This ‘War and Peace’ will go down as a milestone in Jurowski’s tenure at the State Opera, and in Tcherniakov’s often divisive career. They rise to meet the moment, overcoming the work’s near untenability not only to argue for its place in the canon, but also to use it as a vehicle for a passionate statement against Russian nationalism.” (The New York Times) Prokofiev’s opera War and Peace is one of the monumental works in opera history and rarely performed because of its sheer violence and complexity: More than 70 characters are cast for this four-hour opera, which is based on Tolstoy’s masterpiece. With the appropriate preparation time, the Bayerische Staatsoper, one of the world’s top opera houses, has taken on this major work under the baton of its general music director Vladimir Jurowski and staged by Dmitri Tcherniakov, one of the most celebrated directors and born and raised in Russia – at the same time an expert on the subject.
Daphne
Richard Strauss’ opera Daphne, subtitled “bucolic tragedy in one act”, features lush, complex orchestrations and employs a large orchestra to convey its musical themes. The vocal writing is often highly virtuosic, showcasing the abilities of the singers in the lead roles. With Vera-Lotte Boecker – crowned “Singer of the year”, the prestigious Opernwelt Critics Award – he has found “an ideal Daphne, embodying both the youthful and the fated side of her character” (Bachtrack.com). “Thomas Guggeis conducted the admirable Staatskapelle Berlin with infinite delicacy and clarity” (La Libre Belgique). “Strong images that will have an impact for a long time to come.” (Süddeutsche Zeitung).
Magic Moments of Music – Rudolf Nureyev’s Swan Lake
An incredible 89 curtain calls is testament to the ballet history that was written at the Vienna State Opera on October 15, 1964. The event is a performance of Swan Lake choreographed by Russian dancer Rudolf Nureyev, who also took on the male lead role of the Prince. His partner is the British prima ballerina Margot Fonteyn. In his novel interpretation of Swan Lake, Nureyev revolutionises the role of the male dancer, seeking to be her equal counterpart. This great moment in music includes theexcerpts of the legendary ballet recording, while the documentary passages with Nureyev reveal and make tangible this exceptional and fascinating personality. In newly filmed conversations, dancers and companions Michael Birkmeyer and Gisela Cech, who danced alongside Nureyev at the premiere of Swan Lake, share some personal memories of the iconic figure, while new protagonists of today’s ballet world look back at Nureyev and his work from the perspective of our times.
Magic Moments of Music – Franco Zeffirelli’s La Bohème
This magic moment with music by Giacomo Puccini and artworks by Zeffirelli opens a window into the tender and melancholically intimate story of Mimì in bohemian Paris.
After the great success of Zeffirelli’s production of La Bohème at La Scala in Milan, Herbert von Karajan and Zeffirelli were compelled to turn it into an opera film. The screen adaptation of Puccini’s masterpiece featured the choir and orchestra of the Milan Scala and among others, Mirella Freni, Gianni Raimondi and Rolando Panerai. The young Mirella Freni, who sang the role of Mimì for over 50 years, gained fame the world over, not least because of her natural and pure voice. South African soprano Pretty Yende, who was a student of Mirella Freni and later sang in Franco Zeffirelli’s production of La Bohème, recounts her experiences with her mentor. As a very young tenor, Franco-Italian singer Roberto Alagna sang alongside Mirella Freni in the Zeffirelli production and is grateful to count himself among the great tenors, alongside Pavarotti and Carreras – thanks in large part to this performance of La Bohème.
The Vienna Christmas Concert
The Wiener Symphoniker perform a grand Advent concert at Vienna’s St. Stephen’s Cathedral featuring a diverse program conducted by Marie Jacquot. The concert includes works from various composers, such as Michael Praetorius, Leopold Mozart, Pyotr Tchaikovsky, Albert Malotte, and Adolphe Adam. Soprano Fatma Said, tenor Jonathan Tetelman, and the Singverein will explore global Christmas traditions, with classics like Bach’s “Jesus bleibet meine Freude” and “O du fröhliche” concluding the event.
