Il trittico was premiered in New York on 14 December 1918, composed while the First World War was still raging in Europe. At first glance, the three one-act operas Gianni Schicchi, Il tabarro and Suor Angelica seem to have no connection with each other; their common denominator is solely the entanglement of man in a fateful destiny that only exceptionally, for a moment, seems to promise a happy outcome to the “adventure of life” — a set of themes that in its complexity seems to be in such good hands with few directors as with Christof Loy. The main female roles in the three opera acts are performed by the Lithuanian soprano Asmik Grigorian, a very rare and tremendous feat, but once again connects the works to each other. “Grigorian is […] a wonderful, intense performer: a gracefully graceful Donna fragile as Lauretta, a feverishly longing for love while tormented by guilt Giorgetta, and a desperately lost Angelica rebelling with defiance.” (Frankfurter Allgemeine Zeitung)
Wiener Philharmoniker: Jakub Hrusa conducts Kodaly, Bartok, Dvorak
This edition of the exclusive Vienna Phil subscription concerts, conducted by young conducting superstar Jakub Hrusa, features a carefully and beautifully selected programme of Czech and Hungarian music: Hrusa seizes every opportunity to derive additional bursts of energy from the rhythm and tension of the music, savours melodic developments and spurs the Philharmonic on to soloistic high-wire acts. Kodaly’s brilliance, Bartok’s fascinating motor skills, Dvorak’s picturesque fairy-tale sounds, Janacek’s austere grandeur: an opulent and haunting combination” (Die Presse). PROGRAM Kodaly: Dances Of Galanta; Bartok: The Miraculous Mandarin; Dvorak: The Wild Dove; Janacek: Taras Bulba (Rhapsody)
Salzburg Festival 2025: Oedipus Rex
Under Esa-Pekka Salonen, the Wiener Philharmoniker perform Stravinsky’s Oedipus Rex with explosive power. The stellar cast includes Allan Clayton, Marina Viotti, Michael Volle and Academy Award winner Christoph Waltz, who “performs this speaking role with subtle restraint” (BR Klassik). The concert also features Berlioz’s Symphonie fantastique “in a performance where everything is just right” (Der Standard). PROGRAM Stravinsky: Oedipus Rex; Berlioz: Symphonie fantastique
Wiener Philharmoniker: Tugan Sokhiev & Martha Argerich
“Glaring drama and bizarre comedy, lyrical poetry and gripping, vivid theatricality: Argerich demonstrated this par excellence in Prokofiev” (Der Standard). Under Tugan Sokhiev, the Wiener Philharmoniker presents two masterpieces of the early 20th century: Classical icon Martha Argerich interprets Sergei Prokofiev’s Third Piano Concerto with “great dexterity and fire” (Die Presse), “Thunderous cheers and bravos!” (Kronenzeitung). Igor Stravinsky’s ballet music “Petrushka” (1911 version) was transformed by Sokhiev “into a furious sound theatre” (Kurier). PROGRAM Prokofiev: Piano Concerto No. 3; Scarlatti: Sonata, K.141; Stravinsky: Petrushka – Suite
Wiener Philharmoniker: Ivan Fischer conducts Mahler & Haydn
Leading the Wiener Philharmoniker in a traditional subscription concert for the very first time, conductor Ivan Fischer presents Haydn’s rarely heard Sturm und Drang symphony “with great sensitivity, encouraging the Philharmonic to play with transparency and delicacy” (Die Presse), before delving into Mahler’s Lied von der Erde with renowned soloists Tanja Ariane Baumgartner and Daniel Behle. PROGRAM Haydn: Symphony No. 52: Mahler: Das Lied von der Erde
Salzburg Festival 2025: Andris Nelsons conducts Mahler & Shostakovich
Years into their joint Mahler symphony cycle, Andris Nelsons has proven time and time again that he is at home with Mahler at the podium of the Wiener Philharmoniker: “Under Andris Nelsons, the Tenth Symphony becomes an event.” (Salzburger Nachrichten). Symphonies Nos. 2-7 & 9 of this cycle are also available. “Nelsons is completely in his element” (BR Klassik) “Rich in colour and dynamics, and full of gripping suspense” (Kurier) PROGRAM: Mahler- Adagio from the Symphony No. 10; Shostakovich: Symphony No. 10
Wiener Philharmoniker: Thielemann conducts Brahms
Continuing their ongoing Brahms cycle, Thielemann and the Wiener Philharmoniker bring a “combination of magnificent sound and deep meaning” (Kurier) to their interpretation of the Fourth Symphony. Gautier Capuçon and Augustin Hadelich “enchanted” (Der Standard) with the Double Concerto for violin and cello. “Thieleman, Capuçon, Hadelich – the very best for Brahms” (Kurier) Program: Brahms: Concerto for Violin and Violoncello in A Minor, op. 102, Hungarian Dance No. 5, arranged for Cello and Violin, Symphony No. 4
Wiener Philharmoniker: Yannick Nezet-Seguin conducts Beethoven & Strauss
Yannick Nézet-Séguin gives his successful debut at the renowned, highly exclusive subscription concerts of the Wiener Philharmoniker. Joining him is piano legend Yefim Bronfman, who lives up to his reputation: “It was gratifying to hear how, in Beethoven’s Third Piano Concerto, a relaxed, silky-smooth beauty of sound repeatedly gave way to wiry accents of tension” (Der Standard). Bronfman proved an “ideal partner” (Kronenzeitung) for Nézet-Séguin and the Philharmoniker, who were “entirely in harmony with the soloist” (Die Presse). In the second half of the concert, “Richard Strauss’ Ein Heldenleben was given a refreshingly invigorating shake-up” (Der Standard). Program: Beethoven: Piano Concerto No. 3; Strauss: Ein Heldenleben; Debussy: Images II, III. Poissons d’or
Daniele Gatti conducts Stravinsky & Shostakovich
Featuring two contrasting pieces that could not be more different, Daniele Gatti leads the Wiener Philharmoniker in one of their exclusive subscription concerts. Stravinsky’s rarely performed ballet suite Apollon Musagète starts off the concert, in which Gatti “carefully and objectively brings out Stravinsky’s neoclassical style as in a copperplate engraving” (Kurier). After, the Wiener Philharmoniker take on the masterpiece that is Shostakovich’s Symphony No. 10 in E minor, “bringing the dystopian crescendos of the first movement to bear just as grippingly as the steamhammer scherzo and the happy ending. The wind solos are inspired across the board, from the clarinet lament to a warm Mahler horn to the final bassoon jubilation: cheers at the Musikverein” (Der Standard). PROGRAM: Stravinsky – Apollon Musagète, ballet suite; Shostakovich – Symphonie Nr. 10, Op. 93
Salzburg Festival 2024: Yannick Nezet-Seguin conducts Berlioz
Canadian maestro Yannick Nézet-Séguin, a regular collaborator with the esteemed Vienna Philharmonic since 2010, is making a comeback to the world-famous Salzburg Festival in 2024 to conduct a spectacular performance of Berlioz’s Symphonie fantastique with them! This symphony, composed by a 26-year-old Berlioz who was captivated by actress Harriet Smithson, his future wife, depicts an artist haunted by an all-consuming love that evolves from innocence to horror, including opium-induced dreams and a sinister witches’ sabbath.