Mozart’s timeless masterpiece at the Salzburg Festival – it doesn’t get much better than this! Especially when “The Magic Flute” receives such a “spectacular and virtuosic staging” (Le Figaro) by American director Lydia Steier. Her colourful, fairy-tale production conjures up magical scenes and revolves around Hollywood star Klaus Maria Brandauer as grandfather, who reads the fantastical story of Tamino’s quest to his three grandchildren. The Three Boys are sung “technically flawlessly and expressively by three members of the Wiener Sängerknaben, a pure joy” (Spiegel Online). Constantinos Carydis leads a young ensemble of world class singers and draws “precise phrasing and plenty of crisp articulation from the Wiener Philharmoniker” (Financial Times). A delight already enjoyed by over one million TV viewers in Germany alone!
Salzburg Festival: Verdi, Il Trovatore
“Anna Netrebko – better than Maria Callas” (Süddeutsche Zeitung) – Since her sensational success in “La Traviata” the soprano Anna Netrebko, now even more popular than ever before, returns regularly to the great festival hall at the Salzburg Festival. This time she shines as Leonora in Giuseppe Verdi’s tragic opera “Il Trovatore” at the side of Placido Domingo and the critics go wild: “A triumph” writes the New York Times, while the Neue Zürcher Zeitung speaks of “truly divine sounds”. Alvis Hermanis staged the plot that revolves round two rival brothers who love the same woman and only learn they are related at the moment of her death, using sets that “in their opulent adherence to detail and fantastically illuminated atmosphere (…) offer much more than just a decorative sight for sore eyes“ (Salzburger Nachrichten).
Plácido Domingo Gala – 50 Years at the Arena di Verona
What a pompous and exquisite gala to celebrate opera legend Plácido Domingo in the breathtaking Arena di Verona! 50 years ago the young Madrilenian singer Plácido Domingo gave his debut at the ancient open-air theatre: the beginning of a lasting and exceptional relationship. To mark the anniversary, Domingo presents a programme entirely dedicated to Verdi, performing three of his most complex and majestic baritone roles. No effort was spared to create an unforgettable evening in a unique atmosphere in the completely sold-out amphitheatre, which has been at the heart of Italian entertainment for almost 2,000 years. Whether as Babylonian king Nabucco, Scottish general Macbeth or as Doge Simon Boccanegra: Domingo’s versatility and aura is more than impressive, with “top phrasing and articulation, his baritone with full and sonorous intonation and a unique timbre – all this substantiates his exceptional position” (Das Opernglas). At the side of Domingo shines an excellent cast including Anna Pirozzi and Arturo Chacón-Cruz, supported by a perfectly rehearsed ballet under the baton of conductor Jordi Bernàcer who sovereignly leads the Orchestra of the Arena di Verona from scene to scene. A triumphal, almost historic moment for Domingo and the Arena di Verona!
Kirill Petrenko conducts the Berliner Philharmoniker
The first performance at the Lucerne Festival of the Berliner Philharmoniker with their designated chief conductor Kirill Petrenko – Kirill Petrenko and the Berliner Philharmoniker in Lucerne were joined by the Chinese hypervirtuosa Yuja Wang in Sergei Prokofiev’s most popular Piano Concerto, the spirited No. 3. The program began in the world of Persian fairy-tales with Paul Dukas’s ballet score to “La Péri” from 1911, which recounts the story of a good fairy who is half-angel, half-human. And this Impressionist-flavored piece by no means needs to yield ground to Dukas’s better-known “The Sorcerer’s Apprentice” … Kirill Petrenko feels extremely devoted to Austrian composer Franz Schmidt, one of the last of the Romantics, who had to endure a traumatic experience when his only daughter, Emma, passed away in March 1932. He subsequently wrote a kind of Requiem with his Fourth Symphony, which includes elegiac laments, a wide-ranging funeral march, and, at the end, a celebration of farewell: “a dying in beauty,” as Schmidt said, “with the whole of one’s life passing in review.”
