Let’s hope that the blessing of British pop culture is not lost to us after Brexit. After all, the UK is Europe’s number one pop nation, by a long stretch. The British gave us the Beatles, Led Zeppelin, Coldplay and Adele. James Bond and Harry Potter. Monty Python, Mr Bean and Eddie Izzard. Music, humour and films from the UK are permanent fixtures in definitive European culture. Now the divorce is looming. But despite the nostalgic feelings, it has never been an easy relationship. In the two-part cultural documentary United Kingdom of Pop, Signed Media pays homage to Europe’s most innovative pop superpower and presents the main genres, their stars sand subcultures in the form of film essays. United Kingdom of Pop revisits the most important protagonists and contemporaries behind the crucial lines of development over the past decades, reviews them with experts and categorises them. In the course of this process, United Kingdom of Pop also follows up the most important political, cultural and economic events that are reflected in the country’s pop culture, and celebrates the open and multicultural spirit that has made British pop culture so great and so unique. Each episode is commented by the stars of britpop: New wave icon John Watts, Spice Girl Mel C, late Malcom McLaren, Rag ‘n’ Bone Man and many more.
Eras of Music History
Bold in conception, popular in format, gripping in its presentation – “Eras of Music History” makes the soundtrack to European history come alive – immediate and easily comprehensible for young viewers, classical newcomers and experts. In the series “Eras of Music History” music becomes something palpable – sounds you can touch and feel. Graphic novels, historical scenes, jam sessions and commentaries by classical stars, footnotes from political figures, philosophers and cultural scholars – all these are woven together with video and audio documents of the history of great performances. (4 part series: Baroque, Romantic, Viennese Classicism, 20th Century – 4×90’ or 8×45’)
Lang Lang live in Berlin featuring Herbie Hancock
To celebrate Lang Lang’s 30th birthday, ‘the hottest pianist on the classical music planet’, and iconic jazz pianist, Herbie Hancock, joined forces together for an extraordinary performance at the famous O2 WORLD in Berlin, Germany in June 2012. Lang Lang and Herbie Hancock performed a program including Gershwin’s Rhapsody in Blue and Bernstein’s Tonight (from ‘Westside Story’) in arrangement for two pianos and orchestra, arrangements of classical hits like, Brahms’ Hungarian Dance No. 5 and Schubert´s Marche millitaire, where Lang Lang and Hancock were joined by the 50 children pianists. —— VERSION I (Total Length): Happy Birthday, Lang Lang! featuring Herbie Hancock – P. TCHAIKOVSKY: Piano Concerto No. 1 / F. CHOPIN: Étude Op. 25, No. 1 A-flat major op. 25 / L. BERNSTEIN: Tonight from ‘West Side Story’ / F. Schubert: Marche militaire / J. BRAHMS: Hungarian Dance No. 5 / G. GERSHWIN: Rhapsody in Blue / Prelude No. 1 / LU WEN CHEN: Reflections of the Moon on the Calm Lake / M. & P. HILL: Happy Birthday, Length: 96’ min —— VERSION 2: Lang Lang – Live in Berlin! featuring Herbie Hancock – P. TCHAIKOVSKY: Piano Concerto No. 1 / F. CHOPIN: Étude Op. 25, No. 1 A-flat major op. 25 / L. BERNSTEIN: Tonight from ‘West Side Story’ / G. GERSHWIN: Rhapsody in Blue / Prelude No. 1 / LU WEN CHEN: Reflections of the Moon on the Calm Lake, Length: 82’ min.
Magic Moments of Music – Arturo Benedetti Michelangeli plays Ravel
The name Arturo Benedetti Michelangeli (1920-1995) is still inextricably linked with Maurice Ravel’s Piano Concerto in G major. The way Benedetti Michelangeli articulates the trill chains, for example, is considered unique. At the same time, Benedetti Michelangeli is a great mystery: he was notorious for his numerous cancellations. The smallest discrepancies on the instrument, a small change in the room climate from rehearsal to concert were enough to cancel a performance. His reputation, as one of the greatest of his guild, is undisputed. Pianist Krystian Zimerman remembers his artistic exchange with Benedetti Michelangeli. For Pierre-Laurent Aimard, the Italian pianist is a declared source of inspiration as a magician of acoustics. Serge Celibidache, the son of Sergiu Celibidache, provides insights into the special artistic friendship of the two perfectionists. While Marina Baranova goes in search of Benedetti Michelangeli’s grand piano in Bavaria, Cord Garben, his producer, remembers the not always easy collaboration. Jazz musician Stefano Bollani, an admirer of Benedetti Michelangeli, explains how the composer Ravel was inspired by jazz music.
