It is impossible to imagine today’s opera repertoire without Puccini’s Tosca, but rarely has an opera been so brutal: Murder, torture and love, jealousy and passion – everything is present in abundance. When it was written in 1900, this thriller set to music caused considerable controversy due to the political figureheads involved. Only much later the story about the deeply religious Tosca, the passionate Cavaradossi and the sadistic Scarpia was interpreted as the psychological drama it was meant to be. The drama on stage is accompanied from the orchestra pit by Marc Albrecht conducting the ORF Vienna Radio Symphony Orchestra by pointed sketches of the characters, but also – as typical for Puccini – by lyrical turns and beautiful melodies that make this opera shocker unique. “Marc Albrecht, with a fabulously disposed ORF Radio Symphony Orchestra, […] – a masterly achievement.” (Opernwelt). Next to Kristine Opolais, “a great, highly dramatic singing actress whose interpretation gets under the skin” (Kurier), sings the discovery of the evening, “the young tenor Jonathan Tetelman stems Caravadossi with juvenile power and tenoral beam that almost bursts the dimensions of the house.” (Opernwelt).
Hélène Grimaud at Elbphilharmonie Hamburg
Hélène Grimaud headlines a spectacular evening with the illustrious Camerata Salzburg, directed from the front desk by concertmaster Giovanni Guzzo, at the famed Elbphilharmonie in Hamburg. She selected pieces that are all in minor keys yet composed during intensely creative periods in both Mozart’s and Schumann’s careers. Mozart did not write many works in minor tonalities but Grimaud chose it, because it “provides a glimpse behind the mask of jollity that surrounds many of his famous works.“ As an encore: a work by another composer to have accompanied Grimaud through much of her career, Valentin Silvestrov. “Hélène Grimaud and the Salzburg Camerata hypnotise the audience in Hamburg’s Elbphilharmonie on this unforgettable evening with piano concertos of the early romantic era of Mozart and Schumann that are unique in terms of sound.“ (operaversum.de). PROGRAM Mozart: Piano Concerto No. 20 & Symphony No. 40; Schumann: Piano Concerto Op. 54; Silvestrov: The Messenger.
La donna del lago
Rossini’s La donna del lago, premièred in 1819 at the Teatro San Carlo in Naples, is a masterpiece based on the poem The Lady of the Lake by Sir Walter Scott, which is full of passion and romantic frisson. “With characteristic boldness, Michieletto reformulates this glittering music into something otherworldly” (Financial Times) and the performance is “musically brilliant.” (Die Presse.com) “Marko Mimica and Varduhi Abrahamyan produce strong performances as Douglas and Malcom respectively. Flórez is laser like and fresh as ever and thrilling brutish …“ (Financial Times) while the Frankfurter Allgemeine Zeitung writes: “Michele Mariotti and his outstanding orchestra were the stars of the evening.“