the world premiere of Unsuk Chin’s new Violin Concerto. A new year, and a brand-new masterpiece from Unsuk Chin, the poetic, dazzlingly original musical mind behind the opera Alice in Wonderland. She’s called it Shards of Silence, and it prepares the way for a musical journey back to the 1920s – when Sibelius and Bartók found equally astonishing, equally uncompromising new ways of listening to the world. This is Chin’s second violin concerto. Her first is already a modern classic, and she hadn’t planned to write another – but when she heard the playing of Leonidas Kavakos, she broke her own rule. Naturally, he’s the soloist for tonight’s world-premiere performance, and since history demands context (even while you’re making it) Sir Simon Rattle completes the programme with Sibelius’ Seventh Symphony and Bartók’s brutal, brilliant Miraculous Mandarin Suite. PROGRAM: Chin: Violin Concerto No 2 (workd premiere); Sibelius: Symphony No 7; Bartók: The Miraculous Mandarin – Suite
Karajan conducts Dvorak 9
Invited by the progressive American arts patron Jeannette Thurber to become director of the naissant National Conservatory of Music of America in New York in October of 1892, Dvorak was initially hesitant to cross the ocean to accept her offer. Attached to his native country and boosted by his growing success on the European continent, his financial struggle to support his family of six children led him to say yes. His subsequent voyage would become the point of departure for one of the world’s most beloved symphonic works: his Symphony No. 9 “From the New World”, which combines traditional slavic folk music with the new American musical horizons he encountered. Karajan and the Wiener Philharmoniker honor the Czech composer’s magnificent chef-d’œuvre with this captivating performance.
Karajan conducts Dvorak 8
“You advise me to write small pieces but I find this difficult… how can I do this when no theme for a melody or work for piano comes to me? At the moment, my mind is full of great ideas — I will follow the will of God”. These words from Dvorak to his publisher Simrock (who wanted the composer to produce shorter, easier-to-sell works) show his determination regarding the writing of his symphonies. Premiered February 2, 1890 in Prague, the Eighth Symphony, optimistic and inspired by traditional music, was very well received by its audience. The maestro Herbert von Karajan and the Wiener Philharmoniker present a masterful interpretation in this 1985 concert in the Austrian capital.
RCO: Hrusa conducts Schumann, Dvorák and Suk
Yunchan Lim was the youngest ever winner of the legendary Van Cliburn International Piano Competition in 2022. Now, at the age of twenty-one, he is making his Concertgebouw Orchestra debut in Robert Schumann’s one and only Piano Concerto. The dreamy slow movement of this Romantic work is among the most beautiful Schumann ever composed. After the interval, the conductor Jakub Hruša guides us through his native Czech Republic with symphonic poems by two renowned fellow countrymen. In The Wild Dove, Dvorak tells a story full of passion, murder and all-consuming guilt in a village community. When Dvorak died in the spring of 1904, his pupil and son-in-law Josef Suk happened to be working on Prague, a symphonic ode to the city of Prague. The epic work would also become a homage to his mentor. PROGRAM Schumann: Piano Concerto; Dvorak: The Wild Dove; Suk: Prague
Andris Nelsons and Lucas & Arthur Jussen
In this concert from the state-of-the-art Konzerthaus Dortmund, Lucas and Arthur Jussen join the Gewandhausorchester Leipzig and Gewandhauskapellmeister Andris Nelsons for a rare performance of the brilliant concerto for two pianos and orchestra by the 14-year-old Felix Mendelssohn, himself Gewandhauskapellmeister from 1835 to 1847. To complete the programme, orchestra and conductor present first another rarity – the beautiful “Blumine” movement composed for the original version of Mahler’s
Symphony No. 1 – alongside Dvorák’s life-enhancing Symphony No. 8, a work in which the composer’s symphonic skill and melodic gifts mix to irresistible effect. PROGRAM Mahler: Blumine; Mendelssohn: Concerto for two Pianos; Dvorák: Symphony No. 8