The opera buffa “Il matrimonio segreto” (1792) is the only one of Domenico Cimarosa’s (1749-1801) 65 operas to still be regularly performed today. This is largely due to its remarkably original music, which is located stylistically between Mozart, Rossini and Donizetti, and anticipates the romantic era. The 18th century turns punk in this production that combines Baroque and Bad-Boy. The director of the often eye-popping staging is iconic Italian pop musician and TV personality Marco Castoldi, a.k.a. Morgan, who stresses the surprising modernity of the subject and underlines its timelessness.
Spontini, La fuga in maschera
This early work of Gaspare Spontini, a composer once known for his grand operas written for the courts of Napoleon, Berlin, Vienna etc., is found at an antiquarian book dealer in England in 2006 and performed for the first time since 1800 at Festival Pergolesi e Spontini in Jesi. Corrado Rovaris and I Virtuosi Italiani, known for their historically informed performances on non-historical instruments, play “with great verve and joy” (Milano Finanza). Director Leo Muscato “transforms the typical Neapolitanstyle musical comedy into a shrill, irreverent, over-the-top spectacle” (Corriere della sera).
Verdi, La Traviata
This production from the sumptuous Teatro San Carlo in Naples has two elements that make it different from all Traviatas prdocutions before: It is performed in the full length as Verdi wrote it. Phenomenal young conductor Michele Mariotti disregards the traditional cuts and plays entire work, which allows for better understanding of protagonists’ motivations. Italo-Turk stage director Ferzan Özpetek makes a minor change in the second act, with a major impact: Germont père was once a client of Violetta’s. This casts her relationship with Germont fils in a new light and adds more drama to the narrative. The stage design by Dante Ferretti, winner of three Academy Awards for The Aviator, Sweeney Todd and Hugo, is quoted as “a visually opulent yet strictly conservative affair” (Financial Times).
Tutto Verdi – Stiffelio
Tutto Verdi – Alzira
Tutto Verdi – Aida
La battaglia di Legnano
On the occasion of the 150th anniversary of Italian unity, Ruggero Cappuccio staged a new production of Verdi’s opera “La battaglia di Legnano” for the Rome Opera. Premiered in 1849, this work won Verdi a unique spot in the hearts of the Italian people, making the composer a living symbol of the struggle for liberation and unification. Leading the talented cast are Dimitra Theodossiou as Lida, Andrew Richards as the freedom fighter Arrigo, and Leonardo Lopez Linares as Rolando, Arrigo’s best friend. Boris Brott conducts with the “fire needed for this patriotic opera. [ ]” (Der neue Merker).
La Sonnambula
This ‘spirited and witty’ – in the words of Germany’s prestigious daily Frankfurter Allgemeine Zeitung – new production of Vincenzo Bellini’s (1801-1835) ‘La sonnambula’ dazzles with its lovingly detailed and imaginative sets which reproduce a Swiss alpine resort in the 1930s (Bellini himself set the action in a Swiss village). Complete with a majestic mountain panorama, cable car, post-bus and grand salon, not to mention the colorfully dressed resort guests, set designer Massimo Checchetto deploys an enchanting picture book of visual surprises.
Tutto Verdi – Don Carlos
Claudio Abbado conducts Beethoven’s Music to Egmont and Mozart’s Requiem at Lucerne Festival
The opening of the Lucerne Festival 2012, Claudio Abbado and the Lucerne Festival Orchestra in the first part present a most powerful composition dedicated to Goethe’s hero Egmont, the Incidental Music to ‘Egmont’ by Beethoven. The second part of the program includes Mozart’s last composition, the Requiem in D Minor, which was left unfinished due to the early death of the composer.