In Geneva, the city where she spent most of her life, Martha Argerich invites her lifelong music partner, the cellist Mischa Maisky, to play chamber music works by Beethoven, Schumann, Brahms and Chopin. Between each piece, the pianist opens up to her daughter Annie Dutoit, in an intimate conversation that reveals personal insights as well as musical ones
At home with Daniil Trifonov
Captivating his audience with passionate but perfectly controlled energy, Daniil Trifonov is a true musical phenomenon. Wishing to get away from the concert halls he is accustomed, we follow this great pianist on an intimate journey, from a Parisian Jazz Club to the streets of New York via the peace and quiet of his home in the Connecticut forest. A. SCRIABIN Sonata No. 9; P. I. TCHAIKOVSKY Children’s Album; S. RACHMANINOFF Vocalise, Op. 34 No. 14; M. RAVEL Gaspard of the Night J. S. BACH/S. RACHMANINOFF Partita No. 3 in E major. Prelude; S. PROKOFIEV Sarcasm, Op. 17
Quinte & Sens: Symphony of the Elements
This film by François-René Martin & Gordon combines breathtakingly beautiful images with the magnificent sound of the Orchestre de Paris. It creates a new Symphony representing the four Classical Elements: Fire (Stravinsky’s “Firebird”), Earth (Adoration of the Earth in Stravinsky’s “Rite of Spring”), Water (Debussy’s “La Mer”), Air (Dialogue of the Wind and the Sea in “La Mer”). As a fifth element it adds Olivier Messiaen’s “L’Appel interstellaire” (Interstellar call) from “Des Canyons aux Étoiles” (From the canyons to the stars). The word Quintessence was originally the Latin expression for the fifth element (quinta essentia, literally “fifth being”). According to Aristoteles, there was aether as massless, unchangeable, eternal substance beyond the lunar sphere. This “fifth element” thus had completely different properties than the earthly ones. Filmed inside and outside the stunning Philharmonie de Paris in true Hollywood style this is a new milestone in the creative visualization of music. A fascinating feast for the eyes and ears.
Raphaël Pichon conducts Handel & Bach
Bach and Handel, opera and oratorio, and extreme affects such as frenzy and deep suffering – Raphaël Pichon and his Ensemble Pygmalion at the Philharmonie de Paris. The phenomenal French coloratura soprano Sabine Devieilhe makes the colorful program shine as a vivid Baroque panorama. PROGRAM Handel: Il trionfo del Tempo e del Disinganno: “Un pensiero nemico di pace”, Giulio Cesare in Egitto: “Che sento? O dio!…Se pietà”; Bach: Cantatas: Wir müssen durch viel Trübsal, BWV 146: Sinfonia, Mein Herze schwimmt im Blut, BWV 199, “Ich steh mit einem Fuß im Grabe”, BWV 156: Sinfonia, “Geist und Seele wird verwirret”, BWV 35: Concerto, “Ich habe genug”, BWV 82 (excerpts)
Camille Saint-Saëns – The elusive composer
The film follows the life of a man who is said to have been a revolutionary for 40 years and then a conservative for 40 years who considered Debussy, Ravel, Stravinsky and Webern (among others) as naughty punks… However, as a composer and a pianist Camille Saint-Saëns was incredibly talented in music as in various sciences and arts. The film contains archive material, original drawings, musical excerpts and interviews with specialists, with a light comment made from Saint-Saëns’ personal writings as if he commented himself some parts of his long and rich life.
Innocence
Finnish composer Kaija Saariaho (*1952) draws listeners into her soundscape: From the brooding darkness of the opening bars, the audience finds itself dragged into the unfolding nightmare. The libretto by Sofi Oksanen interweaves two narratives of a school shooting. One focuses on the students and their teacher who were present at the time of the massacre. The second is set in the present day at a wedding with the family of the shooter celebrating their innocent son’s marriage. A thriller-like intensity shifts time levels and a mixture of nine languages. “The most powerful work Saariaho has written in a career now in its fifth decade” (The New York Times). Director Simon Stone approaches this multi-layered subject with sensitivity and empathy, supported by Susanna Malkki’s fine reading of the score on the rostrum of the London Symphony Orchestra and a great cast including Magdalena Kožena and Sandrine Piau. “A composer creates her masterpiece with Innocence” The New York Times
Zéphyr
Dance against the wind: French choreographer Mourad Merzouki sails towards a new adventure in the direction of the “Everest of the seas” – the sailing race Vendée Globe. After Vertikal, which propelled hip-hop into the air, Merzouki continues to exalt this dance in a play with natural forces: from weightlessness to the breath of the wind, from vertical to horizontal, he performs a 90-degree rotation and imagines a new poetics of space in which a gentle wind of lightness blows from the west: the Zephyrus. César Award winner Armand Amar (“Le Concert”) wrote the music. “A great fresco on life […] And the magic works.” Le Figaro
Da Ponte & Friends
Da Ponte and Friends takes audiences on a journey through the life of Lorenzo Da Ponte, highlighting his pivotal role in introducing Italian opera to America. The show explores the diverse worlds Da Ponte inhabited: the court of Vienna, revolutionary Europe, and the birth of the New World. Through his collaborations with Mozart, Salieri, and others, Da Ponte’s work bridges the classical and the revolutionary, connecting the past with the present. Conceived by Claudio Orazi and Francesco Zimei, this project honors Mozart’s legacy and beyond, featuring the Carlo Felice Theatre Orchestra, conducted by Alvise Casellati, with soloists Salome Jicia (soprano), Giovanni Sala (tenor), and Levent Bakirci (baritone). Actor Giampiero Judica narrates as Da Ponte, bringing to life the librettist’s memoirs. The performance includes famous arias from operas by Da Ponte, Mozart, Salieri, Martín y Soler, and others, showcasing both beloved and rarely heard works
Sylvia
Léo Delibes’ Sylvia, created in 1876 at the Opéra Garnier, is an absolute masterpiece for its choreographic and musical richness. Manuel Legris, star of the Paris Opera, brings to Milan a new Sylvia that will delight the audience with its sumptuous choreography. This version of Sylvia focuses primarily on heterogeneous possibilities for the development of pure dance and thus also gives a wide scope to the picturesque moments that are once again decorated in great detail by Luisa Spinatelli.
Arena di Verona Festival 2021: La Traviata
With a spectacular new production, the Arena di Verona is celebrating its restart after the forced Corona break. La Traviata is a story of great emotions in the unique setting of the ancient amphitheatre of the Arena di Verona and with a star cast: Sonya Yoncheva, Vittorio Grigolo and George Petean offer a feast for the ears – and the new production is great theatre for the eyes. The action takes place in the golden Parisian era, the time of the world exhibition of 1889. On the huge stage, an LED wall measuring over 400 square meters unleashes impressive virtual imagery with a selection of paintings. These images from the Uffizi in Florence add additional perspectives to the concept of the mise-en-scene by creating a synergy between the arts of opera and painting.