Magic Moments of Music – The Wrath of Nina Simone
It is a special moment in the life of the world-famous singer and pianist. She has just become a mother and has joined the protests of the civil rights movement in America against racism and discrimination against the black population. She predominantly writes and sings protest songs, risking her career because her lyrics are considered controversial in America and are even boycotted in some cases. In Europe, she sees the opportunity to express herself freely and tell the stories of the oppression of black people from her homeland. Through television concerts like this one, she reaches an audience of millions. The film tells of Simone’s beginnings in music, how she transitioned from classical to jazz, and her courage and relentless fight for equality and freedom. “Tomorrow is my turn, no more doubts, no more fears,” Simone sings in a mix of resignation and defiant hope. She hopes that her voice can be part of the change in the situation of the black population in the USA in the 1960s. Pianist Gabriela Montero and singer Angélique Kidjo explain how music can be an instrument of resistance. Jazz singer Lizz Wright’s work is still strongly influenced by Nina Simone to this day. Opera singer Victoria Randem explains how important Nina Simone was for the generations after her. They all show how important civil courage, authenticity, and emotionality are on stage and how Nina Simone’s legacy continues to have an impact today.
Magic Moments of Music – Lang Lang at Carnegie Hall
Lang Lang chose a wide-ranging program for his solo debut in 2003. After a more classical first half with works by Robert Schumann and Joseph Haydn, he interprets the Chinese composer Tan Dun after the intermission, finally culminating with Franz Liszt’s Don Juan Fantasy. Even as a small boy, Lang Lang is drilled to be a pianist by his father: He is to become the best piano player in the world. He is rarely allowed to see his mother so that she does not keep him from practicing. When he invites his father on stage at the end of his Carnegie Hall debut to improvise together on a Chinese folk song, one chapter of life ends – and a new one begins. This defining moment deals with the difficult relationship between freedom and the sacrifices we make for it. Lang Lang lives his father’s dream, which becomes his own dream. It is about musical perfection and personal relationships, about virtuosity and emotions – themes that are reflected in Lang Lang’s performance and in his life. Not only for Lang Lang himself, but also for his long-time companions such as conductor Christoph Eschenbach, composer Tan Dun and his teacher Gary Graffman, this concert was a magical moment. Pianist Claire Huangci has also known Lang Lang since a young age, and Bruce Liu is currently considered the new shooting star on the piano. Together with audio producer Christian Gansch and body language expert Stefan Verra, they retrospectively classify Lang Lang’s legendary recital evening.
Magic Moments of Music – Angela Gheorghiu „La Traviata“ at Royal Opera House
It was a uniquely magic moment of music. In what would be the first and only time, the BBC dedicated its prime time weekend schedule to broadcast an opera live to an audience of millions. In place of popular motoring programme Top Gear, the British public were treated to La Traviata by Giuseppe Verdi. Legendary conductor Sir Georg Solti convinced decision-makers at the BBC that it was time to introduce a phenomenal singer and performer to the world: Romanian soprano Angela Gheorghiu. Until this moment, Gheorghiu was a talent known only to a few. Solti himself was at the podium to conduct La Traviata for the first time in his storied career, while the staging was by theatre and feature film director Sir Richard Eyre – likewise working on his very first opera. Eyre agreed on one specific condition. “I wanted a soprano as described by Verdi himself: young, elegant and with a voice full of passion.” Angela Gheorghiu had all of these qualities and more. In an interview she said: “During the broadcast I felt that my time had arrived. I was in no doubt: it was now or never!” Alongside Angela Gheorghiu, who the film accompanies 30 years later to the Royal Opera House in London – the birthplace of her global success – are memories and reflections from tenor Frank Lopardo, who sang the role of Alfredo, opera director Sir Richard Eyre, BBC film director Peter Maniura, French-Danish singer Elsa Dreisig, conductor Marie Jacquot, opera critic Nick-Martin Sternitzke and the writer Salomé Balthus.