Sound of Freedom
The Soundtrack to Liberty – From the French Revolution to fall of the Iron Curtain. Music can move, comfort and encourage like no other medium. Social upheaval and political songs have marched hand in hand since the French Revolution, probably even before then. Music is a tool for mobilisation. It is the embodiment of the ideals and the hope for a better life. It galvanises the oppressed, spurs on the resistance and fires on the revolutionaries. The two part documentary Sound of Freedom goes back to the roots of this music of hope, rebellion, of the mavericks and the oppressed. This is the first time the sound of freedom and protest is being considered in its full historical context; not just within the microcosm of the Sixties and the civil rights movement, but with the narrative arc stretching from the 18th century to the present day. Part I: From the chansons of the French Revolution to the labour movement and the resistance against the Nazi Regime / Part II: From the hymns of the civil rights movement and the fight against apartheid to the call for sexual freedom and equality
Magic Moments of Music – Anne-Sophie Mutter and Herbert von Karajan
This series is dedicated to stellar musical events that gripped the whole world and remained unforgettable until today – with touching interviews of today’s artists, celebrities and eyewitnesses. Anne-Sophie Mutter’s and Herbert von Karajan’s version of the Beethoven Violin Concerto. Interviews with Anne-Sophie Mutter, Lisa Batiashvili, Robin Ticciati, Wilfried Strehle
Magic Moments of Music – Horowitz in Moscow
This series is dedicated to stellar musical events that gripped the whole world and remained unforgettable until today – with touching interviews of today’s artists, celebrities and eyewitnesses. Horowitz in Moscow – after 60 years absence from Russia, the pianist returned to his home country for the first time. Interviews with Peter Gelb, Martha Argerich, Daniil Trifonov and Sophie Pacini.
Magic Moments of Music – Berlin Wall Concert
This series is dedicated to stellar musical events that gripped the whole world and remained unforgettable until today – with touching interviews of today’s artists, celebrities and eyewitnesses. The Berlin Philharmonic’s legendary Berlin Wall Concert under the baton of Daniel Barenboim in November 1989. To get in, East German citizens just had to show their identity cards. Queuing started outside the Philharmonie at five in the morning, many spent the night on the parking lot in their Trabi cars. Interviews e.g. with Daniel Barenboim, Walter Momper
Africa Rising
Africa is hip. For several years now, a veritable hype has erupted in cinemas, in museums, in fashion and in music. The global north is in the process of renegotiation its relationship with Africa, and is intoxicated by the continent’s aesthetics. Not for the first time. Again and again over the past decades, Africa has served as a source of inspiration for the West, and as a projection surface, an object of appropriation but also of delineation. The documentary is taking the African renaissance as an opportunity to describe the major developments in African pop culture and their effect on the West, assisted by important stars and contemporary witnesses. Including music by: Miriam Makeba, E.T. Mensah, Joseph Kabasele, Papa Wemba, Bob Marley, Alpha Blondy, James Brown, Fela Kuti, Seun Kuti, Ray Lema, Sista Fa, Salif Keita, Cheb Khaled, Majid Bekkas, Mafikizolo, Youssou N´Dour, Peter Gabriel, Positive Black Soul, Spoek Mathambo, Maître Gims, Wizkid, MHD, Yonii, DJ Black Coffee, Distruction Boyz
Mythos Carmen
What do the great characters in the history of opera have to do with our own lives? “Mythos Carmen”: modern re-enactments place the respective operatic character squarely in the middle of our present times. Individual chapters examine the key issues of the character, which are spread out in the form of a kaleidoscope. International stars of opera, singers, conductors and directors explain what continues to fascinate us about the characters to this day. They explain their own take on the various heroes and describe what makes the operatic characters mythological. In doing so, they provide a distinctive, new and fresh perspective on the great works of music. The film is augmented by footage shot behind the scenes, at the places where the operas were written, and with a répétiteur, allowing the film to move through our present times emotionally guided by the opera.