Felix Mendelssohn Bartholdy Presto from the Piano Concerto No. 1 in G minor – Soloist: Inga Fiolia (Georgia) / Giuseppe Verdi “Per me giunto è il dì supremo” from “Don Carlo” Soloist: ZhengZhong Zhou (China) / Wolfgang Amadeus Mozart Rondo in C major Soloist: Michael Barenboim (Germany) / Ney Rosauro Despedida (Farewell) from Concerto for Marimba and Orchestra – Soloist: Ni Fan (China) / Alexander Scriabin Préludes No. 9, 14, 17 & 20 from 24 Préludes, Op. 11 Soloist: Inga Fiolia (Georgia) /
Francis Poulenc Chanson No. 7 “La Belle Jeunesse” from “Chansons gaillardes” – Soloist: ZhengZhong Zhou (China) / Béla Bartók Fuga from Sonata for Solo Violin, Sz. 117
Soloist: Michael Barenboim (Germany) / Tobias Boström Arena – Percussion Concerto No. 1 Soloist: Ni Fan (China) / Carlos Gardel “El día que me quieras” (The day that you love me) Soloist: Rolando Villazón, Inga Fiolia (Georgia), Michael Barenboim (Germ.) / Gioachino Rossini Overture from “Guillaume Tell” Orchestra: Junge Sinfonie Berlin
Program: Giacomo Puccini: Che gelida manina, Aria of Rudolfo from «La Bohème» / Claude Debussy: String quartet G minor, Assez vif et bien rythmé / Franz Joseph Haydn: String quartet D major, Allegretto / Charles Gounod: Ah! Je ris, Aria of Marguerite from «Faust» / Wolfgang Amadeus Mozart: Horn Concerto, E flat major, Andante Rondo / Vitaly Michailowitsch Bujanovský: España / Pablo Sorozábal: No puede ser!, Aria of Leandro from «La tabernera del puerto» / George Bizet: Ouverture to «Carmen» / Giuseppe Verdi: Brindisi, duet of Violetta and Alfredo from «La Traviata»
Program: Wolfgang Amadeus MozartÖ: Oboe concerto, D major, Allegro aperto / Pietro Mascagni: Quella è una strada, Aria of Tartaglia from «Le Maschere» / Astor Piazzolla: Otoño Porteño / Ludwig van Beethoven: Piano Concerto No. 2 in B flat major, Rondo / Robert Schumann / Franz Liszt: Widmung / Erich Wolfgang Korngold: „Mein Sehnen, mein Wähnen“, Aria of Fritz from “Die Tote Stadt” / Johann Sebastian Bach: Concerto for violin and oboe, Andante / Giuseppe Verdi: Il pouveretto / Johannes Brahms: Hungarian Dance No. 6
Live from the Rossini Festival in Pesaro: Alberto Zedda conducts Rossini’s late masterwork, with an excellent singers quartet and the Coro and Orchestra of the Teatro Comunale di Bologna.
“A simmering performance that lives up to the high expectations”, wrote the New York Times of the Bach St John Passion presented by the great American director Peter Sellars and star conductor Simon Rattle in the Berlin Philharmonie. This St John Passion shows Simon Rattle, Peter Sellars, the Berlin Philharmonic and “a real dream team of singers” (Frankfurter Allgemeine Zeitung) building on the brilliant success of the St Matthew Passion and being as wildly applauded as before.
Australian-born Simone Young is internationally recognised as one of the leading conductors of her generation. In 2005 she took up the post of General Manager and Music Director of the Hamburgische Staatsoper and Music Director of the Philharmonic State Orchestra Hamburg, where she’ winning high praises for her interpretation of a repertoire ranging from Mozart, Verdi, Puccini, Wagner and Strauss, to Hindemith, Britten and Henze .“In Aribert Reimann’s Shakespearean opera Lear Simone Young kindled again that fascinating, shimmering colour spectrum between threatening gloom and gleaming lustre, with which she can also beguile in Wagner, Strauss and Verdi.” (NZZ)
Ever since their magnificent and hugely successful performance in Wagner’s “Lohengrin” at the Bavarian State Opera, Anja Harteros and Jonas Kaufmann have come to be regarded as the world of opera’s perfect couple. In Giuseppe Verdi’s “La forza del destino”, the two returned and once again played two lovers desperately trying to be together but kept apart by the forces of destiny. Their performance at the Munich Opera Festival met with “explosive outbursts of applause for the new heights
reached in singing” (dpa).
“Bernard Haitink found great nuances and nice timbres of the orchestra effectively and impressively underlining the bombastic passages of the piece” (Münchner Merkur). Teaming up with the Bavarian Radio Symphony Orchestra and Choir, the grandseigneur of the stars of the podium devoted himself to the “Missa Solemnis” of Ludwig van
Beethoven.
“Sometimes all that is needed is to match the right director with the right piece: Christof Loy and Janácek’s Jenufa are evidently just such a happy case, giving the Deutsche Oper Berlin the rare example of an opera production as intelligent as it is modern” (Opernglas). Jenufa, still Janácek’s most successful and most often performed opera, is a musical study of the social milieu. The psychologically precise role management of Christof Loy (“exemplary”, said the Frankfurter Allgemeine Zeitung) results in “a staging with an authentically tragic aura” (NY Times).
Richard Strauss year 2014 at Salzburg Festival: Gustavo Dudamel, winner of the Leonard Bernstein Award 2014, conducts the Vienna Philharmonic. On the program Strauss’ tone poems “Tod & Verklärung” and “Also sprach Zarathustra”. The evening is rounded up with a work by René Staar, who is also one of the Philharmonic’s violinists.
