Orphée aux Enfers

Operetta enthusiast Barrie Kosky has landed a gigantic success with Offenbach’s subversive and hilarious reversion of the Orpheus myth at the Salzburg Festival. Kosky created a magically precise and witty staging with numerous extravagant costumes in a glittering opulent scenery and a literally devilish choreography. For the dialogues he has found an impressively ingenious solution as they are not spoken by the singers. Rather they are performed by the brilliant German actor Max Hopp as John Styx “who performs a true vocal miracle” (Neue Zürcher Zeitung) in a slapstick-like manner. The superb cast impresses with virtuoso singing as well as ravishingly comedic acting, first and foremost the American coloratura soprano Kathryn Lewek as Eurydice “with crystal clear coloraturas and sovereign top tones” (Salzburger Nachrichten), the Swedish mezzo-soprano Anne Sofie von Otter as severe L’Opinion publique or the Austrian bass baritone Martin Winkler as foolish father of the gods Jupiter. Under the Italian conductor Enrique Mazzola’s precise conducting the Wiener Philharmoniker provide an exquisite “sparkling orchestral sound” (Frankfurter Allgemeine Zeitung). “A frantic and fabulous show” (New York Times)

Plácido Domingo Opera Gala – 50 Years at the Arena di Verona

What a pompous and exquisite gala to celebrate opera legend Plácido Domingo in the breathtaking Arena di Verona! 50 years ago the young Madrilenian singer Plácido Domingo gave his debut at the ancient open-air theatre: the beginning of a lasting and exceptional relationship. To mark the anniversary, Domingo presents a programme entirely dedicated to Verdi, performing three of his most complex and majestic baritone roles. No effort was spared to create an unforgettable evening in a unique atmosphere in the completely sold-out amphitheatre, which has been at the heart of Italian entertainment for almost 2,000 years. Whether as Babylonian king Nabucco, Scottish general Macbeth or as Doge Simon Boccanegra: Domingo’s versatility and aura is more than impressive, with “top phrasing and articulation, his baritone with full and sonorous intonation and a unique timbre – all this substantiates his exceptional position” (Das Opernglas). At the side of Domingo shines an excellent cast including Anna Pirozzi and Arturo Chacón-Cruz, supported by a perfectly rehearsed ballet under the baton of conductor Jordi Bernàcer who sovereignly leads the Orchestra of the Arena di Verona from scene to scene. A triumphal, almost historic moment for Domingo and the Arena di Verona!