Berlioz, Requiem
“If I was threatened with the destruction of all my works but one, I would save the Requiem,” wrote Berlioz shortly before his death. Berlioz composed it in 1837, a few years after what has surely remained his most popular work ever since its successful premiere, the Symphonie fantastique. Under Gustavo Dudamel’s direction, it was revealed as “a Requiem of the highest calibre” (El Pais). Both orchestras – “his” Simon Bolívar Youth Orchestra of Venezuela and the Orchestre Philharmonique de Radio France that supplemented it – and the two choirs “set the vault and columns of Notre-Dame de Paris vibrating” (Toute la Culture).