Paavo Järvi conducts Haydn
The charming, elegant music of Joseph Haydn’s London symphonies is repeatedly punctuated by flashes of tragedy. But no sooner has the listener adjusted to a change of mood than it is over again. It’s these rapid changes of colour that are characteristic of Haydn, a composer of great versatility, depth of thought and wit. The Deutsche Kammerphilharmonie Bremen under the direction of its chief conductor Paavo Järvi makes all this audible and tangible. In the second part of their concert series on the London Symphonies at the Vienna Konzerthaus, they perform three more of Haydn’s London Symphonies, the Symphonies No. 93, No. 97 and No. 101 “The Clock”. For the recording of two of the London symphonies, Symphonies Nos. 101 and 103, the orchestra was honoured with the “Orchestra of the year 2023” award from the British classical music
magazine “Grammophone”, one of the most important awards in classical music.
Vienna Boys Choir – 525th Anniversary Concert
Boys have been singing at Vienna’s “Hofburgkapelle” since 1296. In 1498, the future Emperor Maximilian I moved his court and court music from various residences to Vienna. In doing so, he had laid the foundation for the Wiener Hofmusikkapelle and eventually also for the Wiener Sängerknaben (The Vienna Boys Choir). In this festive jubilee concert at Vienna’s Musikverein celebrating the 525th anniversary of the choir, the Wiener Sängerknaben and all choirs associated to it, the Chorus Primus, the Wiener Chormädchen, the Chorus Juventus and the “alumni” forming the Chorus Viennensis, are singing works that are all especially related to the choir – by Ludwig Senfl and Josquin Desprez, the Strauss dynasty or also by Mozart, Haydn and Bruckner, some of them recorded for the very first time.
Salzburg Festival 2023: Nelsons conducts Berg, Bach and Mahler
In this concert, the Wiener Philharmoniker under the baton of Andris Nelsons are focusing on a “heavenly” pairing of works: Alban Berg’s Violin Concerto, entitled “To the Memory of an Angel” is combined with Mahler’s Fourth Symphony, in the last movement of which the poem “Das himmlische Leben” (Heavenly Life) is set to music. With this performance, young German-American violinist August Hadelich gave his debut at the Salzburg Festival and thrilled the press: “The fabulous Augustin Hadelich filled the difficult solo part with emotion and fragility, his performance was sensitive and yet glowing.” (Die Presse) With Mahler’s Fourth Symphony, Andris Nelsons performs “a Mahler miracle of quiet tones” (Volksblatt) – together with German soprano Christiane Karg (“subtle and with beautifully coloured soprano”, Kurier) as the soloist of the finale of the symphony. The concert is part of the Mahler cycle of the Wiener Philharmoniker and Andris Nelsons.
Grafenegg: Midsummer Night’s Gala 2023
For a decade and a half, the Midsummer Night’s Gala has ushered-in the summer season at the Wolkenturm. It is also Grafenegg’s flagship media event, televised around the world. The best artists take centre stage, casting their spell over the audience amidst the idyllic scenery of the Castle grounds. For the cast of this edition – Lithuanian soprano Asmik Grigorian, American tenor Eric Cutler and French cellist Gautier Capuçon – Yutaka Sado, principal conductor of the Tonkünstler-Orchester, has put together a dramatic gala programme, with works by Verdi, Wagner, Puccini, Prokofiev, Leoncavallo and Dvorák. “Eric Cutler’s tenor was soaring, Gautier Capuçon’s cello melting, the Tonkünstler Orchestra sovereign. And simply stunning the soprano of Lithuania’s opera superstar Asmik Grigorian” (Niederösterreichische Nachrichten)
Anne-Sophie Mutter & Mutter’s Virtuosi
For years, Anne-Sophie Mutter has been performing together with various scholarship students of her foundation – in order to familiarize them with the life of a professional musician and to introduce them to a broader audience. In spring 2011 she also launched the project Mutter’s Virtuosi: This ensemble under the musical direction of the violinist consists of current and former scholarship holders of the of the Anne-Sophie Mutter Foundation as well as several other young musicians. This concert at Vienna’s Musikverein includes works by J. S. Bach, his Violin Concerto No. 1 and the Brandenburg Concerto No. 3, Vivaldi’s concert for three violins in F major, the Violin Concerto in A major by Joseph Bologne as well as the Nonet by André Previn, a commission for Mutter’s Virtuosi.