Mozart, Symphony No.1 in E flat major, K. 16

Filmed mainly in Vienna’s splendid “Musikvereinssaal,” the Mozart symphonies conducted by Karl Böhm are all interpreted by one of the world’s foremost orchestras, the Vienna Philharmonic Orchestra, whose principal conductors have included Wilhelm Furtwängler, Bruno Walter, Herbert von Karajan, Claudio Abbado and, of course, Karl Böhm. “Thanks to Bruno Walter’s exemplary performances, particularly of Mozart’s works, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart.” (Karl Böhm) Mozart wrote his first symphony in London in 1764/65 at the age of 8. The boy sought his inspiration above all in the works of a German composer who had settled in London: Johann Christian Bach, the youngest son of the great Johann Sebastian, who became a lifelong friend of Mozart and exerted a strong influence on his style. The work reflects the Italian opera buffa atmosphere of the young symphonic genre, and its freshness and experimental delight in sonorities anticipate the inventiveness and mastery of Mozart’s later works. Karl Böhm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Böhm’s first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Böhm wrote that “Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart.” Filmed in Vienna’s splendid “Musikvereinssaal”, this work is interpreted by the Vienna Philharmonic Orchestra, the orchestra with which Böhm made many of his finest recordings.

Mozart, Symphony No.25 in G minor, K. 183

Filmed mainly in Vienna’s splendid “Musikvereinssaal,” the Mozart symphonies conducted by Karl Böhm are all interpreted by one of the world’s foremost orchestras, the Vienna Philharmonic Orchestra, whose principal conductors have included Wilhelm Furtwängler, Bruno Walter, Herbert von Karajan, Claudio Abbado and, of course, Karl Böhm. “Thanks to Bruno Walter’s exemplary performances, particularly of Mozart’s works, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart.” (Karl Böhm) Written in Salzburg in 1773, the “Little” G minor (thus distinguished from the “Great” G minor K. 550) is one of the most striking works in the group of nine symphonies Mozart wrote in 1773/74, as well as Mozart’s first symphony in a minor key. Music historians have often wondered about the origin of this stormy and dramatic work that echoes the “Storm and Stress” movement surging through Central Europe at that time. K. 183 also follows the model of the minor-key symphonies of other composers such as Joseph Haydn and, particularly, J. C. Bach, whose Op. 6 No. 6 even contains some similar turns. Karl Böhm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Böhm’s first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Böhm wrote that “Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart.” Filmed in Vienna’s splendid “Musikvereinssaal”, this work is interpreted by the Vienna Philharmonic Orchestra, the orchestra with which Böhm made many of his finest recordings.

Mozart, Symphony No.31 in D major, K. 297 “Paris”

Filmed mainly in Vienna’s splendid “Musikvereinssaal,” the Mozart symphonies conducted by Karl Böhm are all interpreted by one of the world’s foremost orchestras, the Vienna Philharmonic Orchestra, whose principal conductors have included Wilhelm Furtwängler, Bruno Walter, Herbert von Karajan, Claudio Abbado and, of course, Karl Böhm. “Thanks to Bruno Walter’s exemplary performances, particularly of Mozart’s works, I grabbed on to Mozart and fell in love with him so much that I had only one wish: to conduct Mozart, Mozart, Mozart.” (Karl Böhm) Unhappy with his situation in Salzburg, Mozart undertook a journey to Mannheim and Paris with his mother in 1778. The trip was overshadowed by tragedy – Mozart’s mother died in Paris – and was almost a complete failure. Almost, for it did give birth to a masterpiece like the “Paris Symphony,” written for the illustrious “Concerts Spirituels.” Knowing of the Parisians’ taste for brilliance and splendor, Mozart wrote a grand symphony for large orchestra, glowing with mellow woodwinds and ablaze with brass. Karl Böhm was universally acclaimed for his Mozart interpretations. Though Wagner was one of Böhm’s first loves, his friendship with Richard Strauss led to a deep knowledge and appreciation of Mozart. In his autobiography, Böhm wrote that “Richard Strauss revealed to me the ultimate secrets of this, in my opinion, greatest of all musical geniuses, Mozart.” Filmed in Vienna’s splendid “Musikvereinssaal”, this work is interpreted by the Vienna Philharmonic Orchestra, the orchestra with which Böhm made many of his finest recordings.

Beethoven, Symphony No.1 in C major, op. 21

The symphonies are part of the complete cycle of Beethoven symphonic and choral works featuring the Vienna Philharmonic Orchestra and the Concertgebouw Orchestra of Amsterdam conducted by Leonard Bernstein. All the works were recorded live in Vienna: Unitel produced the video recordings and Deutsche Grammophon released the

soundtracks in a special edition. The series won the Ace Award, the National (U.S.) Cable TV Association’s top award for outstanding quality and entertainment value.

Beethoven, String Quartet No.14 in C sharp minor, op.123

The introverted and personal quality of Beethoven’s late style is evident in this string quartet, written the year before the composer’s death. At this stage in Beethoven’s life, he was composing more for himself than for an audience, for he no longer felt it necessary to prove himself to his public. Despite the popular belief that Beethoven (at that time) was indifferent to the sound of his music because of his deafness, his sketchbooks show that he rewrote the last four bars of the variations of the quartet 12 times. It is the music of a man who has experienced life. The composer thought that this was his greatest string quartet. A traditional string quartet consists of two violins, one viola and one cello, and is usually in four movements; the String Quartet in C sharp minor contains seven movements, played without a pause. Leonard Bernstein said: “The C sharp minor Quartet seems to cry out for the whole string section.” In this performance, the work is played by an orchestra of 60 strings. This recording is part of Leonard Bernstein’s Beethoven cycle, recorded primarily with the Vienna Philharmonic Orchestra in the early 1980s. Writing in The New York Times, critic John J. O’Connor stated: “As Mr. Bernstein says, there is ‘no single body of work in the universe of orchestral music that is in any way comparable to this one.’ Conducted with intense dedication and soaring spirits by Mr. Bernstein, these recordings are superb, both visually and aurally.”