Kata Kabanova

Janácek’s opera Káta Kabanová is set in a small Russian town and is based on the play The Storm by Aleksandr Ostrovsky. The story revolves around the central character, Káta – sung by “the phenomenal Corinne Winters” (Neue Musikzeitung) – who is trapped in a loveless marriage to an abusive man named Boris. Despite her unhappiness, she is bound by the strict societal norms of her time and is unable to escape the situation. However, when she meets and falls in love with a young man named Vána Kudrjáš, she finally experiences happiness and passion. But their relationship is short-lived, as Boris finds out and forces Káta to confess her infidelity in front of the entire town. Overwhelmed by the shame and guilt, she drowns herself in the nearby river. The opera explores themes of social conformity, oppression, and the consequences of forbidden love. Janácek’s use of musical leitmotifs and repetitive themes reflect the characters’ emotions and psychological states, adding depth and nuance to the story. Stage director Barrie Kosky managed to create an intimate but impressive setting in the magnificent Felsenreitschule. “Jittery and balletic, ecstatic and anxious, Winters has a child’s volatile presence, and her livewire voice conveys Kát’a’s wonder and vulnerability.” (The New York Times) “Corinne Winters is “Kát’a Kabanova”: a great, luminous longing from head to toe. With director Barrie Kosky and conductor Jakub Hruša, she makes the opera in Salzburg a triumph.” (Der Tagesspiegel)

Evgeny Kissin – The Salzburg Recital

Evgeny Kissin appeared in Salzburg with compositions of the late Romantic and classical modern periods in the Großes Festspielhaus. Since his debut in 1987, the pianist has been a welcome guest at this festival, impressing with the maturity and brilliance of his playing. Kissin loves the dialogue with the audience and the direct power of the concert moment. With his solo recital, Evgeny Kissin presents the audience with a truly remarkable programme, a musical offering which inspires throughout, until the very last note fades away: “In a selection of encores, Kissin delivers the B-flat minor scherzo like a momentous pronouncement, alongside works by Debussy and Mendelssohn, as well as an original composition – he pulls them out of his sleeve, as impulsive and refined as if the concert had just begun.” (Salzburger Nachrichten) “Kissin blossoms into his full greatness” (Frankfurter Allgemeine Zeitung) PROGRAM Chopin: Nocturne in B major op. 62/1, Impromptus Nos. 1–3 opp. 29, 36 & 51, Scherzo No. 1 & 2, Polonaise op. 53; Berg: Piano Sonata, op. 1; Khrennikov: Dance op. 5/3, 5 Pieces op. 2; Gershwin: Preludes for Piano; Mendelssohn Bartholdy: Andante con moto (“Duetto”) op. 38; Debussy: Clair de lune; Kissin: Dodecaphonic Tango op. 1/2

The John Cranko Stuttgart Ballet Collection

Three legendary performances from the Stuttgart Ballet in the choreography of John Cranko: Onegin, Romeo and Juliet and The Taming of the Shrew. Including bonus conversations on each ballet and three documentaries on the Stuttgart Ballet and its outstanding dancers Marcia Haydée and Friedemann Vogel: Of Miracles and Superheroes – The Stuttgart Ballet, Marcia Haydée – The Seduction to Dance and Friedemann Vogel – Incarnation of Dance. The 3 documentaries are for the first time available on DVD and Blu-ray!