HAUSER at Neuschwanstein Castle

With his innovative musical skills and irresistible charisma, HAUSER is bringing a new wave of cello music to audiences worldwide. His programme includes music that reflects his unique approach to classical compositions, film scores and popular music, drawing on repertoire from his various solo albums. The Croatian musician is acclaimed worldwide for his captivating live performances and is considered a master of audience interaction. To do justice to the beautiful setting of Neuschwanstein Castle, HAUSER and the Munich Symphony Orchestra have selected an exclusive programme for this evening that promises to do justice to the unique surroundings.

Golda Schultz, Rolando Villazón, Ludovic Tézier at Neuschwanstein Castle

The internationally acclaimed artists Rolando Villazón, Golda Schultz and Ludovic Tézier crown the castle concerts on the final evening at Neuschwanstein. At the grand finale in the castle courtyard, the names of the soloists are as impressive as those of the composers: Verdi, Puccini, Mozart, Mascagni and Léhar. As at the beginning, the finale of the Neuschwanstein Concerts 2025 is once again a passionate journey through the world of opera. Realised with the highest musical finesse and quality by the renowned Deutsche Kammerphilharmonie Bremen. The conductor is none other than Omer Meir Wellber. The conductor and composer is regarded as one of the hottest opera and concert conductors of our time.

Peltokoski conducts Wagner: The Ring – An orchestral adventure

Tarmo Peltokoski is at the helm of the Hong Kong Philharmonic for this concert featuring Henk de Vlieger’s “Orchestral Adventure” drawing together highlights of Wagner’s monumental Ring: a superb distillation of some of the most exciting, moving and thrilling music ever written, presented in concentrated orchestral form.

RCO: Mäkelä conducts Mahler 8

Performances of Mahler’s Eighth Symphony are not so common, especially on the anniversary of Mahler’s death. Led by their Chief Conductor Designate Klaus Mäkelä, Mahler’s ‘Symphony of a Thousand’ was the Royal Concertgebouw Orchestra’s final contribution to the Concertgebouw’s Mahler Festival 2025. With four choirs—the Dutch National Radio Choir, the Laurens Symfonisch, Le Chœur de l’Orchestre de Paris, and the Dutch National Children’s Choir— this huge choral ensemble demonstrated immense energy and power. Seven international soloists, sopranos Golda Schultz and Miriam Kutrowatz, altos Jennifer Johnston and Okka von der Damerau, tenor Giorgio Berrugi, bariton Michael Nagy, and bass Tareq Nazmi, were all formidable. “A monumental Eighth from Klaus Mäkelä and the Royal Concertgebouw Orchestra” (Bachtrack)

Das Rheingold

The Zurich Opera’s production of Das Rheingold, directed by Andreas Homoki and conducted by Gianandrea Noseda, presents the cosmic struggles between gods, giants, and Nibelungs over a cursed ring. Homoki emphasizes character and narrative, portraying these figures as reflections of human nature grappling with themes of love, power, and sacrifice. Noseda’s conducting, paired with Philharmonia Zürich, revitalizes Wagner’s score, while Christian Schmidt’s set design enhances the story’s timelessness. The cast, featuring Tomasz Konieczny as Wotan and Christopher Purves as Alberich, delivers powerful performances that bring the mythic characters to life.

Die Walküre

In Wagner’s Die Walküre, separated twins Siegmund and Sieglinde embark on a forbidden love that disrupts Wotan’s intentions to manipulate fate. Fricka demands Siegmund’s death due to marriage laws, prompting Wotan to command his daughter, Brünnhilde, to allow this. Defying Wotan, Brünnhilde aims to protect Siegmund, which leads to tragic consequences as Wotan intervenes, resulting in Siegmund’s demise. Andreas Homoki’s Zurich production highlights emotional depth, with Gianandrea Noseda’s conducting enhancing Wagner’s nuances. The performances by Eric Cutler, Daniela Köhler, and Camilla Nylund are exceptional, supported by Christian Schmidt’s evocative set designs that reflect the majesty of Wagner’s world.

Siegfried

Wagner’s second day of the stage-festival drama showcases Siegfried’s journey as he seeks answers about his origins and confronts the dragon Fafner. Andreas Homoki emphasizes Siegfried’s innocence and courage, depicting his transformation from an unknowing orphan to a heroic figure. Gianandrea Noseda and the Philharmonia Zurich enhance Wagner’s themes of nature, heroism, and existential freedom through musical intensity. Klaus Florian Vogt’s portrayal, along with Camilla Nylund as Brünnhilde and Wolfgang Ablinger-Sperrhacke as Mime, adds layers of dark humor and cunning. Christian Schmidt’s set design vividly illustrates Siegfried’s self-discovery journey.

Götterdämmerung

The Zurich Opera’s production of Götterdämmerung, directed by Andreas Homoki and conducted by Gianandrea Noseda, concludes Wagner’s Ring Cycle with a powerful narrative of betrayal and downfall. The opera emphasizes Siegfried’s tragic conflicts, his betrayal of Brünnhilde, and his demise at Hagen’s hands. Performances by Klaus Florian Vogt as Siegfried and Camilla Nylund as Brünnhilde highlight the depth of their doomed love, while David Leigh’s portrayal of Hagen intensifies the drama surrounding Siegfried’s death. The production culminates in a gripping climax that explores themes of fate and redemption, leaving a lasting impact on the audience.

Le Concert de Paris 2025

It is now a well-established tradition: every year, on July 14, the Orchestre National de France welcomes the summer with a large musical gathering at the foot of the Eiffel Tower with stunning fireworks! Conducted by Cristian Macelaru, and accompanied by the Chorus of Radio France, the orchestra invites the audience around the world and thousands of people on the spot, to experience great arias and famous concert pieces. For this year‘s Brazilian edition of the Concert de Paris, we welcome the singer Bruno de Sá, whose unique soprano voice now crosses borders, as well as artists such as Bomsori, Benjamin Bernheim, Julie Fuchs, Aida Garifullina, Gautier Capucon and Dom La Nena.

Andris Nelsons and Lucas & Arthur Jussen

In this concert from the state-of-the-art Konzerthaus Dortmund, Lucas and Arthur Jussen join the Gewandhausorchester Leipzig and Gewandhauskapellmeister Andris Nelsons for a rare performance of the brilliant concerto for two pianos and orchestra by the 14-year-old Felix Mendelssohn, himself Gewandhauskapellmeister from 1835 to 1847. To complete the programme, orchestra and conductor present first another rarity – the beautiful “Blumine” movement composed for the original version of Mahler’s

Symphony No. 1 – alongside Dvorák’s life-enhancing Symphony No. 8, a work in which the composer’s symphonic skill and melodic gifts mix to irresistible effect. PROGRAM Mahler: Blumine; Mendelssohn: Concerto for two Pianos; Dvorák: Symphony No. 8