Liszt, Mephisto-Waltz
Smetana, The Moldau (Vltava, from “Má Vlast”)
Bruckner, Symphony No.6 in A major
Sir Georg Solti (1912-1997), one of the greatest conductors of the 20th century, was a testament to the elegance and impeccable tastefulness of Central European music-making. Born in Budapest in 1912, he studied with Béla Bartók, Ernö von Dohnányi, Zoltán Kodály and Leo Weiner. In 1937, Toscanini chose him to be his assistant at the Salzburg Festival. After the war, Solti was appointed Music Director of the Bavarian State Opera. Further stations in his career were the Frankfurt Opera, the Royal Opera House Covent Garden and the London Philharmonic. His remarkable partnership with the Chicago Symphony began in 1954; he was named Music Director in 1969 and held this post for a phenomenal 22 years. He is credited with greatly extending and enhancing the orchestra’s worldwide reputation. Solti died in September 1997, just before his 85th birthday. Although this is the only one of his symphonies that Bruckner never revised, the Sixth still managed to be mangled by well-wishing friends and conductors who felt they knew what Bruckner had really wanted to express… Not until the mid 20th century was the work published in its original version. The composer himself never heard a complete performance of his Sixth, which did not take place until 11 February 1899, more than two years after the composer’s death. It was conducted by Gustav Mahler, albeit in a radically cut and reorchestrated version.
Mendelssohn, Violin Concerto in E minor, op.64
The violinist Kyung-Wha Chung made her international breakthrough at her London debut performing the Tchaikovsky concerto with the London Symphony Orchestra under André Previn. She has since concertized with all the world’s greatest orchestras and most eminent conductors, such as Sir Georg Solti. “The last of the great international orchestral and operatic maestri” (The Times), Sir Georg Solti is a living testament to the elegance and impeccable tastefulness of Central European music-making. Solti’s remarkable partnership with the Chicago Symphony Orchestra began in 1954, when he first led the orchestra at the Ravinia Festival. After returning to conduct the ensemble several times during the following years, he was named Music Director in 1969 and held this post for a phenomenal 22 years. He is credited with greatly extending and enhancing the orchestra’s worldwide reputation. His recordings of Mendelssohn’s works with the Chicago Symphony date from the late 1970s and represent a mellower, more lyrically accented phase in the partnership between Solti and his orchestra.
La Clemenza di Tito
Jean-Pierre Ponnelle was in great part responsible for making the musical world aware of the true importance of Mozart’s last opera “La Clemenza di Tito” and for the fact that the opera is now regularly performed all over the world. He created a television version of his Salzburg Festival production of this work, an “opera seria” which Mozart composed in 1791 for the coronation of Emperor Leopold II in Prague. Ponnelle makes use of the wonderful gardens and ruins of Hadrian’s Villa, the Thermae of Caracalla and Rome’s Forum Romanum not because of their authenticity, but because of their unique atmospheric quality. The humanity of Mozart’s characters is fully expressed thanks to the conductor James Levine and the outstanding cast of singer-actors led by the grandiose Tatiana Troyanos as Sextus and Eric Tappy as a commanding Tito.