BEYONCÉ & SOLANGE – The queen of pop and her soul sister
Beyoncé and Solange Knowles are the most successful pair of sisters in pop history – and they couldn’t be more different…It takes a long time for Solange to step out of her sister’s shadow musically. A double portrait of two unequal exceptional artists. Beyoncé and Solange Knowles couldn’t be more different: One is arguably the biggest pop star of our time, the other puts her complex artistic aspirations above commercial success. While Beyoncé is systematically built up by her parents to become a megastar, her sister Solange has to fight with all her might for promotion and recognition from her family. It was not until late that she succeeded in stepping out of her sister’s shadow as an independent artist and emancipating herself musically. The film goes on a search for traces in Houston, the hometown of the sisters. Together with companions and friends it sheds light on the lives and careers. As the frontwoman of Destiny’s Child, a band managed by her father, Beyoncé began her stellar career in the late 1990s. After the group breaks up in 2006, Beyoncé launches her solo career with seven studio albums and 32 Grammys to date. Solange, on the other hand, begins her first steps into the limelight in the second row: first as a background dancer for Destiny’s Child, later as a songwriter for her big sister. But she wants more. Her third solo album “A Seat at the Table” brings the longed-for liberation. The album is celebrated by critics, Solange wins her first Grammy. After 30 years in the shadow of her sister, she has won her place at the table.
Magic Moments of Music – Sergiu Celibidache and the Berliner Philharmoniker
It was only through the request of the then Federal President Richard von Weizsäcker that the concert came about in 1992. The legendary Romanian conductor Sergiu Celibidache and the Berlin Philharmonic were to be reconciled. Celibidache had shaped the orchestra in over 400 concerts between 1945 and 1954 after the end of the Second World War. When, after the death of Wilhelm Furtwängler the orchestra chose Herbert von Karajan as his successor instead of Sergiu Celibidache, a dispute arose, and the two eventually parted ways. Celibidache withdrew, deeply offended, and refused any offer of further collaboration. It took 38 years for Sergiu Celibidache to return to the podium of the Berlin Philharmonic. It went down in music history as the so-called ‘reconciliation concert’. Celibidache made it a condition that he would receive twice as many rehearsals as usual. The program included Anton Bruckner’s 7th Symphony. In addition to rehearsal and concert excerpts, the film features Celibidache’s son, Serge Ioan Celebidachi, contemporary witnesses from the Berlin Philharmonic, the orchestra’s horn player Sarah Willis, the young French conductor Marie Jacquot, his last conducting student Rémy Ballot, and the Romanian conductor Cristian Macelaru. They provide insight into Sergiu Celibidache’s personality, working methods, and understanding of music.
Rock Chicks – I am not female to you
The world out there on stages is a man’s world. Or is that just what they want us to believe? What if the true King of Rock and Roll is a Queen? Listen closely and you hear Memphis Minnie’s guitar in Chuck Berry and Eric Clapton, Sister Rosetta’s unbridled spirit in Jerry Lee Lewis, Big Mama Thornton’s growl in Elvis. Still the fact that women rocked the stages from the1950s on has been successfully pushed out of the collective memory. Time to pull out the roots and tell the other side of the story. The women we meet on our journey devote their lifes to rock music, each of them is an icebreaker and they are as inspiring as different. ‘You have to be like a man. But I can do it, I am a woman with balls’, is Linda Gail Lewis’ Credo, while Kathy Valentine of The Go-Go’s considers herself a ‘rare bird’. Suzi Quatro proclaims that she doesn’t do gender at all, while Rosie Flores emphasizes her female qualities when playing the guitar. And Kristin Hersh of Throwing Muses decided to leave the sexist music business to be listener-supported, because: ‘What would my kids think if I looked at every camera like I wanted to fuck it – as they tell you to do?’ Rock Chicks – I am not female to you is a film about music as an inner need, about fighting for your dreams and daring to be yourself.