At Salzburg Festival the new production of Mozart’s Così fan tutte is a magic moment in Mozart interpretation, a true feast for the eyes and ears: A masterfully clever staging, a ravishingly young cast and, with Joana Mallwitz, for the first time a woman stands at the podium of the Wiener Philharmoniker for a staged opera production at the Festival. “The sovereignty and prudence with which conductor Joana Mallwitz steers her ensemble and the Wiener Philharmoniker through Mozart’s musical cosmos is phenomenal“, praises BR Klassik, “the orchestra likes to be carried away by her, playing with enthusiasm and brilliance.“ For this shortened version of Mozart´s masterpiece the young conductor joins forces with none other than the internationally renowned director Christof Loy. The celebrated stage director brings unexpected psychological elements to his strikingly modern mise en scène which is coherent down to the smallest detail. On the simple black and white stage, the emotional tragedy takes ist course: The sisters Fiordiligi (sung by stunning French soprano Elsa Dreisig) and Dorabella (beautifully presented by Marianne Crebassa) are subject of a bet made by their betrothed Ferrando (exquisite and sunny voiced Bogdan Volkov) and Guglielmo (hot tempered Andrè Schuen) with Don Alfonso (surprisingly uncynical Johannes Martin Kränzle): true faithfulness would not exist with women. In the end, Don Alfonso should be right and still, this game causes deep wounds for all involved!
Salzburg Festival 2020: Jedermann
It is the centerpiece of the Salzburg Festival and an incontrovertible institution: For its 100th anniversary, the Salzburg Festival is offering an opulent, effective Jedermann by Hugo von Hofmannsthal. “Tobias Moretti plays with great commitment, Caroline Peters gives a brilliant performance” Salzburger Nachrichten
Orlando
Orlando is the first work commissioned from a woman for the Vienna State Opera. Olga Neuwirth, for a long time one of the great composers of the present, succeeds with this opera in creating a captivating arc across many musical genres. An exciting, socially critical production by Polly Graham who puts a fantastically singing and playing Kate Lindsey in the center of the action. Opernwelt made it “First performance of the year” in its annual hit list. “The premiere of the season” Die Zeit
Salzburg and its Festival
A cinematic journey through time with the Austrian film and theater actor Florian Teichtmeister as the servant of a special dinner party at Max Reinhardt’s Schloss Leopoldskron. “A jewel! Historical accuracy with simultaneous emotionality. The film gives a sense of the atmosphere in which the festival was created” Helga Rabl-Stadler, President of the Salzburg Festival
Der Messias
Known as a creator of astonishing images, stage director and visual artist Robert Wilson delivers a magnificent production of Mozart’s adaption of Handel’s Messias. Mozart was commissioned by Gottfried van Swieten to modernise the score fifty years after Handel’s popular composition (1742), mainly by arranging the wind parts and partially re-composing them. With Marc Minkowski a conductor has been engaged who understands perfectly how to combine baroque style with the tonal possibilities of an orchestra of the classical period like the Musiciens du Louvre. The excellent soloist quartet with Elena Tsallagova, Wiebke Lehmkuhl, Richard Croft and José Coca Loza merges perfectly into
Wilson’s enormous flood of images. “A complete artwork”, praises Opernglas. “stunningly beautiful” (BR Klassik); “A magic moment for the music” (orf.at)
Il palazzo incantato
Il palazzo incantato (The Enchanted Palace) by Luigi Rossi (1597-1653) has not been performed since its premiere in 1642. In Dijon, Leonardo García Alarcón and Fabrice Murgia bring back to life this unique work with singers, dancers and comedians. The libretto was written by Giulio Rospigliosi, who would later become Pope Clement IX. It is an adaptation of Ariosto’s Orlando furioso, a chivalric epic considered one of the great masterpieces of Italian literature and set to music by numerous other composers like Handel and Vivaldi as well. “A remarkable work of intelligence, and powerfully poetic” (Le Monde).
Plácido Domingo at Arena di Verona
Opera legend Plácido Domingo returns to the spectacular Arena di Verona with a programme dedicated to the great Italian composers Verdi and Giordano. Jordi Bernàcer conducts the orchestra of the Arena di Verona from the center of the Arena, which creates an incredible surround sound, embedded in a perfectly staged light show. The musical heart of the evening are long excerpts from La Traviata, where Domingo’s dark voice fits wonderfully for the role of Germont. An extraordinary evening, culminating in long applause for the charismatic singer. “Domingo performed with bravura, alternating with the spectacular Saioa Hernández” (operaactual.com).
Sonya Yoncheva & Vittorio Grigolo at Arena di Verona – Love Duets
Passion that burns, consumes and sometimes kills – it’s the central theme of this concerto lirico, which marks the finale of a very special summer festival at the Arena. The two star singers Sonya Yoncheva and Vittorio Grigolo present “with dramatic and passionate synergy” (OperaClick) some of the most beautiful love duets of opera history. Accompanied by Plácido Domingo as conductor, they combine French repertoire (Gounod, Massenet, Bizet) with famous Italian pieces by Verdi and Puccini, like “E lucevan le stelle” from Tosca, “Un bel di vedremo” from Madama Butterfly or “Mimì?!…Speravo di trovarvi qui” from La Bohème.
Beethoven Mass In C Major
Together with the excellent choir and a shining soloist quartet, Omer Meir Wellber reveals the immense expressiveness and novelty of this undeservedly neglected composition by the jubilarian Beethoven. lla Milch-Sheriff’s monodrama “The Eternal Stranger” is followed ‘attacca’ by Beethoven’s Mass in C major.
Parsifal
In the magnificent Teatro Massimo in Palermo, British stage director Graham Vick and Israeli conductor Omer Meir Wellber bring Richard Wagner’s last opera Parsifal in a suspenseful interpretation to the stage. In this Parsifal, the myth of the Holy Grail is woven into real-life events, a parable of the suffering of those who flee war and conflict zones to freedom. Omer Meir Wellber makes a highly successful debut as music director in Palermo where Richard Wagner composed this monumental opera during a long stay. The singers are excellently cast, above all a passionately singing Julian Hubbard as Parsifal and Tomas Tomasson embodies Amfortas superbly as a glorified prophet figure. “Graham Vick strips Parsifal of mysticism to deliver a powerful indictment of divisive ideologies” (Musical America); “Julian Hubbard as Parsifal is a sensation” (neue musikzeitung)